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shadow_cat94's review against another edition
adventurous
emotional
funny
lighthearted
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
Maiya Ibrahim writes with beautiful imagery woven throughout the entire book as we travel through various locations during Imani's journey to her brother. The poetic language I found quite enjoyable to read from page to page. The pacing in each location also felt evenly timed for the journey without feeling rushed or dragging.
The things I didn't like about this book was the ending and the main character, Imani. I will be as vague as possible for the ending to avoid spoilers. In the final 20 pages we finally reach the climax of the story only for it to get resolved peacefully with an exchange of a few words. It felt anticlimactic, rushed, and frustrating even after I finished the book.
As for Imani, I was hoping for her to go through more character development during her journey than she did. There is nothing wrong with starting your book with a stubborn, selfish, and prideful main character as long as they end somewhere else at the end of the book. She is also a warrior known for these great feats, but she quickly gives up when confronted with large obstacles which made her warrior characteristic feel conflicting. Her only saving grace is her love for her family, which is to an obsessive point. Overall, I think Amira - the sister - should have been the main character.
The things I didn't like about this book was the ending and the main character, Imani. I will be as vague as possible for the ending to avoid spoilers. In the final 20 pages we finally reach the climax of the story only for it to get resolved peacefully with an exchange of a few words. It felt anticlimactic, rushed, and frustrating even after I finished the book.
As for Imani, I was hoping for her to go through more character development during her journey than she did. There is nothing wrong with starting your book with a stubborn, selfish, and prideful main character as long as they end somewhere else at the end of the book. She is also a warrior known for these great feats, but she quickly gives up when confronted with large obstacles which made her warrior characteristic feel conflicting. Her only saving grace is her love for her family, which is to an obsessive point. Overall, I think Amira - the sister - should have been the main character.
Content Warnings
Graphic: Animal death, Confinement, Death, Toxic relationship, Violence, Blood, Grief, Murder, Toxic friendship, Colonisation, Injury/Injury detail, and Classism
Moderate: Physical abuse, Sexual assault, Toxic relationship, Violence, Medical content, Grief, Murder, Toxic friendship, War, Injury/Injury detail, and Classism
Minor: Physical abuse, Sexual assault, Torture, Medical content, and War
lanayagraham's review against another edition
adventurous
challenging
emotional
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Fantastic debut! I loved the fast paced fantasy adventure. Spice Road reminded me a little of The Ember In The Ashes with its Arabian mythology and military themes.
Content Warnings
Graphic: Death and Colonisation
Moderate: Vomit and Medical content
joygarcialim's review against another edition
adventurous
dark
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
1.25
Imagine being catfished and after having met the catfisher and he’s a 9/10 instead of the 5/10 you were led to believe, and yet you stay on to complete the date because you have been compelled somehow to find out more about him as a person, why would a good-looking person catfish as a less attractive person, but in the first minute he stands up, rips off his face to reveal he was wearing a mask, and he’s actually a 2/10, and you stay still, confused but even more compelled, on the date. That’s the Spice Road in a nutshell. The blurb sounded so good, but it was a hot mess whilst being compelling somehow, if only to see how much outlandish it gets. Kinda like watching a train wreck you can’t turn away from.
Imani, the MC, starts off being extremely bigoted. It made sense for her to be like that along with her backstory, and yet it goes on for a persistently long duration throughout the book without any signs of character growth until page 180+, and by page 366 she’s still bullshit, exploiting people’s trust to serve her own needs. She was extremely brainwashed and even when that started to derail, she seemed kind of self-serving. For instance, she displayed sympathy for someone only because she wanted people to feel empathy if her loved one was in that same situation. It’s interesting to read the book from her inner monologue because she’s untrusting yet naive, believed she was selfless when she was self-serving, and these are themes can be witnessed from everyday people. Mostly though, she was insufferable. The characterisation can be very, very awkward because she some times showed introspection but only when people reacted in a way she didn’t want.
She was very stubbornly ignorant, during the scene of the execution, she was still unaware of why her brother might leave the safety of their nest to fight alongside the rebels. The weird execution scene got even weirder because Imani expected the girl to say her last words whilst being executed, that is, whilst the noose around her neck and she’s suspending in air. It’s certainly odd to say the least, it’s hard to tell if this a deliberate choice by the author but it adds on to Imani’s bigotry so it kind of worked.
None of the characters were likeable, I’m going so far as to say most of the characters are unlikeable. Even if they were on the side of the morally ambitious, they didn’t have many dimensions or layers, and were mostly just annoying. The only character which had any enticement to them was Qayn.
Taha was a whole ‘nother hot mess. There were hints as to why he might hate Imani, but no clues as to why he likes her. It wasn’t clear if he displayed affection to Imani purely out of true affections or if he had other motives, and there was no indications at any point about it either. There didn’t seem to be much chemistry between Taha and Imani, he was nice to her when they weren’t alone for absolutely no reason. It’s not even a bad thing if people are nice to someone for no reason, but it didn’t work in the context of this book. He was an a-hole towards Imani preceding their travels and there were no nuances to show he harboured feelings towards her.
