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lish_reads's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Graphic: Ableism, Deadnaming, Hate crime, Toxic relationship, Transphobia, Toxic friendship, and Dysphoria
Moderate: Biphobia, Death, Drug use, Misogyny, Physical abuse, Blood, Lesbophobia, Alcohol, and Injury/Injury detail
Minor: Sexual assault
charlesizan's review against another edition
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Transphobia
Moderate: Ableism and Emotional abuse
Minor: Physical abuse
nickoliver's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
Graphic: Bullying, Deadnaming, Homophobia, Sexism, Sexual assault, and Transphobia
Moderate: Ableism, Death, Physical abuse, and Grief
Minor: Biphobia, Blood, and Alcohol
Re: homophobia and ableism, there's also use of the f-slur and the r-word.ajankloss's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Emotional abuse, Hate crime, Physical abuse, Transphobia, and Violence
danielghurst's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
This book has a lot to praise, most significantly the important representation within both the two main characters and the supporting cast. Readers from myriad backgrounds and identities will see teenagers like them on the page. It's nice to see characters with serious flaws and supporting characters with thought-out arcs and full lives, even if much of it is off the page. We also see the characters face discrimination, which happens in various forms and in a range of severity.
I'm so glad this book is out in the world. I'd strongly recommend it for teen readers!
Thank you Netgalley and Macmillan Audio for the audiobook!
Graphic: Bullying, Homophobia, and Transphobia
Moderate: Ableism, Deadnaming, Hate crime, Misogyny, Physical abuse, Sexism, Toxic relationship, Violence, Outing, Toxic friendship, and Alcohol
Minor: Car accident
nicolecraswell's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Transphobia
Moderate: Ableism and Physical abuse
Minor: Sexual assault
yvonne_cl's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Ableism, Bullying, Hate crime, Homophobia, Physical abuse, Sexual violence, Transphobia, Grief, and Car accident
Moderate: Deadnaming and Infidelity
Minor: Child abuse
maisierosereads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Content Warnings: transphobia, misgendering, bullying, homophobia, anti-autistic ableism, violence, hate crime, sexism, threats of sexual assault, underage drinking, past domestic abuse/physical abuse of child, toxic relationship, infidelity, grief (past death of loved one/car accident), drug use, threats of knife crime
I loved the premise of this book when I first heard about it – a YA lovers-to-rivals-to-lovers romance between a 17 year old trans boy (Jeremy) and an 18 year old autistic boy (Lukas) is right up my street! I was also drawn to the gorgeous cover art by J. Yang, “a transmasc illustrator in a penguin onesie”. The audiobook is narrated by Avi Roque, who did a great job narrating both of Aiden Thomas’ audiobooks – it’s great to see that books like this one are creating work for other trans artists in addition to the authors!
To start by clearing up a little misinterpretation I had: I was under the impression before starting this book that it was a romcom, but I would say it’s more of a drama than a comedy.
The main characters are both morally-grey disasters who make more than their fair share of bad decisions. They’re not exactly loveable at the start of the book – Jeremy in particular comes across as very self-centred. The success of series like The Foxhole Court (with its infamously messy main characters) implies this won’t be an issue for many readers, but it might be a turn-off for others. The characters did undergo a degree of development by the end of the book and recognise that they should have acted differently in the past, and seem to want to do better moving forward.
I could empathise with Lukas feeling that he had to mask his autistic traits, and struggling to ask for the accomodations he needed from teachers with inaccessible teaching styles. However, I would have loved to have seen a little more positivity around him being autistic, perhaps as part of his character development or through more neurodivergent side characters.
Speaking of side characters – my favourite character of the whole book was probably Sol, a nonbinary Latine computer nerd in the school year below Jeremy and Lukas. While they also made some poor decisions, as teenagers are likely to, I found them much more loveable than the main characters and would love to know more about them and their story.
The rest of the cast of characters includes some definite antagonists, and others whose motivations are more complex. I don’t know how realistic the school’s policies on e.g. bullying and harrassment are, since I went to and work in English secondary schools where the antagonist’s actions would easily be grounds for exclusion, but I’m glad that this “outdated administration” was challenged by many of the characters.
One issue which went unchallenged and which I would like to highlight is the arguably lesbophobic description of TERFs (Trans-Exclusionary Radical Feminists) given by one of the side characters, who says that a lot of TERFs are lesbians who “hate trans people because they like to claim they’re the most oppressed queers in existence”. I really hope this was edited for the final copy. While I don’t disagree that the queer community needs to reflect on its own transphobia, I think this line is a dangerous oversimplification when many young adults who will read this book may not have encountered this term before; after all, people of all sexualities are TERFs, and their transphobia is not because of any discrimination they may receive for other marginalised identities. Reinforcing the association between lesbians and transphobia will not help anyone.
Some scenes and details which I did enjoy included Jeremy’s fabulous outfit for the last day of homecoming week, a review of scented candles, the use of the song “Holding Out For a Hero” (yes, the one from Shrek; and yes, it was stuck in my head for days afterwards), and the people elected as homecoming king and queen.
