Scan barcode
omgyaynina's review against another edition
challenging
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
I might need to sit with this one for a while before writing a full review. The writing was raw and compelling, but the story did start to lose my interest around the halfway point. It became monotonous, the characters not really doing much or changing — granted that may have been the point.
I often saw a younger version of myself in the FMC, which was validating and disturbing simultaneously. If I hadn’t borrowed this from the library I would have been annotating it furiously, and I might buy a copy to do just that. It made me think a lot, and feel a lot, which is what I want from a book.
Definitely check the content warnings.
I often saw a younger version of myself in the FMC, which was validating and disturbing simultaneously. If I hadn’t borrowed this from the library I would have been annotating it furiously, and I might buy a copy to do just that. It made me think a lot, and feel a lot, which is what I want from a book.
Definitely check the content warnings.
Content Warnings
Graphic: Rape
Moderate: Alcoholism, Eating disorder, and Self harm
aestheticism's review against another edition
dark
reflective
sad
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Acts of Desperation is the most intimate, immersive experience of a bad relationship I’ve ever encountered - including any other books, including films and shows.
It’s complicated to think critically about the book as a whole. On one hand it was incredible writing, so insightful and such purposeful use of words to convey ideas it feels like no one has explained this well before. Some favourite quotes from around the start of the book were:
“I love myself in love. I find my feelings fascinating and human, and for once I can sympathise with my own actions.”
“Being young and beautiful felt like a lot sometimes, felt like it translated to real-world power, but money shat all over it every time.”
The book can be described as an study on female victimisation: all the different ways a woman - in particular a feminine white woman - can be addicted to it, and all the bad that comes from it. In this sense, it was always so interesting to me, maybe more so as an outsider who can’t really use tears as a weapon. In this case, I do think Boy Parts did a better job of having thorough self awareness (of author, not of protagonist), so I can’t rate this book the same as Boy Parts. There is some reflection and honesty about why she does some things, but I did not feel it was fully acknowledged how much she favours being a victim over anything else (like being safe, being happy)
On the other hand, the heavy topics were plenty, to the point where they couldn’t all be handled with the same amount of care and precision. The aftermath of heavy drinking was always talked about with the voice of an accustomed alcoholic, but you don’t really see the same thing for the self-harm, and definitely not for the eating disorder. Because of that, it felt a little like one of these would get thrown in to illustrate her emotions, but not necessarily be treated with the amount if depth that it should. An example of a book that dealt with such things in a more well-rounded way is Conversations with Friends. Additionally, as someone who is very critical about triggering scenes and classifies most of popular media’s as trauma porn, I can’t say I finished the book completely able to justify the use of each one in relation to the characterisation. The last one in particular did feel like overkill and like it was more there to make a comment on that type of behaviour than to fit well with the protagonist’s progression.
As always with these books, narrators throw around big statements about how people richer than them get X Y and Z, and how they are so underprivileged, but then with no self-awareness go and do something only a very privileged person with parents’ money can do. With Boy Parts, it was at least acknowledged that the protagonist’s parents pay some of her rent. This is why Boy Parts was amazing, it lays everything out on the table and lets you figure out the protagonist’s hypocrisy on your own. With Insatiable, it tried to make money a main theme, while also living an upper class life and having things like parents paying for a wedding. Insatiable is on the low self awareness end of the spectrum of course, and had a way less critical view of the protagonist’s flaws. Now Acts of Desperation does mention upper middle class parents, but the whining about other irresponsible people getting nepotism jobs brought the self awareness back down (wow who would have thought that being irresponsible without having any back up plan would put you in this position? Totally the fault of the guy who has a job and was irresponsible knowing he would have it anyway) then, the protagonist did work full time for a while, making it understandable that she could afford flights and some time off for a foreign country. But then to live in that country for six months without speaking the language? It’s obvious that there is some support from parents but it’s not acknowledged which irked me. Of course, acknowledging it would interfere with the victim narrative, but this was disappointing because by that point it felt as if the character had laid out all her flaws with honesty already. It felt like regressing.
I’d recommend this book to anyone who wants to understand the realistic two sides of a toxic relationship, without getting a clean perfect dichotomy of hero vs villain, BUT is sure they are okay with reading the topics that are possibly triggering.