Speaking of nuances, the writing in general was not good. It was so unnuanced, and had a very-in-your-face way about the narrative. There were heavy, heavy themes ie. white colonisation and execution. These very controversial and sensitive topics are thrown in and there would have been no difference in writing “ooh here’s colonisation, it’s white and it makes me feel bad, and I don’t know why!”.
The author will benefit from learning how to string a story which has highs and lows, peaks and dips; basically shading. There were chapters where absolutely nothing happened, and when the pace picked up, it is just full of action. I mean there was something big happening in every single chapter, but relatively speaking, it didn’t seem like it amongst the nest of other chapters. Everything went wrong, something had to go wrong every chapter from where the action picked up. Additionally, there were so many flashback insertions that it minimised the plot.
Examples of bad writing from the book:
“He is hurting deeply and raising defensive walls to stop anyone from touching that open wound.”
“The weary impoverished hunch on the stoops of homes and flagging shops, smoking pipes, handling prayer beads, whiling the day away for lack of a viable alternative.”
“One of her kohl-lined eyes is the colour of wet clay and exudes hard judgment; the other is concealed by a black patch.”
“Curse him, he is a ship that capsized, no matter the gale. But I will try.”
Content Warnings
Graphic: Addiction, Animal death, Child abuse, Child death, Death, Emotional abuse, Hate crime, Physical abuse, Racism, Rape, Sexual assault, Sexual violence, Slavery, Suicidal thoughts, Toxic relationship, Violence, Blood, Police brutality, Medical content, Kidnapping, Murder, Gaslighting, Toxic friendship, Alcohol, Sexual harassment, Colonisation, War, and Classism
beautifulpaxielreads's review against another edition
adventurous
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.5
Maiya Ibrahim's Spice Road - the first in a trilogy - is a novel that for me, worked best in its last 200 pages or so.
I don't mean to say in this that the rest of it was bad, as it wasn't. Spice Road is a book that I am still trying to work out my feelings for. It took a long time for me to read it - over a month - and that may have had something to do with it.
I can appreciate Ibrahim's intent here, and for what I believe is a debut author, I think - objectively - that she has done some very accomplished work here. The worldbuilding and magic system was reasonably crafted and was well-communicated to the reader. The characters were well-drawn and developed, particularly Imani (our MC), Taha and Qayn. I puzzled over the motives of the latter two of these characters constantly, which I suspect was Ibrahim's intention. The action scenes were fast-paced and contrasted well with the quieter moments between.
Maybe the problem was despite the quality of the worldbuilding, fantasy elements, pacing and characters, I couldn't get into it enough, in a way that I'm really having trouble describing here. I did fly through the last 200 pages because it was compellingly written and really well-paced. But even then, I couldn't really warm up to it.
The ending of the book left me with enough potential to make me consider continuing the series when the next book is released, but I haven't decided yet.
Objectively, Spice Road is a good book. Emotionally, I'm not entirely sure.
I don't mean to say in this that the rest of it was bad, as it wasn't. Spice Road is a book that I am still trying to work out my feelings for. It took a long time for me to read it - over a month - and that may have had something to do with it.
I can appreciate Ibrahim's intent here, and for what I believe is a debut author, I think - objectively - that she has done some very accomplished work here. The worldbuilding and magic system was reasonably crafted and was well-communicated to the reader. The characters were well-drawn and developed, particularly Imani (our MC), Taha and Qayn. I puzzled over the motives of the latter two of these characters constantly, which I suspect was Ibrahim's intention. The action scenes were fast-paced and contrasted well with the quieter moments between.
Maybe the problem was despite the quality of the worldbuilding, fantasy elements, pacing and characters, I couldn't get into it enough, in a way that I'm really having trouble describing here. I did fly through the last 200 pages because it was compellingly written and really well-paced. But even then, I couldn't really warm up to it.
The ending of the book left me with enough potential to make me consider continuing the series when the next book is released, but I haven't decided yet.
Objectively, Spice Road is a good book. Emotionally, I'm not entirely sure.
Content Warnings
Graphic: Animal cruelty, Animal death, Emotional abuse, Racism, Violence, Blood, Murder, and Colonisation
Moderate: Sexual violence, Torture, Xenophobia, Medical content, Grief, Medical trauma, and Sexual harassment
Minor: Cultural appropriation and War
campisforever's review against another edition
adventurous
challenging
emotional
hopeful
inspiring
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Ao3 Rating: T
5 word description: Lush. Gorgeous. Moving. Poignant. Inspiring.
