Reviews with content warning for Death of parent - Nona the Ninth

Reviews tagging 'Death of parent'

Nona the Ninth by Tamsyn Muir

10 reviews

kelisabeth's review against another edition

Go to review page

adventurous challenging emotional mysterious tense medium-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.5

Content Warnings

ceruleanshelves's review against another edition

Go to review page

adventurous challenging dark emotional funny mysterious reflective tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

“We are one flesh.”
“I am your end.”

you guys... i seriously cannot believe how fucking good this series is. it's taken over my mind.

(spoilers for gideon the ninth and harrow the ninth for my review, just fyi)

picking up a few months after HtN, we follow nona, who is assumably in harrow's body... but who is she?

nona is a loveable, wonderful protagonist and for a good portion of the book it's a bit of a relief from the high tension of GtN and HtN, instead focusing on nona's day to day on a strange, pre- (or maybe mid?) apocalyptic refugee planet, which is experiencing political unrest and turmoil from both blood of eden and the emperor's reign.

Sounds like the start of a joke, right? Two scientists, an engineer, a detective, a lawyer, and an artist walk into a bar to help me become God.

interspersed between nona's day to day are scenes with john gaia as we slowly uncover the final days before the great resurrection 10,000 years prior which has lead to the current circumstances. john gaia is delightfully complicated as a villain, as is ianthe i found in this book. i wasn't expecting that from her from (what i at least thought was) fan worship, but maybe that's also the appeal. and of course, we still get to enjoy muir's excellent humor:

He sighed and said, “We had the internet. We decided to stream.” She said, “What is this internet?” And he said, “See, I did make a utopia.”

“What if I don’t like me?” she said. But Pyrrha didn’t seem to understand. “Well, you’ll probably start visiting clubs and trying to hit on the dancers, and going from relationship to relationship not really being able to commit.”

“What does it mean to love God?” “Decent dinner and a bottle of average rosé. Maybe a movie. I’m not picky,” he said.

as with HtN, the curtain is pulled back more and we're able to piece together more information about this complicated universe muir has written for us. there were some excellent twists, turns, and revelations, but muir would never leave us off without more questions and a cliffhanger ending.

We didn’t even do it right … we were children—playing with the reflections of stars in a pool of water … thinking it was space.”

at this point so far, this could end up possibly being my all-time favorite series depending on how the last book(s) go. here's to hoping alecto doesn't let us down!

Content Warnings

ebp's review

Go to review page

dark funny mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

Content Warnings

iane_reads's review against another edition

Go to review page

challenging dark emotional funny lighthearted mysterious reflective tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.75

Content Warnings

booksthatburn's review against another edition

Go to review page

adventurous dark lighthearted mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

NONA THE NINTH deals with a necromantic version of plurality in a way whose groundwork was laid in GIDEON THE NINTH and HARROW THE NINTH. Much as "one flesh, one end" is undeniably queer, Camila and Palamedes display a version of plurality, which is necromantic in its origins, but familiar to me in its general shape. I’m a singlet, not a plural system, but several important people in my life are plural, and so much of how Nona interacts with Camilla and Palamedes echoes my interactions with those people in my own life. There’s a line in the second half of the book that makes it clear that at least some of the characters know about plurality, even if what’s happening with them is a specific magical version which canonically involves souls. In some ways plurality is more canonical to the text than any particular style of queerness (except perhaps for sapphic attraction), though this book (and the whole series) is undeniably and wonderfully queer.

The worldbuilding gets more of a chance to breathe this time around. GIDEON THE NINTH was a murder mystery until other things started being much more important. HARROW THE NINTH is a fever dream of confusion which suddenly snaps into coherence at the 90% mark. NONA THE NINTH is a breath, pausing for a story which has a clear framework, a lovable protagonist, and a sense of rhythm and pattern to her days. This calm amidst the storm is ripped open by a descent into war and the deterioration of her body as the day approaches when the Locked Tomb will open. I like the interludes as John tells the story of how this started. These sections helped with pacing and framing, as well as bringing the extremely welcome event of someone actually explaining what the fuck is going on for once.

As the third book in the series, NONA THE NINTH continues Several things begun in earlier books, specifically, but not only, the fates of a great many characters such as Camila and Palamedes. There's so much in each book that it's very difficult to know which details will be picked up later and which ones have been completely handled in their first treatment, but this does eventually give some answers about things first raised in earlier books. There’s an entirely new storyline related to Nona, her relative newness, and everyone she cares about at home and the school. She’s just so happy in a way that incorporates strangeness and allows for a joking grotesquerie, effortlessly finding beauty in weirdness. It also leaves a huge thing for later, promising that the Locked Tomb will be opened, even counting down to that promised day before leaving the aftermath of its opening to be handled in the next book, ALECTO THE NINTH.

There are many fewer memes than the previous books, but the few that are in there are expertly chosen to devastating effect. There's one near the very end that I refuse to spoil which threads the needs between fantastically illustrating the meaning of the surrounding text and needing to be imperceptible to anyone not already in the know. I applaud the execution of it, even if by its nature it's frustrating that this is what the author decided to include. Masterfully done, I tip my cap.

As was the case for HARROW THE NINTH, if someone tried to read this as their introduction to the series, it would likely make sense almost all the way through... and then the ending would be strange and sideways because it relies on several things established in previous books as well as bringing many returning characters who have been more thoroughly introduced elsewhere. Also, the way that the John interludes are explaining how things came to be like this would be a bit strange without the grounding provided in GTN and HTN.

I think this is my favorite book in the whole series, and I'm looking forward to what ALECTO THE NINTH brings.

Content Warnings

griffinthief's review against another edition

Go to review page

challenging emotional mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.5

Content Warnings

theirgracegrace's review against another edition

Go to review page

funny reflective tense medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? It's complicated

4.75

Nona the Ninth, Tamsyn Muir's third book of four in the Locked Tomb series, is a sudden but welcome shift from the previous two books. Nona is just a nineteen year old relearning how to interact with society with the help of her three parental figures. But it is later discovered that

the three parents are necromancers from the Nine Houses and that Nona herself is piloting the body of someone named Harrowhark Nonagesimus, and the Nine Houses want them back

. An astounding dual point-of-view familiar to readers of Harrow the Ninth and a cast of loveable characters familiar of the same. The explosive ending leaves me wanting more!

Content Warnings