Overall, if you like a dramatic contemporary romance with imperfect characters? Definitely give this one a try!
Graphic: Ableism, Body shaming, Bullying, Drug use, Hate crime, Homophobia, Self harm, Sexism, Toxic relationship, Transphobia, Violence, and Grief
Moderate: Child abuse, Infidelity, and Physical abuse
Minor: Self harm, Sexual assault, Sexual violence, Stalking, and Car accident
joinreallife's review against another edition
3.5
Boy howdy, this book was tough. There is A LOT of trauma represented here. And also, a really important look at identity and how messy and shitty teenagers are, and about internalized and socialized gender roles, and communication, and community. Jeremy and Lukas are both in their senior year at what essentially seems to be a prep school. There's lots of alumni-backed money specifically for Homecoming, and the whole book centers around the lead-up to the big game/dance. They used to date. Jeremy came out as trans recently, he breaks up with Lukas in a pretty drastic way (on the day of Lukas' brother's funeral) for reasons that are unclear to Lukas, now they're mortal enemies and are competing for the role of Homecoming King. Even before they were dating, they had been best friends for a really long time, so they have a lot of the same friends, and there's approximately a metric shit-ton of drama that ensues. Lukas is also grappling with being autistic but not wanting anyone at school to know about that, so rather than ask for accommodations for his disability, he decides to cheat. (I've seen some criticisms that the autism rep only comes up with relevance to Lukas' schoolwork, but it's pretty obvious to me that a big part of the miscommunications that happen are people expecting Lukas to pick up on social cues that he has trouble reading, and them getting upset when he doesn't get it. So that criticism doesn't really hold water to me, but I'm also not an autistic reviewer, so I can't speak 100% to that.)
If you are a person who needs to like the main characters to enjoy a book, I would think twice about this one. Then again, if you are a person who doesn't remember what it was like to be in high school...I mean, I don't know anyone who was perfectly likeable in high school. Though I have not been a trans boy in high school, I have been a post-trauma kid in high school, imagining that I should hurt other people before they have a chance to hurt me. I found that so relatable. I ALSO was the kid who covered immense sadness with anger because anger is an easier, more familiar emotion to deal with. Was Jeremy truly terrible to people who he claimed were friends? Yes. Is there really a satisfactory resolution to that, or a true reckoning for Jeremy about how incredibly self-centered he is? Not really. But one of the most interesting aspects of this book to me was the kind of overcorrection that Jeremy feels he has to do to convince everyone that he's a boy, which feels like the root of so much of his hurtful behavior. Imagining how it must feel to have something that feels so obvious to you be something you need to convince people of, that you have to constantly defend...I understand where the overcorrection comes from. So in order to make sure that people see him as a guy, Jeremy adopts some aspects of toxic masculinity, telling himself he has to do certain things because "that's what a guy would do" AND to distance himself from anything that might be seen as "feminine" because there's always the risk that people will think that he's not serious about being trans. Ellor mirrors that with a class assignment where Jeremy has to create a persuasive speech about a particular hot topic, and his is trans rights. Yikes. That was so devastating to read, honestly, that any trans person but a teenager especially has to spend their brain power worrying about that stuff rather than just being an idiot kid.
There were a couple of things that brought it down a star(ish) in my mind. I think the ending resolved too quickly for my tastes, and there were a number of things that didn't really get wrapped up as a result. The treatment of the "side characters" felt pretty crummy, they really only exist as vehicles for Jeremy and Lukas and not as people in their own right (though I would love to read a book about whatever's going on with Sol and Naomi), and I didn't love that. It could have been a really great opportunity for found family and queer community, and I think that Ellor was trying to elicit that feel, but since it wasn't the A (or B or C) plot, it didn't really develop in the way that I would have liked to see. Lukas' realization that he's not straight was less an epiphany and more of a throwaway, which felt strange to me, but I suppose that's how it might be for some folks when they're realizing their sexuality (though it wasn't for me) and it's true that there were about a fafillion other things happening in his life. I do think there was, like, one thing too many for me here, but overall, I'm glad to have read it and I can already tell it's one that I'm going to be thinking about it often.
Thanks to NetGalley and MacMillan Children's Publishing Group/Roaring Brook Press for an advance copy of this book in exchange for an honest review.
Graphic: Ableism, Bullying, Deadnaming, Homophobia, Physical abuse, Transphobia, and Grief
Moderate: Biphobia, Death, Hate crime, Racism, Sexual assault, Toxic relationship, and Car accident
xoodlebooks's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Ableism, Bullying, Hate crime, Homophobia, Self harm, Sexism, Toxic relationship, Transphobia, Violence, and Grief
Moderate: Biphobia, Cursing, Infidelity, and Blood
Minor: Cancer, Child abuse, Deadnaming, Death, Domestic abuse, Drug use, Emotional abuse, Physical abuse, Racism, Sexual assault, and Medical content