It’s complicated to think critically about the book as a whole. On one hand it was incredible writing, so insightful and such purposeful use of words to convey ideas it feels like no one has explained this well before. Some favourite quotes from around the start of the book were:
“I love myself in love. I find my feelings fascinating and human, and for once I can sympathise with my own actions.”
“Being young and beautiful felt like a lot sometimes, felt like it translated to real-world power, but money shat all over it every time.”
The book can be described as an study on female victimisation: all the different ways a woman - in particular a feminine white woman - can be addicted to it, and all the bad that comes from it. In this sense, it was always so interesting to me, maybe more so as an outsider who can’t really use tears as a weapon. In this case, I do think Boy Parts did a better job of having thorough self awareness (of author, not of protagonist), so I can’t rate this book the same as Boy Parts. There is some reflection and honesty about why she does some things, but I did not feel it was fully acknowledged how much she favours being a victim over anything else (like being safe, being happy)
On the other hand, the heavy topics were plenty, to the point where they couldn’t all be handled with the same amount of care and precision. The aftermath of heavy drinking was always talked about with the voice of an accustomed alcoholic, but you don’t really see the same thing for the self-harm, and definitely not for the eating disorder. Because of that, it felt a little like one of these would get thrown in to illustrate her emotions, but not necessarily be treated with the amount if depth that it should. An example of a book that dealt with such things in a more well-rounded way is Conversations with Friends. Additionally, as someone who is very critical about triggering scenes and classifies most of popular media’s as trauma porn, I can’t say I finished the book completely able to justify the use of each one in relation to the characterisation. The last one in particular did feel like overkill and like it was more there to make a comment on that type of behaviour than to fit well with the protagonist’s progression.
As always with these books, narrators throw around big statements about how people richer than them get X Y and Z, and how they are so underprivileged, but then with no self-awareness go and do something only a very privileged person with parents’ money can do. With Boy Parts, it was at least acknowledged that the protagonist’s parents pay some of her rent. This is why Boy Parts was amazing, it lays everything out on the table and lets you figure out the protagonist’s hypocrisy on your own. With Insatiable, it tried to make money a main theme, while also living an upper class life and having things like parents paying for a wedding. Insatiable is on the low self awareness end of the spectrum of course, and had a way less critical view of the protagonist’s flaws. Now Acts of Desperation does mention upper middle class parents, but the whining about other irresponsible people getting nepotism jobs brought the self awareness back down (wow who would have thought that being irresponsible without having any back up plan would put you in this position? Totally the fault of the guy who has a job and was irresponsible knowing he would have it anyway) then, the protagonist did work full time for a while, making it understandable that she could afford flights and some time off for a foreign country. But then to live in that country for six months without speaking the language? It’s obvious that there is some support from parents but it’s not acknowledged which irked me. Of course, acknowledging it would interfere with the victim narrative, but this was disappointing because by that point it felt as if the character had laid out all her flaws with honesty already. It felt like regressing.
I’d recommend this book to anyone who wants to understand the realistic two sides of a toxic relationship, without getting a clean perfect dichotomy of hero vs villain, BUT is sure they are okay with reading the topics that are possibly triggering.
Content Warnings
Graphic: Eating disorder, Rape, Self harm, and Toxic relationship
Moderate: Addiction and Mental illness
kotaxoxo's review against another edition
challenging
dark
emotional
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.75
this book was like snapshots of life’s most raw and dark moments but filled with the beauty of realism. It felt so real and palpable and really shed a light on how female desire and obsession can manifest into the most devastating realities.
Idk I just felt oddly connected to this , not every single part, but the psychological aspects of needing to feel or be seen as human through other people or experience life through how people view you (specifically men)……. WOW that was just WOW.
I will say TW for S/A and r@pe, cus that threw me off a lot and made me feel ill.
Idk I just felt oddly connected to this , not every single part, but the psychological aspects of needing to feel or be seen as human through other people or experience life through how people view you (specifically men)……. WOW that was just WOW.
I will say TW for S/A and r@pe, cus that threw me off a lot and made me feel ill.
