Reviews tagging 'Emotional abuse'

Lies We Sing to the Sea by Sarah Underwood

3 reviews

mattiedancer's review against another edition

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adventurous dark sad fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.25

 Writing: 4⭐️/5 
The writing in this story was clear and poetic. At times, I really did love the beauty of the words and how the story was unravelling carefully. I think Underwood writes very cleanly and epically, which served this Greek-myth-inspired story well. The shifting character POVs served the story well, though I do wish each character had a more defined voice during their own section.

Characters: 3⭐️/5
The characters in the story were clear and relatively strong. Or, at least, the main characters – our narrators – were. The side characters felt much more wishy-washy, their personalities left unexplored and undeveloped until the climax of the story, which then felt far too late. Despite our three main characters being clear in their characteristics, they also didn’t develop much throughout the story. The plot took the centrefold of the story, and the characters simply continued along their paths.

Plot: 3.25⭐️/5 
I did enjoy reading the story, as the plot felt clear and decided. However, at many points, the plot’s pacing felt incredibly off. I wondered at the stretched out timeline between Menthalo and Leto’s training to the condensed timeline of them returning to Ithaca and crashing into Mathias’ life. Since the timeline felt rushed, many of the plot points felt rushed. Personally, while I enjoyed both of the love stories in the novel, I wondered whether they could have been handled a bit better to make it feel more respectful. I love a good poly relationship, but – while Menthalo and Mathias ended up respecting each other – one was left in the dark about the other, and Menthalo herself never seemed to be settled with the fact that Leto also loved Mathias. 

Who Should Read This Book? 
Fans of Greek Mythology looking for something inspired by it; readers looking for a tragedy that isn’t hopeless; those who like LGBTQIA stories; 

Content Warnings? 
Blood, death, hangings, drowning, murder, injury, injury detail, fire, rape, sexual assault, sexual content, sacrifices, misogyny, sexism, gaslighting, abuse, suicide, suicidal thoughts, depression, classism, 

Post-Reading Rating:  3.25⭐️/5
I liked the ending, but I wanted a bit more from the lead up into it. 

Final Rating: 3.25⭐️/5 (3.38)

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lindz_reads's review against another edition

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adventurous challenging dark emotional mysterious reflective sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

2.5

Struggled to get through.

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hanne_'s review against another edition

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dark emotional sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.0

Gods, what a slog. Had one early moment with properly horrific use of familiar imagery (the feet, what else?), and then… kinda fell apart. This could’ve been sweet and lush, but tried to do too much with too little and was narratively all over the place. It’s a reimagining of how the Odys— okay, it’s not really doing that rigorously but it’s an intensely personal exploration of— nope, it’s one of those “monarchic inheritance acts like a reality show competition” books— but don’t worry, this YA love triangle’s *bisexual* and even drifting toward polyam— oh wait, now we’re doing the senselessly tragic nature of capital-F Fate— whoops, have two sudden twists… and it’s over. Exhausting. 

I think the author needed to pick one or two things to really commit to: the worldbuilding as an extension of The Odyssey, the consistency of the magic and plot elements she wanted to include, Leto and Melantho’s first-person voices (which started out refreshing and distinct but soon blended together), the three protagonists’ relationships, or the political/governing elements. Instead, the story rushes past each in turn in service of the others, and the only reliably well-developed element is actually… the violence? If you for some reason want to read a lot of detail about people, mostly children, being disturbingly murdered and assaulted, this is the book for you. 

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