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shadow_cat94's review against another edition
adventurous
emotional
funny
lighthearted
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
Maiya Ibrahim writes with beautiful imagery woven throughout the entire book as we travel through various locations during Imani's journey to her brother. The poetic language I found quite enjoyable to read from page to page. The pacing in each location also felt evenly timed for the journey without feeling rushed or dragging.
The things I didn't like about this book was the ending and the main character, Imani. I will be as vague as possible for the ending to avoid spoilers. In the final 20 pages we finally reach the climax of the story only for it to get resolved peacefully with an exchange of a few words. It felt anticlimactic, rushed, and frustrating even after I finished the book.
As for Imani, I was hoping for her to go through more character development during her journey than she did. There is nothing wrong with starting your book with a stubborn, selfish, and prideful main character as long as they end somewhere else at the end of the book. She is also a warrior known for these great feats, but she quickly gives up when confronted with large obstacles which made her warrior characteristic feel conflicting. Her only saving grace is her love for her family, which is to an obsessive point. Overall, I think Amira - the sister - should have been the main character.
The things I didn't like about this book was the ending and the main character, Imani. I will be as vague as possible for the ending to avoid spoilers. In the final 20 pages we finally reach the climax of the story only for it to get resolved peacefully with an exchange of a few words. It felt anticlimactic, rushed, and frustrating even after I finished the book.
As for Imani, I was hoping for her to go through more character development during her journey than she did. There is nothing wrong with starting your book with a stubborn, selfish, and prideful main character as long as they end somewhere else at the end of the book. She is also a warrior known for these great feats, but she quickly gives up when confronted with large obstacles which made her warrior characteristic feel conflicting. Her only saving grace is her love for her family, which is to an obsessive point. Overall, I think Amira - the sister - should have been the main character.
Content Warnings
Graphic: Animal death, Confinement, Death, Toxic relationship, Violence, Blood, Grief, Murder, Toxic friendship, Colonisation, Injury/Injury detail, and Classism
Moderate: Physical abuse, Sexual assault, Toxic relationship, Violence, Medical content, Grief, Murder, Toxic friendship, War, Injury/Injury detail, and Classism
Minor: Physical abuse, Sexual assault, Torture, Medical content, and War
cjwitch's review against another edition
adventurous
challenging
dark
emotional
hopeful
inspiring
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
This is a book that should be read by anyone who has ever wondered if they should step in to defend someone they did not know. It's a book that should be read by anyone who ever claimed reading is not political, or who ever pushed back against any action that upset the status quo.
It's a book that reminds readers that sometimes, the right choice isn't going to be a popular choice. It might not even be a legal choice. But standing up for what is right and fighting for those in need is still, ALWAYS, the right choice.
Spice Road is beautifully descriptive and I was fully engaged in the story from the start, despite my early dislike Imani, our FMC. For much of the book, she stubbornly and intentionally clung to the ignorance that granted her privilege both in and outside of her society...to the point of convincing herself that any independent thought or action from anyone around her must be caused by that individual being "not themselves" at the moment or influenced by outsiders or lying due to some plot against her/her family.
She truly believed that her government and the "old families" were correct and just and she frequently attempted to force her rule on everyone around her. She refused to listen to anyone, and whenever the possibility that she may be wrong occurred to her, she stubbornly pushed the thought away and refused to consider it.
It wasn't until Imani arrived in the outlands and saw the citizens, who her government taught were corrupt and unworthy of magic, that she realized that the government may have an agenda of their own. It wasn't until she came face to face with starvation and brutality that she began to open herself to the truth of her world.
Imani's growth through her journey was incredible and the lessons she learned applies fully and completely to our own world. All people deserve to be safe and free and, if someone is oppressing or hurting another, it is our duty to become their shield, in whatever way we can.
It's a book that reminds readers that sometimes, the right choice isn't going to be a popular choice. It might not even be a legal choice. But standing up for what is right and fighting for those in need is still, ALWAYS, the right choice.
Spice Road is beautifully descriptive and I was fully engaged in the story from the start, despite my early dislike Imani, our FMC. For much of the book, she stubbornly and intentionally clung to the ignorance that granted her privilege both in and outside of her society...to the point of convincing herself that any independent thought or action from anyone around her must be caused by that individual being "not themselves" at the moment or influenced by outsiders or lying due to some plot against her/her family.
She truly believed that her government and the "old families" were correct and just and she frequently attempted to force her rule on everyone around her. She refused to listen to anyone, and whenever the possibility that she may be wrong occurred to her, she stubbornly pushed the thought away and refused to consider it.
