readingwithcoffee's review against another edition
adventurous
challenging
dark
emotional
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
emilybh's review against another edition
4.0
This book came together so beautifully at the end I wanted to go back and read it again; more than Beloved, this will stay one of my favourite books.
‘Toni Morrison makes myths out of everyday life in a way that’s so rich’
(Michèle Roberts, interviewed by Olga Kenyon in Kenyon, Olga (1989) Women Writers Talk, p.166)
‘Toni Morrison makes myths out of everyday life in a way that’s so rich’
(Michèle Roberts, interviewed by Olga Kenyon in Kenyon, Olga (1989) Women Writers Talk, p.166)
emilymonroe123's review against another edition
challenging
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
randis32's review against another edition
5.0
Morrison makes other authors look lazy, unimaginative, and just plain silly.
kcunderleaf's review against another edition
emotional
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.5
gentlyglowing's review against another edition
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
zoefcampion's review against another edition
5.0
Song of Solomon, by Toni Morrison, tells the story of Milkman Dead. The day he is born, Robert Smith, an insurance agent, jumps off the roof of the hospital, claiming he can fly but instead, falls to his death. Milkman discovers at 4 that humans cannot fly and loses all interest in caring for himself and others. As he gets older, he begins a relationship with his cousin, Hagar, and becomes friends with Guitar, who becomes part of a group that avenges the deaths of black citizens by killing whites. When Milkman is 32, he feels stifled by his family and decides to leave and search for his family's treasure. He goes back to the old farm of his father and aunt, Pilate, who is also Hagar’s grandmother. When he leaves he breaks up with Hagar, who is driven mad and dies of heart break. Milkman goes to Pennsylvania and finds many ghosts of his father's past, but no gold, so he heads to his grandfather’s ancestral home in Shalimar, Virginia. When Milkman arrives, he realizes that he is being followed by Guitar, who now wants to murder him. In Virginia, Milkman learns that his great grandfather, Solomon, legendarily flew back to Africa to escape slavery. He grows to love Shalimar, through this finding a sense of purpose, and goes home to bring Pilate to Shalimar with him. Milkman and Pilate bury Pilate’s father’s bones at the spot where Solomon leaped. Upon completion, Guitar sots Pilate in the head with a bullet meant for Milkman. In the final words of the book, Milkman leaps towards Guitar. The theme of Song of Solomon is the relationship between the living and dead within a family.
I think that Song of Solomon is a very good book. It was very challenging to read, because a lot of parts jumped between reality and what seemed to be fantasy. I think that these transitions are what make this book accelerated. It was also hard to keep track of the history of the Dead family tree, especially at the end, when much of the history was revealed. But I think that the many relationships in this story is what makes it so rich. Milkman seemed to be a very unlikable character because of his personality, but watching his character develop made it hard for me not to like him. I recommend this book to anyone who wants to read about life for African Americans during the civil rights movement and about family relationships.
I think that Song of Solomon is a very good book. It was very challenging to read, because a lot of parts jumped between reality and what seemed to be fantasy. I think that these transitions are what make this book accelerated. It was also hard to keep track of the history of the Dead family tree, especially at the end, when much of the history was revealed. But I think that the many relationships in this story is what makes it so rich. Milkman seemed to be a very unlikable character because of his personality, but watching his character develop made it hard for me not to like him. I recommend this book to anyone who wants to read about life for African Americans during the civil rights movement and about family relationships.
nickfourtimes's review against another edition
5.0
1) "Downtown the firemen pulled on their greatcoats, but when they arrived at Mercy, Mr. Smith had seen the rose petals, heard the music, and leaped on into the air."
2) "'Yeah. Sweet Hagar. Wonder what her name is.'
'You just said it.'
'I mean her last name. Her daddy's name.'
'Ask Reba.' Guitar paid their bar bill and helped Milkman negotiate to the door. The wind had risen and cooled. Guitar flapped his elbows against the cold.
'Ask anybody but Reba,' said Milkman. 'Reba don't know her own last name.'
'Ask Pilate.'
'Yeah. I'll ask Pilate. Pilate knows. It's in that dumb-ass box hanging from her ear. Her own name and everybody else's. Bet mine's in there too. I'm gonna ask her what my name is. Say, you know how my old man's daddy got his name?'
'Uh uh. How?'
'Cracker gave it to him.'
'Sho'nough?'
'Yep. And he took it. Like a fuckin sheep. Somebody should have shot him.'
'What for? He was already Dead.'"
3) "She was the third beer. Not the first one, which the throat receives with almost tearful gratitude; nor the second, that confirms and extends the pleasure of the first. But the third, the one you drink because it's there, because it can't hurt, and because what difference does it make?"
4) "Here one lived knowing that at any time, anybody might do anything. Not wilderness where there was system, or the logic of lions, trees, toads, and birds, but wild wilderness where there was none."
5) "Just before dark, when the sun had left them alone, when they were coming out of some woods looking around for the crest of the hill where they could see, perhaps, a farm, an abandoned shed—anyplace where they could spend the night—they saw a cave, and at its mouth stood their father. This time he motioned for them to follow him."
6) "As soon as she closed the door she heard voices and instinctively touched her loose hair. The voices came from beyond the dining room, from behind the closed kitchen door. Men's voices. Corinthians blinked. She had just come from a house in which men sat in a lit kitchen talking in loud excited voices, only to meet an identical scene at home. She wondered if this part of the night, a part she was unfamiliar with, belonged, had always belonged, to men. If perhaps it was a secret hour in which men rose like giants from dragon's teeth and, while the women slept, clustered in their kitchens. On tiptoe she approached the door. Her father was speaking."
