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korpney's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Graphic: Cancer, Suicide, Violence, and Murder
Moderate: Animal death, Child abuse, and Blood
leannanecdote's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.0
Graphic: Ableism, Animal death, Body horror, Bullying, Cancer, Child abuse, Child death, Chronic illness, Death, Fatphobia, Homophobia, Infidelity, Physical abuse, Suicide, Terminal illness, Toxic relationship, Violence, Xenophobia, Blood, Medical content, Grief, Death of parent, Murder, Abandonment, Injury/Injury detail, and Classism
art_books_chemistry's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.0
The first half of Magpie Murders by Anthony Horowitz is Magpie Murders by Alan Conway, the fictional author inside Horowitz's story. I liked it well enough, it felt like a mash-up of Sherlock Holmes and Hercule Poirot set post WWII. The real story, is actually set in the modern day and follows the editor of Conway's detective series because the last chapter of MM by Conway is actually missing (naturally).
The modern day half of the book feels even more derivative than the book inside the book. It's also wildly repetitive, I think we hear some of the same clues/information three times in some cases. Nothing about the storyline felt orignal, more like Horowitz took all his favorite red herrings and twists from the great classic detective stories, threw them in a pie, and baked them all together using Elmer's glue. Yep, purposefully picked the bad glue since the plot is weak and the solution is clear.
To add insult to injury, I was telling my husband about the book and he stopped and asked what the name was again because it sounded to him just like the Anthony Horowitz he read recently, The Word is Murder. I haven't read it so I can't draw the parallels but he said it was weirdly similar sounding. So not only is Horowitz derivative of the best classic detective novels, he's derivative of himself. Husband said the same about the second in the Hawthorne & Horowitz series and stopped reading them but he was disappointed because he loved the Alex Ryder books as a kid.
Graphic: Death and Violence
Minor: Homophobia
junowo's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
I will say that the justification at the end for certain character’s actions fell a bit flat, but I was willing to suspend disbelief for the sake of the climax!
Graphic: Body shaming, Child death, Death, Fatphobia, Gore, Terminal illness, Violence, Blood, Medical content, Grief, Death of parent, Murder, Fire/Fire injury, and Classism
Moderate: Animal death, Cancer, and Car accident
erebus53's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.25
This story is meta as füc# .. the main character is an Editor who is reading the last work of a murder mystery writer. The author of the work she wishes to publish, dies with unfinished business but appears to have ended his own life.. or has he? Or is a murder mystery fan just taking off on flights of fancy and imagining herself a sleuth.
As a book reviewer.. this book is really strange to read. Every point that I recognise in story construction is explained by the main character as she tries to assess the work she is reading; it feels really weird to look at a story and think "ah it could be this person, but that wouldn't be a satisfying conclusion, and this person is an OBvious choice and so therefore will HAVE to be a red herring.. " only to then have those ideas explicitly expounded upon by the narrator of the story. How can your review a book that it reviewing itself?!
Events in the unpublished fiction, tend to echo events that are unfolding in the story of the Editor, and it starts to get blurry in places and you wonder how much of what is going on is conspiracy, how much is causal, and how much is coincidental.
Amongst this stuff, conversations in the "real world" (of the book) feel like self-criticisms of the genre as a whole, and of the book itself. I can't help but feel THIS book is just trying to be clever, but it leaves me holding a handful of messy hints that the author of THIS book, feels like writing murder mysteries is a practice of making a product that sells well, rather than being good literature.
I did like the Disability narratives in the book. There is a person who is considered despicable for thinking of Down Syndrome as a disease, a person who has to deal with vision loss (and Audiobooks), and several characters with terminal illnesses.
It was kind of fun, but I was listening at 125% speed, which probably says a lot about the drawn out pace of the book and my desire to get it finished rather than actually enjoying the content. For that, I did have a couple of YUSS! moments where I had predicted things accurately or big reveals that felt fairly rewarding. Maybe if you like these sorts of books more you would get more out of it. It does feel quite like a Midsomer Murders story, with word puzzles in it.
Graphic: Ableism, Animal cruelty, Animal death, Bullying, Cancer, Child death, Chronic illness, Death, Emotional abuse, Gore, Homophobia, Mental illness, Physical abuse, Suicide, Terminal illness, Violence, Blood, Medical content, Dementia, Grief, Religious bigotry, Stalking, Death of parent, Murder, Alcohol, Injury/Injury detail, and Classism
Minor: Cursing and Pedophilia
corriejn's review against another edition
3.75
Graphic: Animal cruelty, Animal death, Child death, Death, Suicidal thoughts, Suicide, Terminal illness, Violence, Blood, Death of parent, Murder, Fire/Fire injury, and Injury/Injury detail
angela005's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Graphic: Cancer, Child death, Death, Terminal illness, Violence, Death of parent, and Murder
Moderate: Animal death and Suicide
Minor: Racism and Fire/Fire injury
lapon's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
The love letter to whodunits and the affectionate parody of the genre was very fun to read.
Howver I found the first part to be dragging at times.
Moderate: Suicide, Terminal illness, and Classism
Minor: Violence
simply_fran's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
Graphic: Suicide, Violence, Murder, and Fire/Fire injury
Moderate: Xenophobia and Medical content
purplepenning's review against another edition
3.75
Moderate: Animal death, Body horror, Bullying, Cancer, Child death, Death, Fatphobia, Homophobia, Infidelity, Suicide, Terminal illness, Violence, Blood, Murder, Fire/Fire injury, Alcohol, Injury/Injury detail, and Classism