It wasn't until Imani arrived in the outlands and saw the citizens, who her government taught were corrupt and unworthy of magic, that she realized that the government may have an agenda of their own. It wasn't until she came face to face with starvation and brutality that she began to open herself to the truth of her world.
Imani's growth through her journey was incredible and the lessons she learned applies fully and completely to our own world. All people deserve to be safe and free and, if someone is oppressing or hurting another, it is our duty to become their shield, in whatever way we can.
Content Warnings
Moderate: Death, Violence, and Colonisation
Minor: Sexual assault
scrubsandbooks's review against another edition
medium-paced
- Plot- or character-driven? A mix
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
I'm reviewing this about five months after I read it and unfortunately, not much memorable about this really stuck out, so I'm basing this off of notes that I took back then. The MC's search for her brother is what drew me in because I love a good sibling-related plot especially if there's danger involved or a case of finding the sibling and hoping they're not dead. The setting is very unique and I loved the Arabian inspiration. Qayn was an interesting character but besides that, nothing else appealed to me. The FMC and her love interest were severely lacking in chemistry and I was just not invested in their stories and development. A lot of parts in the book seemed to just drag and there was very little I can remember as far as scenes go that I thought were impactful. I will probably not be picking up the sequel.
Content Warnings
Graphic: Animal death, Violence, and Colonisation
Moderate: Grief and War
Minor: Sexual assault
joygarcialim's review against another edition
adventurous
dark
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
1.25
Imagine being catfished and after having met the catfisher and he’s a 9/10 instead of the 5/10 you were led to believe, and yet you stay on to complete the date because you have been compelled somehow to find out more about him as a person, why would a good-looking person catfish as a less attractive person, but in the first minute he stands up, rips off his face to reveal he was wearing a mask, and he’s actually a 2/10, and you stay still, confused but even more compelled, on the date. That’s the Spice Road in a nutshell. The blurb sounded so good, but it was a hot mess whilst being compelling somehow, if only to see how much outlandish it gets. Kinda like watching a train wreck you can’t turn away from.
Imani, the MC, starts off being extremely bigoted. It made sense for her to be like that along with her backstory, and yet it goes on for a persistently long duration throughout the book without any signs of character growth until page 180+, and by page 366 she’s still bullshit, exploiting people’s trust to serve her own needs. She was extremely brainwashed and even when that started to derail, she seemed kind of self-serving. For instance, she displayed sympathy for someone only because she wanted people to feel empathy if her loved one was in that same situation. It’s interesting to read the book from her inner monologue because she’s untrusting yet naive, believed she was selfless when she was self-serving, and these are themes can be witnessed from everyday people. Mostly though, she was insufferable. The characterisation can be very, very awkward because she some times showed introspection but only when people reacted in a way she didn’t want.
She was very stubbornly ignorant, during the scene of the execution, she was still unaware of why her brother might leave the safety of their nest to fight alongside the rebels. The weird execution scene got even weirder because Imani expected the girl to say her last words whilst being executed, that is, whilst the noose around her neck and she’s suspending in air. It’s certainly odd to say the least, it’s hard to tell if this a deliberate choice by the author but it adds on to Imani’s bigotry so it kind of worked.
None of the characters were likeable, I’m going so far as to say most of the characters are unlikeable. Even if they were on the side of the morally ambitious, they didn’t have many dimensions or layers, and were mostly just annoying. The only character which had any enticement to them was Qayn.
Taha was a whole ‘nother hot mess. There were hints as to why he might hate Imani, but no clues as to why he likes her. It wasn’t clear if he displayed affection to Imani purely out of true affections or if he had other motives, and there was no indications at any point about it either. There didn’t seem to be much chemistry between Taha and Imani, he was nice to her when they weren’t alone for absolutely no reason. It’s not even a bad thing if people are nice to someone for no reason, but it didn’t work in the context of this book. He was an a-hole towards Imani preceding their travels and there were no nuances to show he harboured feelings towards her.
Speaking of nuances, the writing in general was not good. It was so unnuanced, and had a very-in-your-face way about the narrative. There were heavy, heavy themes ie. white colonisation and execution. These very controversial and sensitive topics are thrown in and there would have been no difference in writing “ooh here’s colonisation, it’s white and it makes me feel bad, and I don’t know why!”.
The author will benefit from learning how to string a story which has highs and lows, peaks and dips; basically shading. There were chapters where absolutely nothing happened, and when the pace picked up, it is just full of action. I mean there was something big happening in every single chapter, but relatively speaking, it didn’t seem like it amongst the nest of other chapters. Everything went wrong, something had to go wrong every chapter from where the action picked up. Additionally, there were so many flashback insertions that it minimised the plot.