7) "'I went cause Papa told me to. He kept coming to see me, off and on. Tell me things to do. First he just told me to sing, to keep on singing. 'Sing,' he'd whisper. 'Sing, sing.' Then right after Reba was born he came and told me outright: 'You just can't fly on off and leave a body,' he tole me. A human life is precious. You shouldn't fly off and leave it. So I knew right away what he meant cause he was right there when we did it. He meant that if you take a life, then you own it. You responsible for it. You can't get rid of nobody by killing them. They still there, and they yours now. So I had to go back for it. And I did find the cave. And there he was. Some wolves or something must have drug it cause it was right in the mouth of the cave, laying up, sitting up almost, on that very rock we slept on. I put him in my sack, piece by piece. Some cloth was still on him, but his bones was clean and dry. I've had it every since. Papa told me to, and he was right, you know. You can't take a life and walk off and leave it. Life is life. Precious. And the dead you kill is yours.'"
8) "His manner, his clothes were reminders that they had no crops of their own and no land to speak of either. Just vegetable gardens, which the women took care of, and chickens and pigs that the children took care of. He was telling them that they weren't men, that they relied on women and children for their food. And that the lint and tobacco in their pants pockets where dollar bills should have been was the measure. That thin shoes and suits with vests and smooth smooth hands were the measure. That eyes that had seen big cities and the inside of airplanes were the measure. They had seen him watching their women and rubbing his fly as he stood on the steps. They had also seen him lock his car as soon as he got out of it in a place where there couldn't be more than two keys twenty-five miles around. He hadn't found them fit enough or good enough to want to know their names, and believed himself too good to tell them his. They looked at his skin and saw it was as black as theirs, but they knew he had the heart of the white men who came to pick them up in the trucks when they needed anonymous, faceless laborers."
2) "'Yeah. Sweet Hagar. Wonder what her name is.'
'You just said it.'
'I mean her last name. Her daddy's name.'
'Ask Reba.' Guitar paid their bar bill and helped Milkman negotiate to the door. The wind had risen and cooled. Guitar flapped his elbows against the cold.
'Ask anybody but Reba,' said Milkman. 'Reba don't know her own last name.'
'Ask Pilate.'
'Yeah. I'll ask Pilate. Pilate knows. It's in that dumb-ass box hanging from her ear. Her own name and everybody else's. Bet mine's in there too. I'm gonna ask her what my name is. Say, you know how my old man's daddy got his name?'
'Uh uh. How?'
'Cracker gave it to him.'
'Sho'nough?'
'Yep. And he took it. Like a fuckin sheep. Somebody should have shot him.'
'What for? He was already Dead.'"
3) "She was the third beer. Not the first one, which the throat receives with almost tearful gratitude; nor the second, that confirms and extends the pleasure of the first. But the third, the one you drink because it's there, because it can't hurt, and because what difference does it make?"
4) "Here one lived knowing that at any time, anybody might do anything. Not wilderness where there was system, or the logic of lions, trees, toads, and birds, but wild wilderness where there was none."
5) "Just before dark, when the sun had left them alone, when they were coming out of some woods looking around for the crest of the hill where they could see, perhaps, a farm, an abandoned shed—anyplace where they could spend the night—they saw a cave, and at its mouth stood their father. This time he motioned for them to follow him."
6) "As soon as she closed the door she heard voices and instinctively touched her loose hair. The voices came from beyond the dining room, from behind the closed kitchen door. Men's voices. Corinthians blinked. She had just come from a house in which men sat in a lit kitchen talking in loud excited voices, only to meet an identical scene at home. She wondered if this part of the night, a part she was unfamiliar with, belonged, had always belonged, to men. If perhaps it was a secret hour in which men rose like giants from dragon's teeth and, while the women slept, clustered in their kitchens. On tiptoe she approached the door. Her father was speaking."
7) "'I went cause Papa told me to. He kept coming to see me, off and on. Tell me things to do. First he just told me to sing, to keep on singing. 'Sing,' he'd whisper. 'Sing, sing.' Then right after Reba was born he came and told me outright: 'You just can't fly on off and leave a body,' he tole me. A human life is precious. You shouldn't fly off and leave it. So I knew right away what he meant cause he was right there when we did it. He meant that if you take a life, then you own it. You responsible for it. You can't get rid of nobody by killing them. They still there, and they yours now. So I had to go back for it. And I did find the cave. And there he was. Some wolves or something must have drug it cause it was right in the mouth of the cave, laying up, sitting up almost, on that very rock we slept on. I put him in my sack, piece by piece. Some cloth was still on him, but his bones was clean and dry. I've had it every since. Papa told me to, and he was right, you know. You can't take a life and walk off and leave it. Life is life. Precious. And the dead you kill is yours.'"
8) "His manner, his clothes were reminders that they had no crops of their own and no land to speak of either. Just vegetable gardens, which the women took care of, and chickens and pigs that the children took care of. He was telling them that they weren't men, that they relied on women and children for their food. And that the lint and tobacco in their pants pockets where dollar bills should have been was the measure. That thin shoes and suits with vests and smooth smooth hands were the measure. That eyes that had seen big cities and the inside of airplanes were the measure. They had seen him watching their women and rubbing his fly as he stood on the steps. They had also seen him lock his car as soon as he got out of it in a place where there couldn't be more than two keys twenty-five miles around. He hadn't found them fit enough or good enough to want to know their names, and believed himself too good to tell them his. They looked at his skin and saw it was as black as theirs, but they knew he had the heart of the white men who came to pick them up in the trucks when they needed anonymous, faceless laborers."
acm25's review against another edition
5.0
I absolutely love this book. It has various themes running throughout and causes one to think about life in an interesting way. I see relationships as a MAJOR theme!