This is such a lovely book with complex, dynamic characters. Ibrahim's skill with feelings, inspiring us to feel differently about different characters over the course of the story, is simply breathtaking! The story hits the major question at the heart of something like Black Panther--about isolation and solidarity. It marks the difference between an anti/decolonial narrative mediated by a white gaze versus one that isn't.
5 word description: Lush. Gorgeous. Moving. Poignant. Inspiring.
This is such a lovely book with complex, dynamic characters. Ibrahim's skill with feelings, inspiring us to feel differently about different characters over the course of the story, is simply breathtaking! The story hits the major question at the heart of something like Black Panther--about isolation and solidarity. It marks the difference between an anti/decolonial narrative mediated by a white gaze versus one that isn't.
Content Warnings
Graphic: Animal death, Death, Slavery, Violence, Xenophobia, Police brutality, Grief, Colonisation, and Classism
Moderate: Confinement, Racism, Sexual assault, Blood, Medical content, Trafficking, Murder, Fire/Fire injury, Cultural appropriation, and Injury/Injury detail
Minor: Child abuse, Torture, and War
All content warnings are in the context of an anticolonial narrative about resistance. It is worth noting that the classism is itself not contained to a colonizer/colonized divide, but a complex discussion of class oppression *within* a colonized society.alyssasaurus's review against another edition
adventurous
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
This book was such an unusual ride. One minute it was painfully slow, the next thrilling and compelling.
The world is fascinating and dark, and the mysteries around how it became what it is kept me guessing throughout. The magic system is unusual. I love the method of attaining magic through tea!
Ibrahim clearly is a talented writer. When she is on point, her prose is lovely and poignant. She doesn’t overdo the language, steering clear of the flowery descriptors often present in epic fantasy stories. The result for me was an easy-to-read book with lots of passages highlighted.
Where this book excelled was in depicting the horrors of oppression and colonization. It’s clear from the beginning Imani is going to need to go through a paradigm shift to succeed on her journey. She has such deep-seeded trust in the messages she has been told her whole life, that she has no idea how others could have a different perspective. Her starting point in the novel promises huge opportunity for her to grapple with privilege and lack, and what happens when the powerful abuse their position. This is the most realistic and insightful conflict in the book. I’d love for people to read it if only to get a compelling perspective of a character interrogating her own beliefs she once thought irrefutable facts.
Where this book faltered for me was in the character development. The characters are oddly changeable…they seem to have a basic defined identity, but the book rushes them through conflict and all the ensuing emotions at an unnatural pace. The result was characters I liked most of the time behaving in completely confusing and nonsensical ways for their circumstances and who they seemed to be. And once you step away from the main cast of travelers, the supporting characters start to feel somewhat thin and left me wanting…Farida in particular felt like a thin copy of an archetype I’ve seen time and again in stories.
I think I will likely read the next one. I hope that the character development and behavior improves as Ibrahim continues to write, because she really has created a vibrant cast of characters. I would like to see them grow and continue on their adventures.
The world is fascinating and dark, and the mysteries around how it became what it is kept me guessing throughout. The magic system is unusual. I love the method of attaining magic through tea!
Ibrahim clearly is a talented writer. When she is on point, her prose is lovely and poignant. She doesn’t overdo the language, steering clear of the flowery descriptors often present in epic fantasy stories. The result for me was an easy-to-read book with lots of passages highlighted.
Where this book excelled was in depicting the horrors of oppression and colonization. It’s clear from the beginning Imani is going to need to go through a paradigm shift to succeed on her journey. She has such deep-seeded trust in the messages she has been told her whole life, that she has no idea how others could have a different perspective. Her starting point in the novel promises huge opportunity for her to grapple with privilege and lack, and what happens when the powerful abuse their position. This is the most realistic and insightful conflict in the book. I’d love for people to read it if only to get a compelling perspective of a character interrogating her own beliefs she once thought irrefutable facts.
Where this book faltered for me was in the character development. The characters are oddly changeable…they seem to have a basic defined identity, but the book rushes them through conflict and all the ensuing emotions at an unnatural pace. The result was characters I liked most of the time behaving in completely confusing and nonsensical ways for their circumstances and who they seemed to be. And once you step away from the main cast of travelers, the supporting characters start to feel somewhat thin and left me wanting…Farida in particular felt like a thin copy of an archetype I’ve seen time and again in stories.
I think I will likely read the next one. I hope that the character development and behavior improves as Ibrahim continues to write, because she really has created a vibrant cast of characters. I would like to see them grow and continue on their adventures.
Content Warnings
Graphic: Animal death, Body horror, Cancer, Child abuse, Child death, Confinement, Death, Domestic abuse, Drug use, Emotional abuse, Genocide, Gore, Hate crime, Misogyny, Physical abuse, Sexual assault, Slavery, Suicidal thoughts, Torture, Violence, Xenophobia, Excrement, Vomit, Police brutality, Islamophobia, Medical content, Grief, Gaslighting, Colonisation, Injury/Injury detail, and Classism