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savvylit's review against another edition
dark
informative
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
More of a political commentary than a horror story, Frankenstein in Baghdad was a fascinating glimpse into post-Hussein Iraq. The story was engaging for two distinct reasons: (1) the literal setting and (2) the multiple points of view. By including the perspective of multiple residents of Baghdad, Saadawi demonstrates how an entire community experiences daily violence and trauma. Each character has suffered immense loss and been witness to unfathomable brutality. Many of the characters have also resigned themselves to daily danger and are unsurprised to be nearly killed.
The multi-character narration is also what conjures the powerful setting. Saadawi portrays a Baghdad that has been utterly destroyed by the U.S. invasion. Not only that, but he also demonstrates the resulting corruption and in-fighting that went hand-in-hand with the invasion. Baghdad is in ruins, no one can be trusted, and the streets are littered with corpses. Residents are fleeing to the countryside or leaving Iraq entirely. The glimpses of the true reality of senseless modern war in this novel are incredibly sobering.
All that being said, I ultimately felt neutral upon finishing Frankenstein in Baghdad. I think perhaps some of the dark humor that has been ascribed to this book fell flat for me, personally. Maybe it is an issue of translation or just general cultural differences. I'm not sure. I definitely got that some of the bureaucrats featured were exaggerated caricatures of real officials. However, I didn't actually experience comedy. Also, the portrayal of women in this novel is pretty terrible. Elishva is pitiful & disrespected and the way that Mahmoud acts around Nawal near the book's end is gross.
The multi-character narration is also what conjures the powerful setting. Saadawi portrays a Baghdad that has been utterly destroyed by the U.S. invasion. Not only that, but he also demonstrates the resulting corruption and in-fighting that went hand-in-hand with the invasion. Baghdad is in ruins, no one can be trusted, and the streets are littered with corpses. Residents are fleeing to the countryside or leaving Iraq entirely. The glimpses of the true reality of senseless modern war in this novel are incredibly sobering.
All that being said, I ultimately felt neutral upon finishing Frankenstein in Baghdad. I think perhaps some of the dark humor that has been ascribed to this book fell flat for me, personally. Maybe it is an issue of translation or just general cultural differences. I'm not sure. I definitely got that some of the bureaucrats featured were exaggerated caricatures of real officials. However, I didn't actually experience comedy. Also, the portrayal of women in this novel is pretty terrible. Elishva is pitiful & disrespected and the way that Mahmoud acts around Nawal near the book's end is gross.
Content Warnings
Graphic: Body horror, Death, Gore, Gun violence, Physical abuse, Suicide, Violence, Police brutality, Grief, Religious bigotry, Murder, War, and Injury/Injury detail
Moderate: Misogyny and Sexual harassment
mscalls's review against another edition
dark
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Graphic: Child death, Death, Gore, Gun violence, Violence, Blood, Medical content, Grief, Death of parent, Murder, Alcohol, War, and Injury/Injury detail
seawarrior's review against another edition
dark
emotional
mysterious
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Through the lore of the original Frankenstein emerges this layered horror story surrounding a group of neighbors going about their lives during the U.S. occupation of Iraq. Much like the title creation itself, Frankenstein in Baghdad possesses a narrative stitched together from the perspectives and fears of multiple Iraqi victims of war, successfully humanizing these people who have long been ignored by the originator of their pain. The story focuses solely on characters who are Iraqi, with U.S. military operatives portrayed as shadowy and indifferent figures in the background of their lives, but make no mistake, "it was the Americans who were behind this monster".
Our story begins after a junk dealer, Hadi, collected the body parts of bombing victims left in the street and compiled them to physically construct the creature he calls "Whatsitsname". He made this gruesome task his mission in the hopes that these remainders of corpses "wouldn't be treated as trash, so [they] would be respected like other dead people and given a proper burial". Unknown to Hadi, life is bestowed upon this assembly of loss when the soul of yet another bombing victim possesses the Whatsitsname, who is then claimed by a grieving mother as the answer to her prayers for her son's return from war. The Whatsitsname was made entire by victims whose lives and bodies were ripped apart, their deaths never avenged and their hurt never resolved. Thus it quickly becomes engrossed in an quest for revenge it soon learns is never ending, as it must continue collecting the parts of new victims to sustain itself, even though its very notion of victimhood grows murkier with each part vindicated.
Numerous passages throughout this book read as profound understandings of fear, revenge, and humanity. Saadawi both utilizes and elevates Frankenstein's portrayal of grief as a righteous pain that can prove itself monstrous if left as a wound unhealing. Yet in his adaption the grief which molds a monster is not possessed solely by one man, but by an entire country. I highly recommend this book to those who feel they can handle the subject matter. My only dissatisfaction with it lies with the ending, which felt somewhat rushed, especially in comparison to the tightly woven narratives of the previous chapters. Yet overall, I found this novel both deeply disturbing and emotionally moving, often at the same time. Every accolade given to it has been diligently earned.
Our story begins after a junk dealer, Hadi, collected the body parts of bombing victims left in the street and compiled them to physically construct the creature he calls "Whatsitsname". He made this gruesome task his mission in the hopes that these remainders of corpses "wouldn't be treated as trash, so [they] would be respected like other dead people and given a proper burial". Unknown to Hadi, life is bestowed upon this assembly of loss when the soul of yet another bombing victim possesses the Whatsitsname, who is then claimed by a grieving mother as the answer to her prayers for her son's return from war. The Whatsitsname was made entire by victims whose lives and bodies were ripped apart, their deaths never avenged and their hurt never resolved. Thus it quickly becomes engrossed in an quest for revenge it soon learns is never ending, as it must continue collecting the parts of new victims to sustain itself, even though its very notion of victimhood grows murkier with each part vindicated.
Numerous passages throughout this book read as profound understandings of fear, revenge, and humanity. Saadawi both utilizes and elevates Frankenstein's portrayal of grief as a righteous pain that can prove itself monstrous if left as a wound unhealing. Yet in his adaption the grief which molds a monster is not possessed solely by one man, but by an entire country. I highly recommend this book to those who feel they can handle the subject matter. My only dissatisfaction with it lies with the ending, which felt somewhat rushed, especially in comparison to the tightly woven narratives of the previous chapters. Yet overall, I found this novel both deeply disturbing and emotionally moving, often at the same time. Every accolade given to it has been diligently earned.
Content Warnings
Graphic: Alcoholism, Body horror, Death, Gore, Violence, Police brutality, Medical content, Grief, Mass/school shootings, Murder, Fire/Fire injury, and War
mandkips's review against another edition
challenging
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Moderate: Body horror, Death, Gun violence, Torture, Violence, Blood, and Grief