Reviews tagging 'Child abuse'

The Girls by Emma Cline

82 reviews

kittyfast's review against another edition

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adventurous dark mysterious sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No

3.0


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lindsayerin's review against another edition

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dark mysterious sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.75


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ventenne's review against another edition

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challenging dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

4.0

incredibly dark. a poignant and unflinching look into what it is like to be a teenage girl, and how the echoes of that experience penetrate the rest of your life.

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knikchevich's review against another edition

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challenging dark mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.25


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uuuultraviolennnnt's review against another edition

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adventurous dark emotional sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

poor girls. girlhood is so magic even in the realm of abuse, which is maybe the worst thing ever. how does emma cline narrate so secretly, allowing this sad story to read smoothly.

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gommette's review against another edition

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dark emotional mysterious reflective tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.25

Livre qui se lit bien, bonne tension alimentée tout du long mais qui tombe à plat à la fin

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raisinreads's review against another edition

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dark reflective medium-paced
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No

3.5

It seems like her writing style is hit or miss w people, I quite enjoyed it. I do agree with other reviewers that the present day plotline added little.

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shay_books's review against another edition

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challenging dark tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.5


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issyd23's review against another edition

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adventurous challenging dark emotional mysterious reflective relaxing sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

Like a more interesting version of Once Upon A Time In Hollywood 4⭐️

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plumdustsuns's review against another edition

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challenging dark sad tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.0

I think Cline is a really talented writer and has a way with words that you come across only once in a while within books. I had picked up this book going off of some prompt/review saying it was about a lesbian and a cult. While that isn’t wrong, it didn’t quite encapsulate the entirety of the situation either. 
I think personally the book would have profited a lot from Evie being upwards of 17. While it would have taken away a bit of the hopeless lamb, but it wouldn’t have been that much. I think it would have lent to Evie and Suzanne’s relationship and Evie’s character in general.
There wasn’t much going on in their relationship besides Evie pining, not until Suzanne let Evie out of the car and visited her at boarding school, was some texture added. It would have made a more engaging story to have Suzanne a bit more fleshed out and receptive rather than this idealized character Evie was projecting everything onto. And the ‘connection’ she kept talking about in terms of her and Suzanne would have been justified and engaging. 
  Aside from that, all the SA on a 14 year old and this  promiscuity put upon them in literature makes me really uneasy and angry, honestly. I don’t think teenagers are ever that deliberate of sex in the way it’s presented in books like this. While it is shown that Evie is forced into it, it’s played off for the most part by her being like “oh well,” until the Mitch situation. Even that didn’t have enough anger or was presented in a bad light. I’m always aware in books of what writers project onto their characters and of what age because it is a choice, and not inspired off of true events ( entirely here anyway). 
I also found it really redundant that all of this happened over a fucking record deal. I wish it was something else and the bad blood between Russel and Mitch had more weight and tension, especially for the girls. (I read up and see  this is what happened in real life but just copy pasting these events without much of a weight or exploration just feels like a waste and triggering for no reason.) I wish it would have subverted the tale by instead having the girls turn on Russel somehow and kill him instead. That would have made a better story line.
 
I kept reading this book as it had a premise for having the opportunity to explore queerness, girlhood and the patriarchy in depth. However, besides from some insightfully written paragraphs on what it is like to be a girl, it feels rather flat in all the other departments. And it felt rather disappointing to finish this triggering book to get through with all the events just falling flat onto nothing overall and by the end. 

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