Content Warnings
Graphic: Rape and Sexual assault
Moderate: Mental illness, Self harm, and Violence
lizetteratura's review against another edition
dark
emotional
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
a bit of a difficult book to swallow about longing, obsession, lust, desire, pain love, desperation and most heavily focused on toxic relationships
Content Warnings
Graphic: Rape, Self harm, and Toxic relationship
Moderate: Alcoholism and Sexual assault
kealki's review
dark
reflective
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Graphic: Rape, Sexual violence, Toxic relationship, and Violence
Moderate: Eating disorder, Self harm, and Sexual assault
bloupibloupreads's review against another edition
dark
emotional
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Graphic: Alcoholism, Eating disorder, and Rape
Moderate: Self harm and Sexual assault
Minor: Animal death
wine_and_dine's review against another edition
dark
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
I despise the nameless main character for how subservient she is and her willingness to make herself so small to make a man happy, and some parts were very challenging to read through (page 262).
I despise Cieran even more for his ability to make her feel worthless simply by ignoring her, and that he blatantly thought he was better than everyone else 'because he's an artist'.
But it was written remarkably well and her though development for justifying abuse was so clear.
The manic thoughts made her such an unreliable narrator I constantly questioned if the severity of the abuse was magnified by her incessant need to be loved (and magnified by the panic of not being loved after an argument).
The ending was very abrupt and her character arc felt very incomplete and nothing was learned from the story; it felt like I was reading her diaries and the retrospective Athens chapters were going to show growth from the abuse and from her own (obvious) personality disorder.
VERY strong themes of: longing, obsession, lust, desire, pain, self-harm, love, friendship, admiration, desperation
I despise Cieran even more for his ability to make her feel worthless simply by ignoring her, and that he blatantly thought he was better than everyone else 'because he's an artist'.
But it was written remarkably well and her though development for justifying abuse was so clear.
The manic thoughts made her such an unreliable narrator I constantly questioned if the severity of the abuse was magnified by her incessant need to be loved (and magnified by the panic of not being loved after an argument).
The ending was very abrupt and her character arc felt very incomplete and nothing was learned from the story; it felt like I was reading her diaries and the retrospective Athens chapters were going to show growth from the abuse and from her own (obvious) personality disorder.
VERY strong themes of: longing, obsession, lust, desire, pain, self-harm, love, friendship, admiration, desperation
Content Warnings
Graphic: Alcoholism, Drug abuse, Emotional abuse, and Self harm
beba_urb03's review against another edition
dark
emotional
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Graphic: Domestic abuse and Self harm
sgs's review against another edition
challenging
dark
reflective
fast-paced
4.0
If someone else had written this story/plot, my rating probably would have been lower, but the writing bumped the whole novel up at least a star. I used a highlighter all over this book.
Unfortunately, a very reflective and realistic novel for women, and I (disturbingly) felt I saw a friend’s relationship in it.
Unfortunately, a very reflective and realistic novel for women, and I (disturbingly) felt I saw a friend’s relationship in it.
Content Warnings
Graphic: Emotional abuse, Rape, Toxic relationship, and Violence
Moderate: Domestic abuse, Infidelity, Self harm, Sexism, Sexual assault, and Sexual violence
Minor: Fatphobia, Mental illness, and Suicidal thoughts
gabriellegoldenhour's review against another edition
challenging
dark
emotional
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.75
I recently found out that a new favorite genre of mine is “delulu females”, I thought this would be another but really it just gave me haunting reflections of my past. Not everything was the same, obviously, but feelings and scenarios of my youth in similar situations mirrored this unnamed narrator. I feel like when I started really liking the book it fell off and just stayed flat for me.
Content Warnings
Graphic: Addiction, Alcoholism, Body horror, Body shaming, Bullying, Death, Domestic abuse, Drug use, Eating disorder, Emotional abuse, Fatphobia, Infidelity, Panic attacks/disorders, Physical abuse, Rape, Self harm, Sexual assault, Sexual content, Sexual violence, Toxic relationship, Violence, Blood, Grief, Gaslighting, Alcohol, Sexual harassment, and Injury/Injury detail