_maia3_'s review
emotional
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.25
I have very mixed feelings about this novel.
On one hand, despite what many have said, I actually enjoyed the flowery prose (even if the plot did move slowly from time to time), and the drama of the novel is well-developed. It's definitely a vibes-over-plot book, but I don't tend to mind that, and enjoyed the small historical details the novel had to offer. The flashbacks in the first half are well-executed and tension is kept measured throughout. O'Farrell writes poignantly on love and grief, especially the effects it has on different people.
On the other, I was and still am very conflicted about the fictionalisation of real people, especially when they are as 1) iconic and 2) scant with historical evidence as Anna Hathaway, her children, and William Shakespeare. The ending was the worst offender I feel, as even though the story wrapped up satisfyingly, it felt lukewarm given the knowledge that most of us have going into the novel - this is Shakespeare. Named or not, this novel exists as a comment on his legacy somehow, and I don't know how to marry it with my enjoyment of the novel.
That is to say however that I did, in fact, enjoy the novel - a lot of these are personal gripes that will probably not impact others. This is a good piece of historical fiction that I would happily recommend, but not for those who are looking for anything concrete or definitive on the Shakespeares, as, as O'Farrell herself puts it, the novel is a product of her own "idle speculation".
On one hand, despite what many have said, I actually enjoyed the flowery prose (even if the plot did move slowly from time to time), and the drama of the novel is well-developed. It's definitely a vibes-over-plot book, but I don't tend to mind that, and enjoyed the small historical details the novel had to offer. The flashbacks in the first half are well-executed and tension is kept measured throughout. O'Farrell writes poignantly on love and grief, especially the effects it has on different people.
On the other, I was and still am very conflicted about the fictionalisation of real people, especially when they are as 1) iconic and 2) scant with historical evidence as Anna Hathaway, her children, and William Shakespeare. The ending was the worst offender I feel, as even though the story wrapped up satisfyingly, it felt lukewarm given the knowledge that most of us have going into the novel - this is Shakespeare. Named or not, this novel exists as a comment on his legacy somehow, and I don't know how to marry it with my enjoyment of the novel.
That is to say however that I did, in fact, enjoy the novel - a lot of these are personal gripes that will probably not impact others. This is a good piece of historical fiction that I would happily recommend, but not for those who are looking for anything concrete or definitive on the Shakespeares, as, as O'Farrell herself puts it, the novel is a product of her own "idle speculation".
Content Warnings
Graphic: Child death, Pregnancy, Pandemic/Epidemic, and Grief
Moderate: Child abuse and Misogyny
Minor: Infidelity, Sexual content, and Animal death
castoningrey's review against another edition
emotional
reflective
sad
slow-paced
- Plot- or character-driven? A mix
- Loveable characters? Yes
- Diverse cast of characters? No
4.0
Content Warnings
Moderate: Pandemic/Epidemic and Child death
madzie's review
dark
emotional
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.5
O'Farrell offers an enticing idea about the life of Shakespeare's family and the death of his only son but falls short of the execution of her idea. Certainly, it cannot be argued that O'Farrell has a command of prose with vivid descriptions and creative language. However, her writing style cannot save the lack of a through point in the novel that leaves it mind-numbingly dull. Novels with little to no plot succeed with their interesting and relatable characters. Therefore, due to O'Farrell's characters being undeveloped and uninteresting, with a lack of exploratory and meaningful relationships with each other, the entire novel becomes a bore. In fact, the climax of Hamnet's death (not a spoiler) is hardly impactful because I have little care for any of the characters or their relationships with one another.
Unfortunately, Hamnet's death even becomes laughable due to the use of an absolutely unrealistic trope which shows O'Farrell's lack of care or research in her novel. The rest of the novel holds up similarly with the overuse of tropes that do not fit the genre and instead make the novel campy. I really was looking for this book to paint Shakespeare's family as people, rather than spectacles, who face a nonsensical tragedy. Instead, O'Farrell's reliance on tropes and leaving Shakespeare nameless do the opposite, making one of the most famous writers even more mysterious and even more magical rather than human. O'Farrell is excellent at depicting grief at the moment but neglects to write about how deeply it continues to affect people over time and how it can rip apart families and relationships, instead relying on surface-level points and exposition. Further, her use of multiple timelines seems senseless as there is no purpose or reveal, and instead makes the novel even more boring and approaching annoying.
