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izypup's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Cursing, Death, Gore, Gun violence, Homophobia, Suicidal thoughts, Blood, Grief, Toxic friendship, and Injury/Injury detail
Moderate: Alcoholism, Animal death, Violence, Blood, Vomit, Stalking, and Murder
Minor: Body shaming, Fatphobia, Physical abuse, Excrement, Islamophobia, Kidnapping, and Fire/Fire injury
charlieeee's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.0
Graphic: Death, Gore, and Blood
Moderate: Body shaming, Confinement, Cursing, Fatphobia, Hate crime, Homophobia, Sexism, Xenophobia, Islamophobia, Religious bigotry, and Injury/Injury detail
Minor: Panic attacks/disorders, Suicidal thoughts, Vomit, Kidnapping, and Alcohol
The first part was fabulous. Some really good examinations of people growing apart; philosophy of life (for male-socialised people anyway); it was tense and had some great metaphors and other strong writing. And then part two happened where I would have sworn I was reading a completely different book altogether! The metaphors were over the top, made no sense in the context of the scene and the characters were really stereotypical - and the less about ‘Surtr’ and the constant repetition about her breasts, body and ‘smell’ of her genitalia the better. Was so disappointed by part two. So so disappointed.caspian's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.5
Graphic: Homophobia, Racism, Islamophobia, and Murder
bugsoup's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Graphic: Body horror, Gore, Violence, Blood, and Injury/Injury detail
Moderate: Body shaming, Fatphobia, Vomit, and Murder
Minor: Addiction, Homophobia, Misogyny, Physical abuse, Antisemitism, Islamophobia, Religious bigotry, and Toxic friendship
cantfindmybookmark's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.0
Graphic: Body shaming, Fatphobia, Misogyny, and Sexism
Moderate: Confinement, Death, Gore, and Excrement
Minor: Homophobia, Antisemitism, Islamophobia, Religious bigotry, and Murder
maggie_t's review against another edition
- Plot- or character-driven? Plot
- Strong character development? N/A
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.25
Having watched the movie before reading, I personally think the first half of the book holds up better than the script, but the movie handles the latter half more coherently. Doesn’t necessarily take away from its reading value, just changes how it reads. Instead of a story about something inherent within the character/s or the baggage they carry it becomes more so an arena of uncaring hostiles forcing the characters through the grinder.
The author’s snide disdain for anything feminine or fat stains his writing. It goes beyond one or two character’s personal world view as it permeates the entire book. The main character often remarks on how feminine, or femininely beautiful, other male characters are; sometimes as out of pocket observations, other times with a sneering judgment that’s hard to miss. The fat characters are determined by the story as sweaty, wheezing losers, unpleasant companions that unjustly lash out against the main character due to bitterness of his “freedom”. The wives of the fat guys are then framed almost as ‘befitting’ partners to their unpleasantness: a depressed mother of a sickly child and an unstable gold-digger. And the fat girl doesn’t crop up without the author reminding you how her body looks, which he justifies as relevant because the girl is usually naked.
To his credits, he writes paranoia and that gut-drop sensation of realizing something is hiding in plain sight very well. Chapters with the monster are compelling and tense, with memorable moments of you catching up to the character as he realizes he’s not as alone as he seems. The conflict near the end (before the climax confrontation) is pretty satisfying to read, unlike other books that put the characters through hell with no vindication.
Overall I would have rated this higher had the author not imparted so much misogyny and fatphobia into this, but it was an easy fast read with some high points.
Graphic: Animal death, Gore, Violence, Blood, and Injury/Injury detail
Moderate: Body shaming, Fatphobia, and Misogyny
Minor: Addiction, Homophobia, Suicidal thoughts, Antisemitism, and Islamophobia