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numerous_bees's review against another edition
adventurous
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.0
I try to go easier when reviewing YA books - I'm not the target audience - so I'm not going pick on the themes for being heavy handed or the writing for being clumy or the characters for being and acting like teenagers. Those aren't faults but a quirk of genre, but this novel didn't work for me structurally.
The first issue I ran into was that the author uses a lot of similes in an attempt to create a voice for the character and I found them be distracting and occasionally inappropriate for the situation.
The second thing - the one that really turned me off - is the sudden slavery/sexual assault plot point that shows up at about the 75% mark, lingers for a couple of chapters, and is dropped and barely brought up again. The sex abuse in particular is completely out of left-field, totally uncalled for, and adds nothing. I'm of the opinion that something that serious needs to justify it's presence in a story, and this didn't.
The racism metaphor that followed the slavery plot point only served to highlight the lack of racial diversity in the cast.
Finally, the climax is emotionally hobbled by how little we see of Peter and Cooper's community - the main(?) villain gets an emotional monologue where they try to justify their decisions, but they'vebarely featured in the story to this point and, despite Peter waxing poetic about how many happy memories they had together, we didn't see those events and Peter hadn't thought about them until that point, and I simply didn't care about this character or their motivations.
It's a shame, because I think that the concept of a queer romance novel set against the backdrop of a zombie apocalypse has a lot of potential, but this book isn't really that. It starts off as a romance but ends as a survival adventure, and I don't think it did a good job of transitioning between the two genres.
The first issue I ran into was that the author uses a lot of similes in an attempt to create a voice for the character and I found them be distracting and occasionally inappropriate for the situation.
The second thing - the one that really turned me off - is the sudden slavery/sexual assault plot point that shows up at about the 75% mark, lingers for a couple of chapters, and is dropped and barely brought up again. The sex abuse in particular is completely out of left-field, totally uncalled for, and adds nothing. I'm of the opinion that something that serious needs to justify it's presence in a story, and this didn't.
The racism metaphor that followed the slavery plot point only served to highlight the lack of racial diversity in the cast.
Finally, the climax is emotionally hobbled by how little we see of Peter and Cooper's community - the main(?) villain gets an emotional monologue where they try to justify their decisions, but they'vebarely featured in the story to this point and, despite Peter waxing poetic about how many happy memories they had together, we didn't see those events and Peter hadn't thought about them until that point, and I simply didn't care about this character or their motivations.
It's a shame, because I think that the concept of a queer romance novel set against the backdrop of a zombie apocalypse has a lot of potential, but this book isn't really that. It starts off as a romance but ends as a survival adventure, and I don't think it did a good job of transitioning between the two genres.
Content Warnings
Graphic: Death, Gun violence, Racism, Slavery, Xenophobia, Trafficking, Murder, and Pandemic/Epidemic
Moderate: Animal death, Rape, Sexual assault, Blood, Colonisation, and Injury/Injury detail
Minor: Child abuse, Physical abuse, Death of parent, and Alcohol