Examples of bad writing from the book:
“He is hurting deeply and raising defensive walls to stop anyone from touching that open wound.”
“The weary impoverished hunch on the stoops of homes and flagging shops, smoking pipes, handling prayer beads, whiling the day away for lack of a viable alternative.”
“One of her kohl-lined eyes is the colour of wet clay and exudes hard judgment; the other is concealed by a black patch.”
“Curse him, he is a ship that capsized, no matter the gale. But I will try.”
Content Warnings
Graphic: Addiction, Animal death, Child abuse, Child death, Death, Emotional abuse, Hate crime, Physical abuse, Racism, Rape, Sexual assault, Sexual violence, Slavery, Suicidal thoughts, Toxic relationship, Violence, Blood, Police brutality, Medical content, Kidnapping, Murder, Gaslighting, Toxic friendship, Alcohol, Sexual harassment, Colonisation, War, and Classism
tahsintries's review against another edition
3.5
Content Warnings
Graphic: Confinement and Colonisation
Moderate: Xenophobia
Minor: Sexual assault and Excrement
kirstenf's review against another edition
adventurous
challenging
dark
emotional
hopeful
inspiring
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Death, Violence, Blood, and Colonisation
Moderate: Domestic abuse, Emotional abuse, Physical abuse, Slavery, Grief, Murder, Injury/Injury detail, and Classism
Minor: Bullying, Sexual assault, Torture, Vomit, Religious bigotry, Fire/Fire injury, and War
shannnne_reads_words's review against another edition
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Diverse cast of characters? Yes
3.25
Content Warnings
Moderate: Death, Toxic relationship, Violence, Blood, Grief, Fire/Fire injury, Colonisation, War, Injury/Injury detail, and Classism
Minor: Animal death, Child death, Sexual assault, Vomit, and Death of parent
espressoreader's review against another edition
adventurous
hopeful
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Animal death, Bullying, Racism, Slavery, Torture, Toxic relationship, Xenophobia, Grief, Gaslighting, Toxic friendship, Colonisation, and Classism
Minor: Addiction, Child abuse, Confinement, Emotional abuse, Sexual assault, Police brutality, Death of parent, and Murder
campisforever's review against another edition
adventurous
challenging
emotional
hopeful
inspiring
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Ao3 Rating: T
5 word description: Lush. Gorgeous. Moving. Poignant. Inspiring.
This is such a lovely book with complex, dynamic characters. Ibrahim's skill with feelings, inspiring us to feel differently about different characters over the course of the story, is simply breathtaking! The story hits the major question at the heart of something like Black Panther--about isolation and solidarity. It marks the difference between an anti/decolonial narrative mediated by a white gaze versus one that isn't.
5 word description: Lush. Gorgeous. Moving. Poignant. Inspiring.
This is such a lovely book with complex, dynamic characters. Ibrahim's skill with feelings, inspiring us to feel differently about different characters over the course of the story, is simply breathtaking! The story hits the major question at the heart of something like Black Panther--about isolation and solidarity. It marks the difference between an anti/decolonial narrative mediated by a white gaze versus one that isn't.
Content Warnings
Graphic: Animal death, Death, Slavery, Violence, Xenophobia, Police brutality, Grief, Colonisation, and Classism
Moderate: Confinement, Racism, Sexual assault, Blood, Medical content, Trafficking, Murder, Fire/Fire injury, Cultural appropriation, and Injury/Injury detail
Minor: Child abuse, Torture, and War
All content warnings are in the context of an anticolonial narrative about resistance. It is worth noting that the classism is itself not contained to a colonizer/colonized divide, but a complex discussion of class oppression *within* a colonized society.betweentheshelves's review against another edition
adventurous
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
This was good for a fantasy debut, with an interesting concept, based on Eastern mythologies. Reminded me a little bit of [book:We Hunt the Flame|36492488]. However, I wanted a little more character development and world building. There were pieces of the world that I felt like I was missing, key pieces that would have helped with moving the main plot forward.
The ending of the book does a good job of setting up a sequel (and maybe potentially more, we shall see!). There's not a whole lot that makes it unique in the area of YA fantasy, outside of the main magic system. I did think that was interesting. It's an enjoyable book, but not one that seems to be super memorable for me.
The ending of the book does a good job of setting up a sequel (and maybe potentially more, we shall see!). There's not a whole lot that makes it unique in the area of YA fantasy, outside of the main magic system. I did think that was interesting. It's an enjoyable book, but not one that seems to be super memorable for me.
Content Warnings
Graphic: Animal death, Violence, and Colonisation
Moderate: Torture, Grief, and War
Minor: Addiction, Death, and Sexual assault