lyd41's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
0.75
Minor: Outing, Toxic friendship, Vomit, Fatphobia, Toxic relationship, and Racism
tsar's review
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
4.5
“Imagine going about your day knowing someone’s carrying you in their mind. That has to be the best part of being in love- the feeling of having a home in some else’s brain.”
First impressions might not tell you everything that you need to know about one person or place, and this is evident in how Leah Burke is viewed by the perspective of Simon and the way she condones her own narrative in the second Creekwood novel.
Jumping one year after the events in Simon, the gang of friends face new responsibilities and anxiety for the future as seniors in high school who would be graduating soon. As the friends begin to settle with their roles, Leah languidly unravels herself in maturity and identity that she internally denies in all of her teenagehood years.
By this plot point, a direct storyline is almost non-existent, unlike the first book that has a straightforward conflict. Instead, readers are given a coming-of-age tale akin to the slice of life trope that primarily centers around self-reflection, creating a dramatic phase where the issues are externalized from within Leah's mind. This results in readers understanding better of her character, perceiving the negative impressions of her personality as bypass products of the imperfect life that she leads behind the scenes, and to see the more positive lights of her body that should've overshadowed the contrary ones—this predicament shifts my view towards the character: she only tries to maintain the false confident persona to protect herself from her own insecurities. As readers flip the pages, it becomes clear that Leah on the Offbeat comes off more as an expansive journal of her life instead of a third-person view story of someone else.
Following its suit to be more female-centric, Leah allows the readers to be further familiarized with Abby Suso that has been introduced as the perfect beauty with brains. Her social personality is pierced slowly to see how she struggles with her insecurities and the fact that she has a certain selfish side, such as her nonchalance to her break-up with Nick in order to save her feelings from the hard truth. On the other hand, while the relationship dynamic between Leah and Abby is commendably cute, it feels queer-baiting at the same time. Abby comes off stringing Leah along numerous times in the excuse of self-doubts even when she is sure of what she feels towards the main character, which makes the pay-off that is their get-together doesn't have such charming sparks.
I also wish that Leah would've covered more of the supporting characters' side stories as much as Simon did, but I do understand that the negation of this is there because we are already familiar with other characters' stories like Simon and his boyfriend.
Nonetheless, Leah on the Offbeat is a laudable addition to the Creekwood series. It might as well become my favorite out of the two novels released as it surprises me with its take in illustrating a character-driven tale.
Moderate: Racism, Body shaming, Fatphobia, and Homophobia
jenarae's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Minor: Fatphobia, Alcohol, and Racism
rayne_1906's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Biphobia and Body shaming
Moderate: Homophobia and Fatphobia
Minor: Alcohol
readitandweep's review against another edition
- Plot- or character-driven? Plot
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Graphic: Biphobia and Body shaming
Moderate: Fatphobia
Minor: Lesbophobia
_sandhya_'s review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Minor: Biphobia, Body shaming, Fatphobia, Lesbophobia, and Racism
theasbookworld's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
Minor: Alcohol, Biphobia, Body shaming, Fatphobia, Homophobia, and Racism
francadazwischen's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Moderate: Racism and Fatphobia
bookedbymadeline's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Racism, Cursing, Biphobia, Fatphobia, and Body shaming
limiwh's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
Graphic: Biphobia, Fatphobia, and Body shaming
Moderate: Racism and Homophobia