The novel's ending demonstrates the potential it failed to reach. Big ideas and feeling attempt to break through, but after nearly 300 pages of not exploring those themes in depth, setting them up, or creating a relationship between the characters and reader, the end makes it seem like the idea would have fit a short story better than a full-length novel. Additionally, the conclusion only draws further attention to how the themes O'Farrell introduces are unfocused. Topics, such as family relations and women in society, seem to be abandoned, with no real exploration into what O'Farrell really wants her audience to reconsider. In the end, O'Farrell's famous novel, while driven by its excellent writing style, fails to deliver on its promises, lacks any purposeful direction, and leaves me longing for any deep feeling.
Unfortunately, Hamnet's death even becomes laughable due to the use of an absolutely unrealistic trope which shows O'Farrell's lack of care or research in her novel. The rest of the novel holds up similarly with the overuse of tropes that do not fit the genre and instead make the novel campy. I really was looking for this book to paint Shakespeare's family as people, rather than spectacles, who face a nonsensical tragedy. Instead, O'Farrell's reliance on tropes and leaving Shakespeare nameless do the opposite, making one of the most famous writers even more mysterious and even more magical rather than human. O'Farrell is excellent at depicting grief at the moment but neglects to write about how deeply it continues to affect people over time and how it can rip apart families and relationships, instead relying on surface-level points and exposition. Further, her use of multiple timelines seems senseless as there is no purpose or reveal, and instead makes the novel even more boring and approaching annoying.
The novel's ending demonstrates the potential it failed to reach. Big ideas and feeling attempt to break through, but after nearly 300 pages of not exploring those themes in depth, setting them up, or creating a relationship between the characters and reader, the end makes it seem like the idea would have fit a short story better than a full-length novel. Additionally, the conclusion only draws further attention to how the themes O'Farrell introduces are unfocused. Topics, such as family relations and women in society, seem to be abandoned, with no real exploration into what O'Farrell really wants her audience to reconsider. In the end, O'Farrell's famous novel, while driven by its excellent writing style, fails to deliver on its promises, lacks any purposeful direction, and leaves me longing for any deep feeling.
Content Warnings
Graphic: Child death, Grief, Pandemic/Epidemic, Death, and Terminal illness
Moderate: Child abuse, Emotional abuse, Abandonment, Physical abuse, and Alcohol
Minor: Pregnancy, Death of parent, and Infidelity
heini's review against another edition
mysterious
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Death, Child death, and Grief
Moderate: Domestic abuse, Pregnancy, Child abuse, Sexual content, and Alcoholism
Minor: Pandemic/Epidemic
enchantedelfie's review
challenging
dark
emotional
hopeful
inspiring
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Graphic: Pregnancy, Grief, and Child death
Moderate: Confinement, Injury/Injury detail, Child death, Abandonment, Death, Medical content, Pandemic/Epidemic, and Physical abuse
bookycnidaria's review against another edition
challenging
dark
emotional
funny
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Confinement, Death, Domestic abuse, Physical abuse, Chronic illness, Pandemic/Epidemic, Child death, Gaslighting, Grief, Child abuse, and Emotional abuse
tinyjude's review against another edition
emotional
inspiring
sad
medium-paced
- Plot- or character-driven? Character
- Diverse cast of characters? No
4.0
Agnes' fierce love for her children and the portrayal of her grief were the absolute highlights of this novel. I loved how painful it was to read all those passages.
I also loved the moment in which she attends the representation of Hamlet and understands what her husband intended to do. It was a good callback to her words a hundred pages before, and what any parent would want to do for their child.
I also loved the moment in which she attends the representation of Hamlet and understands what her husband intended to do. It was a good callback to her words a hundred pages before, and what any parent would want to do for their child.
Content Warnings
Graphic: Violence, Grief, Physical abuse, Pandemic/Epidemic, Child death, and Pregnancy
owlribbon's review
slow-paced
2.75
Content Warnings
Graphic: Pandemic/Epidemic, Child death, Death, and Grief
rosenau's review against another edition
emotional
informative
slow-paced
- Plot- or character-driven? Character
- Strong character development? N/A
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Child death, War, Death, Grief, Terminal illness, and Pregnancy
Moderate: Child abuse, Medical content, Pandemic/Epidemic, and Physical abuse
Minor: Miscarriage, Animal death, Animal cruelty, Infidelity, Injury/Injury detail, Death of parent, and Sexual content
nikmalikov's review against another edition
dark
emotional
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
beautifully, heartbreakingly haunting (mental health out the window over that ending i fear).
Content Warnings
Graphic: Death, Terminal illness, Miscarriage, Grief, and Child death
Moderate: Child abuse, Medical content, Pandemic/Epidemic, and Pregnancy