Reviews with content warning for Injury/Injury detail - Let the Right One In

Reviews tagging 'Injury/Injury detail'

Let the Right One In by John Ajvide Lindqvist

28 reviews

kiwibird's review against another edition

5.0

One of the best and most disturbing books I've ever read.

On the surface, it's a vampire novel, but once you look below this, it's really a book about the (perhaps unavoidable) evil of humanity and being an outsider in a society that wasn't made to accept you. It also had a lot of unexpected queer themes—deep down, the narrative of the main character Oskar is just the story of a young boy coming to terms with his sexuality. The character of Eli, the young vampire Oskar falls in love with, is also fascinating. The text refers to Eli intermittently as she and he, and though she insists multiple times that she's "not a girl", she still chooses to present herself femininely. It's very easy to read her as a transfeminine nonbinary character, even though these terms weren't commonplace when the book was written.

I don't want to say that this novel is completely unproblematic, especially when it comes to its queer representation. I won't go into much detail so as to avoid spoilers, but there are several harmful stereotypes employed in the narrative, and Eli's transness can easily be seen as something that was forced upon her rather than a choice she made.

Despite these criticisms, I thoroughly enjoyed Let the Right One In and the way it grappled with heavy themes. This is definitely not a book for the faint of heart (be sure to check content warnings for this one), but if you're interested a good vampire story where the humans are the real villains, a portrait of 80s Stockholm suburbs, or a horror-genre exploration of growing up queer, you should pick it up.

{Note: I read the original Swedish version, so I can't comment on how the English translation holds up.}

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amandalove2bme's review against another edition

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adventurous challenging dark emotional hopeful sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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klimtsonian's review against another edition

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dark emotional hopeful reflective sad tense fast-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Flaws of characters a main focus? Yes

5.0

Gory, graphic, and gripping. Perfectly juxtaposes the mundanity and sterility of modern, suburban existence with the pervasiveness of horror in every form — from the systemic to the supernatural. The prose is straightforward and incisive, with some really stomach-turning descriptions that linger on the details just enough to get the point across without reveling in it. Even through it all, there’s a hopeful, tender core to the story: that there is someone out there for everyone, no matter how fucked up.

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teaandtales1's review against another edition

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dark slow-paced

Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.75

This is a really well-written book that I did not care for. There's dark and bleak and then there's this book. As an avid horror reader it takes a lot to make me want to skim certain parts of a book because it's just *too much,* but I felt the need to do that on multiple occasions. There was just so much in this book that didn't really need to be there, and in the process I felt the story dragging me down further and further into its well of darkness.

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morebedsidebooks's review against another edition

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4.0

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amoremeg's review against another edition

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challenging dark sad slow-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.75

This book was hard to get through. The dialogue was difficult to follow and often felt jumpy or truncated or stilted. I believe (I hope) there was some elegance lost in the translation. There are no winners. I don't know if any of the characters are actually good people. Maybe some are trying but it feels like the impulse to act out always wins, the impulse to not communicate always wins. There are so many irrelevant characters who did not need names and backstories- they were only introduced at all to bear witness to some moment, to be a third person perspective.

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