Reviews tagging 'Domestic abuse'

Nona the Ninth by Tamsyn Muir

3 reviews

winged's review against another edition

adventurous challenging dark emotional hopeful mysterious reflective sad tense medium-paced

• Plot- or character-driven? A mix
• Strong character development? It's complicated
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? It's complicated

5.0

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Content Warnings

Graphic: Body horror, Child death, Chronic illness, Death, Eating disorder, Gun violence, Suicidal thoughts, Toxic relationship, Violence, Police brutality, Kidnapping, Grief, Cannibalism, Murder, Fire/Fire injury, Colonisation, War, and Injury/Injury detail

Moderate: Domestic abuse, Gore, Mental illness, Physical abuse, Self harm, Suicidal thoughts, Torture, Violence, Xenophobia, Police brutality, Sexual harassment, and Dysphoria

Minor: Animal cruelty, Animal death, Body horror, Chronic illness, Hate crime, Cannibalism, Abandonment, and Classism

booksthatburn's review against another edition

adventurous dark lighthearted mysterious medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

4.5

NONA THE NINTH deals with a necromantic version of plurality in a way whose groundwork was laid in GIDEON THE NINTH and HARROW THE NINTH. Much as "one flesh, one end" is undeniably queer, Camila and Palamedes display a version of plurality, which is necromantic in its origins, but familiar to me in its general shape.  I’m a singlet, not a plural system, but several important people in my life are plural, and so much of how Nona interacts with Camilla and Palamedes echoes my interactions with those people in my own life. There’s a line in the second half of the book that makes it clear that at least some of the characters know about plurality, even if what’s happening with them is a specific magical version which canonically involves souls. In some ways plurality is more canonical to the text than any particular style of queerness (except perhaps for sapphic attraction), though this book (and the whole series) is undeniably and wonderfully queer.

The worldbuilding gets more of a chance to breathe this time around. GIDEON THE NINTH was a murder mystery until other things started being much more important. HARROW THE NINTH is a fever dream of confusion which suddenly snaps into coherence at the 90% mark. NONA THE NINTH is a breath, pausing for a story which has a clear framework, a lovable protagonist, and a sense of rhythm and pattern to her days. This calm amidst the storm is ripped open by a descent into war and the deterioration of her body as the day approaches when the Locked Tomb will open. I like the interludes as John tells the story of how this started. These sections helped with pacing and framing, as well as bringing the extremely welcome event of someone actually explaining what the fuck is going on for once. 

As the third book in the series, NONA THE NINTH continues Several things begun in earlier books, specifically, but not only, the fates of a great many characters such as Camila and Palamedes. There's so much in each book that it's very difficult to know which details will be picked up later and which ones have been completely handled in their first treatment, but this does eventually give some answers about things first raised in earlier books. There’s an entirely new storyline related to Nona, her relative newness, and everyone she cares about at home and the school. She’s just so happy in a way that incorporates strangeness and allows for a joking grotesquerie, effortlessly finding beauty in weirdness. It also leaves a huge thing for later, promising that the Locked Tomb will be opened, even counting down to that promised day before leaving the aftermath of its opening to be handled in the next book, ALECTO THE NINTH.

There are many fewer memes than the previous books, but the few that are in there are expertly chosen to devastating effect. There's one near the very end that I refuse to spoil which threads the needs between fantastically illustrating the meaning of the surrounding text and needing to be imperceptible to anyone not already in the know. I applaud the execution of it, even if by its nature it's frustrating that this is what the author decided to include. Masterfully done, I tip my cap.

As was the case for HARROW THE NINTH, if someone tried to read this as their introduction to the series, it would likely make sense almost all the way through... and then the ending would be strange and sideways because it relies on several things established in previous books as well as bringing many returning characters who have been more thoroughly introduced elsewhere. Also, the way that the John interludes are explaining how things came to be like this would be a bit strange without the grounding provided in GTN and HTN.

I think this is my favorite book in the whole series, and I'm looking forward to what ALECTO THE NINTH brings.

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Content Warnings

Graphic: Body horror, Death, Eating disorder, Gore, Violence, Blood, and Murder

Moderate: Animal death, Chronic illness, Confinement, Cursing, Genocide, Gun violence, Self harm, Suicidal thoughts, Suicide, Terminal illness, Vomit, Police brutality, Medical content, Kidnapping, Death of parent, Fire/Fire injury, War, and Injury/Injury detail

Minor: Ableism, Cancer, Domestic abuse, Drug use, Infertility, Panic attacks/disorders, Torture, Excrement, Car accident, Suicide attempt, Alcohol, and Sexual harassment

elizmoe's review against another edition

adventurous challenging dark emotional funny mysterious tense fast-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? It's complicated

5.0

i read this book in less than two days even though, i cannot emphasize enough, i had a <i> lot </i> of other things to do. 

tamsyn muir, waht is WRONG WITH you. what is. what is WRONG. IS wrong??? with you??????????

in typical muir fashion, she transitions seamlessly to a new POV character, leaves the reader mostly in the dark, and continually throws crazy world-building stuff that you didn't even know you wanted to know. but you did. <i> really </i> want to know. 

essentially, this book answered many of the questions raised by Harrow the Ninth, but somehow ends up raising about a million more. 

was harrow's soul in alecto's body or did it get transferred to the river, and is it now on earth having a chat with john, or john's abandoned once-human soul?? what's gonna happen to harrow's body? was nona the personification of the earth's spirit or was she alecto or was she alecto AND alecto is the personification of  the earth? also, why is kiriona!gideon such a dick, and why is she friends with ianthe, sorta? who has her two-hander sword?? will tamsyn ever give us a griddlehark reunion that makes a lick of sense? will the next book have even more body/soul/etc swapping, and how is that even possible given the amount of bodily musical chairs was happening in this book? also, pAUL???????????????????????????

all i know for sure is that i am pre-ordering alecto right now and blocking off my calendar for the entire week of the release date.

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Content Warnings

Graphic: Body horror, Cursing, Eating disorder, Gore, Gun violence, Mental illness, Violence, Blood, Medical content, Kidnapping, Murder, Alcohol, Sexual harassment, Colonisation, War, and Injury/Injury detail

Moderate: Child abuse

Minor: Child abuse, Child death, Confinement, Domestic abuse, Drug abuse, Drug use, Sexual violence, Suicidal thoughts, Terminal illness, Torture, and Trafficking