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212keatsk's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Torture, Violence, Blood, and Vomit
nebenezar's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
The characters are all interesting in their own way. What did irritate me a little is that I often got a better sense of the side characters and antagonists than the Gentlemen Bastards. The rich couple Locke and his gang robs is almost more fleshed out than Locke‘s friends are. The story is still „character-driven“, but that is more because of the fascination with Locke‘s constant plotting than anything. It’s difficult to grasp exactly what the characters are missing, but I think it can be boiled down to a „psychological footprint“. It’s not really clear what drove Locke to become the man he is. His love for his friends certainly drives his motivations in the present, but it isn’t at all clear how this man came to be, even with all the chapters focusing on the past.
That being said, this book is still immensely entertaining and well worth the read.
Graphic: Torture, Violence, Vomit, and Grief
Moderate: Bullying, Confinement, and Gore
Minor: Death of parent
emilywrayburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
I've been meaning to read this book for years and I'm glad I finally did. It is much slower than most books I enjoy, and it's also lacking in female characters. There was also the issue of every time something interesting happened, we'd be given a five page flash back of something that didn't always seem relevant at the time. Though I possibly did do a bit of an "ahh, he said the thing!" towards the end when "I don't need to beat you. I just need to keep you here until Jean arrives" had its pay-off.
There was so much plotting and scheming going on, multiple characters had multi-level plots or cons planned out - every time I thought the stakes couldn't get any higher, they did, though the plot often didn't go in the direction I was expecting. The writing is very good. A lot of my "issues" were really just down to personal preference.
I wasn't sure whether I would read the second book but I think I will try to at some point.
Graphic: Death, Violence, Blood, and Vomit
alexxxx's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Graphic: Child death, Death, Torture, Violence, Blood, Fire/Fire injury, and Injury/Injury detail
Minor: Vomit and Alcohol
nicoley3's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Cursing, Torture, Violence, Blood, and Murder
Moderate: Alcoholism, Drug use, and Vomit
fyrbora's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Blood
Moderate: Death, Gore, Torture, Violence, and Vomit
Minor: Sexual content and Death of parent
grayscale08's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.5
Graphic: Child death, Death, Gore, Torture, Violence, Blood, Grief, and Murder
Moderate: Cursing, Mental illness, Physical abuse, Sexism, Medical content, Kidnapping, Injury/Injury detail, and Classism
Minor: Ableism, Animal death, Body shaming, Bullying, Drug use, Fatphobia, Excrement, Vomit, Death of parent, Abandonment, and Alcohol
sporemiette's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Animal death, Body horror, Body shaming, Child death, Cursing, Death, Gore, Torture, Violence, Blood, Excrement, Kidnapping, Grief, Death of parent, Murder, Fire/Fire injury, Alcohol, Injury/Injury detail, and Classism
Moderate: Fatphobia, Slavery, Vomit, and Trafficking
randanopterix's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
It’s heists are genius in their construction, the characters are insanely loveable, the dialogue is realistic and hilarious, and the relationships built between the cast are surprisingly heartwarming. Now, if you think the stakes are high 100 pages in, friend, I hope you’re ready to be stressed as FUCK because the stakes only get higher and higher.
I’m obsessed with this book, not much more to say past that.
Tagging the rest of this review as spoilers as it’s pretty much going to include notes from my annotations:
• Jean Tannen is a murderous, sensitive, smart, fat king and I hope he lives to be 200 and the rest of his life full of happiness and joy.
• Locke is a terrible little rat of a man who I desperately want to be happy. I’m sorry you had to go through all of that, king.
• Calo and Galdo, real ones. Y’all didn’t deserve any of that.
• Bug absolutely fucking broke me. Heartbroken. The worst part was that I read up to Calo and Galdo’s death when I had to clock out from work. I had the whole ride home to be shattered about them and scheme about how Bug, Jean, and Locke were gonna take revenge before I finally got home to read the rest of the chapter….
• WHERE. IS. SABETHA.
• Bondsmagi OP, plz nerf /s
• Doña Vorchenza keeps taking those L’s.
• Let me preface this by saying that I LOVED the way women were written and portrayed in this book. Absolutely none of it was patronizing or unrealistic and they were all distinct characters capable of the same level of cunning and brutality as any of their male counterparts. THAT BEING SAID: Was a little disappointed that the two women characters who had potential to be a part of the main crew as it were (Nazca and Sabetha) were neatly folded up and put away for the majority of the novel. Hoping I get to know what the deal is w Sabetha in the next book because she didn’t even show up in the flashback portions of this one and it made her feel like she wasn’t even a part of the Bastards…
• The bank scene is genuinely one of the most insane, most clever, and most hilarious things I’ve ever read. POOR BENJAVIER.
• I was on the toilet during the scene where Locke speaks Bug’s true name and let me tell you, crying heartily about that while pooping was not my most dignified moment.
Graphic: Animal death, Child death, Cursing, Death, Gore, Torture, Violence, Blood, Murder, Alcohol, and Injury/Injury detail
Moderate: Alcoholism, Child abuse, Confinement, Sexual content, Slavery, Vomit, Trafficking, Kidnapping, Grief, and Fire/Fire injury
Minor: Drug abuse, Fatphobia, Pedophilia, Rape, Abandonment, War, and Classism
siannas_second_library's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.5
Graphic: Death, Gore, Torture, Violence, Blood, and Murder
Moderate: Body horror, Child death, and Vomit