Scan barcode
markwillnevercry's review
2.0
Not gonna lie, it felt a bit all over the place. In the beginning I was like, "Ah, it is going to be about Peter learning to kill the restless one and thinking about that process, as a deeply emotional person he is", but nah, that was not the problem. I have a feeling, that there were many ideas, that the writer wanted to involve in the story, but either couldn't think through them well enough or simply didn't have enough space in the book. The general strokes of the story are really nice, but there were some places that made it questionable. The short chapters are nice, but I did not understand most of the times why one chapter would end and the other begin, sometimes in the middle of the scene even. It just felt a bit strange. Overall, it was an enjoyable reading experience, I just wish it was better.
Reading notes:
Why did he throw away the alarm? Shouldn't he keep carrying it to attract the dead?
And the community is just okay with Bud basically killing someone, by making them a bait and not fully informing them?
Now Peter is going to take over Mr Schmidt's job? Where is this story going?
Bro, the sex scene, bring out the fans, bois, it be steamin hot.
I have a feeling, that the writer of this book is not too fond of capitalism, seeing how Cooper reacts to the idea of wanting to be born before shit hit the fan. (this is never mentioned again, they never again think about being born at some other time)
Did we really need the scene where they kill Essie? Like, there was a bunch of blood already spilled and it does not really make sense to kill her in such a flashy way.
So we just leave the rest of people and have just Peter, Cooper, Tom and Becky????
Reading notes:
Why did he throw away the alarm? Shouldn't he keep carrying it to attract the dead?
And the community is just okay with Bud basically killing someone, by making them a bait and not fully informing them?
Now Peter is going to take over Mr Schmidt's job? Where is this story going?
Bro, the sex scene, bring out the fans, bois, it be steamin hot.
I have a feeling, that the writer of this book is not too fond of capitalism, seeing how Cooper reacts to the idea of wanting to be born before shit hit the fan. (this is never mentioned again, they never again think about being born at some other time)
Did we really need the scene where they kill Essie? Like, there was a bunch of blood already spilled and it does not really make sense to kill her in such a flashy way.
So we just leave the rest of people and have just Peter, Cooper, Tom and Becky????
Content Warnings
Graphic: Animal cruelty, Animal death, Body horror, Death, Gore, Gun violence, Violence, Xenophobia, Blood, Suicide attempt, Death of parent, Murder, Toxic friendship, Injury/Injury detail, and Pandemic/Epidemic
Moderate: Sexism, Sexual content, and Slavery
axel_p's review
adventurous
dark
emotional
hopeful
fast-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
The beginning kinda sucked, but after that it was amazing.
Content Warnings
Minor: Body horror, Child abuse, Child death, Confinement, Death, Domestic abuse, Gore, Gun violence, Pedophilia, Physical abuse, Sexual assault, Sexual violence, Slavery, Violence, Xenophobia, Blood, Excrement, Trafficking, Kidnapping, Grief, Cannibalism, Stalking, Death of parent, Murder, Gaslighting, Alcohol, Sexual harassment, Injury/Injury detail, and Pandemic/Epidemic
numerous_bees's review against another edition
adventurous
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.0
I try to go easier when reviewing YA books - I'm not the target audience - so I'm not going pick on the themes for being heavy handed or the writing for being clumy or the characters for being and acting like teenagers. Those aren't faults but a quirk of genre, but this novel didn't work for me structurally.
The first issue I ran into was that the author uses a lot of similes in an attempt to create a voice for the character and I found them be distracting and occasionally inappropriate for the situation.
The second thing - the one that really turned me off - is the sudden slavery/sexual assault plot point that shows up at about the 75% mark, lingers for a couple of chapters, and is dropped and barely brought up again. The sex abuse in particular is completely out of left-field, totally uncalled for, and adds nothing. I'm of the opinion that something that serious needs to justify it's presence in a story, and this didn't.
The racism metaphor that followed the slavery plot point only served to highlight the lack of racial diversity in the cast.
Finally, the climax is emotionally hobbled by how little we see of Peter and Cooper's community - the main(?) villain gets an emotional monologue where they try to justify their decisions, but they'vebarely featured in the story to this point and, despite Peter waxing poetic about how many happy memories they had together, we didn't see those events and Peter hadn't thought about them until that point, and I simply didn't care about this character or their motivations.
It's a shame, because I think that the concept of a queer romance novel set against the backdrop of a zombie apocalypse has a lot of potential, but this book isn't really that. It starts off as a romance but ends as a survival adventure, and I don't think it did a good job of transitioning between the two genres.
The first issue I ran into was that the author uses a lot of similes in an attempt to create a voice for the character and I found them be distracting and occasionally inappropriate for the situation.
The second thing - the one that really turned me off - is the sudden slavery/sexual assault plot point that shows up at about the 75% mark, lingers for a couple of chapters, and is dropped and barely brought up again. The sex abuse in particular is completely out of left-field, totally uncalled for, and adds nothing. I'm of the opinion that something that serious needs to justify it's presence in a story, and this didn't.
The racism metaphor that followed the slavery plot point only served to highlight the lack of racial diversity in the cast.
Finally, the climax is emotionally hobbled by how little we see of Peter and Cooper's community - the main(?) villain gets an emotional monologue where they try to justify their decisions, but they'vebarely featured in the story to this point and, despite Peter waxing poetic about how many happy memories they had together, we didn't see those events and Peter hadn't thought about them until that point, and I simply didn't care about this character or their motivations.
It's a shame, because I think that the concept of a queer romance novel set against the backdrop of a zombie apocalypse has a lot of potential, but this book isn't really that. It starts off as a romance but ends as a survival adventure, and I don't think it did a good job of transitioning between the two genres.
Content Warnings
Graphic: Death, Gun violence, Racism, Slavery, Xenophobia, Trafficking, Murder, and Pandemic/Epidemic
Moderate: Animal death, Rape, Sexual assault, Blood, Colonisation, and Injury/Injury detail
Minor: Child abuse, Physical abuse, Death of parent, and Alcohol