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kazzerdam's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Graphic: Body horror, Death, Gore, Torture, Blood, Murder, and Injury/Injury detail
Minor: Death of parent
dragonaion's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
"Liar... Liar... Liar... Bastard!"
Edit: I've found another book that is a sibling-story to this. If you enjoyed The Lies of Locke Lamora, you will absolutely feel right at home with Nevernight by Jay Kristoff.
Graphic: Animal death and Blood
Moderate: Animal cruelty, Gore, Sexual content, Torture, and Violence
Minor: Bullying, Cursing, Gore, Slavery, Torture, Medical content, Medical trauma, Death of parent, Murder, Fire/Fire injury, Alcohol, Injury/Injury detail, and Pandemic/Epidemic
This is intended for adult readers, starting at the end of an epidemic sparing only children, contains sexual content, violence, gore, animal cruelty, graphic animal death (only at one point), and mentions slavery all in a realistic lense.gremlin_with_a_biscuit's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Gore and Violence
Minor: Body shaming, Death, Drug use, Fatphobia, and Death of parent
madamenovelist's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Graphic: Ableism, Alcoholism, Animal cruelty, Animal death, Body shaming, Child abuse, Child death, Confinement, Cursing, Death, Fatphobia, Gore, Misogyny, Physical abuse, Sexism, Sexual content, Slavery, Torture, Violence, Xenophobia, Blood, Excrement, Police brutality, Grief, Medical trauma, Death of parent, Abandonment, Injury/Injury detail, and Classism
seanml's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
Graphic: Animal death, Child death, Cursing, Death, Gore, Torture, Violence, Murder, Gaslighting, and Injury/Injury detail
Moderate: Blood, Medical content, Kidnapping, Grief, Stalking, Death of parent, Alcohol, and Classism
Minor: Misogyny, Sexism, Excrement, and Abandonment
kaziaroo's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Things I liked:
- the characters and their relationships were likeable and interesting, and the side characters were fun
- it was entertaining to read and the ending was satisfying. It would be fine as a stand-alone read – I haven't yet decided whether to read the sequel
- the setting was very rich and felt like a real place – I loved the Falselight and the Elderglass structures. The religious and social settings were also interesting.
What I didn't like:
- Unfortunately my Kindle edition didn't come with a map but I think paper editions do. A map would have made the characters' movements easier to follow.
- There's a lot of swearing – obviously this is personal preference and I did get used to it after a while.
- a lot of the dialogue felt very modern (and American) and at odds with the historical, Italian-inspired setting. Hearing members of the nobility coming out with phrases like "surely you must be kidding" was jarring and took me right out of the story. Characters of different social backgrounds also all seemed to talk in the same way.
- the pacing was all over the place. One moment there's a flurry of action and the next there's thirty pages of trying to swindle some stuffy bankers out of their clothes. I found the first half pretty boring and the second half only just made up for it. The narrative style is very episodic, almost more suited to a magazine or TV show than a novel.
- the main villain is very mysterious, but actually so much so that I found it harder to take him seriously. When we do find out more about him, it's in an info-dump right near the end of the book.
- although I praised the setting, I did find the book a bit too descriptive. I didn't really care what specific food the characters were eating or what it looked like, or the precise sectors of the city the characters walked through from A to B. Maybe if I'd had a map... The narrator also name-drops a lot, and my edition didn't have a glossary either. There are a lot of names of gods, locations, months/days, etc and I ended up skimming over whole sentences that were just a string of unfamiliar names that had no bearing on the rest of the book.
Graphic: Bullying, Child death, Cursing, Death, Gore, Torture, Violence, Blood, Medical content, Kidnapping, Grief, Murder, and Injury/Injury detail
Moderate: Fatphobia, Excrement, Fire/Fire injury, and Classism
Minor: Drug abuse, Sexism, Trafficking, Death of parent, and Abandonment
rangerwing75's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
And holy hell was she right.
The dialogue was the best part of this book. The characters are witty and filled with all kinds of colourful insults and threats.
The world is so so detailed. Like. It’s clear a lot of care was put into crafting this world. However, I found this could be a bit of a detriment at times. There’s a lot to remember, because everything impacts the plot in some way, and I struggle with grasping detail sometimes.
My only other big gripe is that there were times when the plot dragged. When it dragged, it dragged hard. I’m also not so sure how I feel about the interludes (which is just a fancy term for the flashbacks). Yes, they provided the necessary information for what was to come, and I don’t think there was a better way to have gone about it, but it just wasn’t something I personally enjoyed.
Overall, solid book. Locke and Jean’s friendship is top tier. Be mindful of the constant threats to cut off people’s balls.
Graphic: Cursing, Death, Torture, Blood, Murder, and Injury/Injury detail
Moderate: Animal cruelty, Drug use, Sexual content, Grief, Stalking, and Death of parent
le_mur's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Animal death, Child death, Death, Gore, Torture, Violence, Blood, Murder, and Injury/Injury detail
Moderate: Excrement
Minor: Body shaming, Sexual content, Vomit, Death of parent, and Fire/Fire injury
_fallinglight_'s review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.75
Graphic: Child death, Death, Gore, Violence, Blood, Death of parent, Murder, Alcohol, and Injury/Injury detail
Moderate: Body shaming, Fatphobia, and Sexism
nebenezar's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
The characters are all interesting in their own way. What did irritate me a little is that I often got a better sense of the side characters and antagonists than the Gentlemen Bastards. The rich couple Locke and his gang robs is almost more fleshed out than Locke‘s friends are. The story is still „character-driven“, but that is more because of the fascination with Locke‘s constant plotting than anything. It’s difficult to grasp exactly what the characters are missing, but I think it can be boiled down to a „psychological footprint“. It’s not really clear what drove Locke to become the man he is. His love for his friends certainly drives his motivations in the present, but it isn’t at all clear how this man came to be, even with all the chapters focusing on the past.
That being said, this book is still immensely entertaining and well worth the read.
Graphic: Torture, Violence, Vomit, and Grief
Moderate: Bullying, Confinement, and Gore
Minor: Death of parent