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cinnamonandpancakes's review against another edition
adventurous
emotional
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
I am unsure if this book would rate higher if I'd read it as a physical book. I kept picking it up and putting it down, which I don't think helped. This book needs to be read all in one go.
I loved Kadou and Evemer, especially Evemer, and their romance. It was very sexy and compelling. And Tadek was a lot of fun. But I found a lot of the other characters less interesting. Siranos, in particular, seemed to change personality depending on what the narrative needed him to be and that made his plotline quite unsatisfying in my opinion.
The world building was amazing, however, and I loved the focus on material culture. It felt very much like a world that people lived in.
I loved Kadou and Evemer, especially Evemer, and their romance. It was very sexy and compelling. And Tadek was a lot of fun. But I found a lot of the other characters less interesting. Siranos, in particular, seemed to change personality depending on what the narrative needed him to be and that made his plotline quite unsatisfying in my opinion.
The world building was amazing, however, and I loved the focus on material culture. It felt very much like a world that people lived in.
Content Warnings
Graphic: Drug use, Mental illness, Panic attacks/disorders, Violence, Kidnapping, and Alcohol
Moderate: Death, Death of parent, and Injury/Injury detail
heather667's review against another edition
adventurous
emotional
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Ableism, Bullying, Mental illness, Panic attacks/disorders, Violence, Blood, Kidnapping, Injury/Injury detail, and Classism
Moderate: Death
Minor: Acephobia/Arophobia
amarreth's review against another edition
adventurous
emotional
funny
mysterious
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Mental illness and Violence
Moderate: Sexual content and Xenophobia
eidal's review against another edition
adventurous
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Mental illness, Panic attacks/disorders, and Injury/Injury detail
Moderate: Violence and Kidnapping
Minor: Pregnancy and Alcohol
keresian's review against another edition
adventurous
emotional
inspiring
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Okay listen - LISTEN. I stayed up til 2am to finish this. I was hooked. There's so much simmering behind the scenes with world building. The plot is phenomenal. The brilliant way Rowland has woven in gender and sexuality, love and familial bond. I love this book and this world - this is a tough one to beat for favourite of the year.
Content Warnings
Graphic: Panic attacks/disorders
Moderate: Alcoholism, Drug use, Blood, and Alcohol
Minor: Sexual content, Violence, and Death of parent
businesswife's review against another edition
adventurous
funny
lighthearted
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
This is a beautiful fantasy story with a cool magic that is mundane to the world, a complex political backing that makes the world so real, and a slow burn romance that will make you rip through a long book like it's nothing. The only thing that would have made this book better is Kadou telling his sister in the end <3 honestly a fav book of this year.
Content Warnings
Graphic: Violence
Moderate: Sexual content
vanillatwilights's review against another edition
emotional
hopeful
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Content Warnings
Graphic: Mental illness and Panic attacks/disorders
Moderate: Kidnapping
Minor: Violence and Murder
wardenred's review
emotional
hopeful
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
A man could be good, but a prince? A prince could only be good enough. He could, if he tried his utmost, meet expectations. But they were far, far too high for anyone to be able to exceed them.
Well, this was an interesting experience! I really, really loved the romance and the two leads' character arcs. These parts of the books were handled absolutely beautifully. The slow burn? The gradual growth fueled by all the realizations? The way Kadou and Evemer just worked together? The themes of fealty? The way Kadou's anxiety was handled? Evemers entire personality? Aspects of so many of my favorite tropes woven together into one glorious tapestry, from enemies to lovers to bodyguard romance to fake dating? Perfection, really. In terms of all this, the book hit all of my buttons.
Everything around the romance, though... The more I read on and the closer I looked at the other aspects of the novel, the more weirdly artificial everything around the two main characters looked. On the surface, the Ottoman-inspired setting was brimming with detail, from infodumps about currency to the smaller stuff like all the descriptions of food and clothes. But somehow, most of it felt like digging deeper would reveal a glaring void rather than a larger iceberg. And hey, you know what, that is often indeed the case with SFF novels that aren't *about* worldbuilding! Half the magic of writing sometimes is about arranging the stuff you have in a way that makes readers feel that it goes so much deeper than it does. But here, those tricks just felt strangely obvious. Like almost everything about the setting mattered inasmuch as it affected the main characters and their budding relationship.
There were two aspects of the worldbuilding that I found genuinely interesting and thought-provoking. One, in a good way: the way inheritance works, the whole deal with body-fathers, how female rulers don't need to marry because everyone already understands their children are their own/belong to the dynasty, whereas male rulers have to marry to have the legal claim as fathers. This here is a lot of cool stuff. The other aspect, I'm more on the fence about, although I appreciate it: the active inclusion of nonbinary characters, or rather, the way it was handled. On one hand, it was incredibly cool that there were so many, that society is fully accepting of nonbinary characters, that there's an accepted third set of pronouns, etc! I love this! On the other hand, as a nonbinary person I disliked how all of them were basically shoved into the same category. There are men, women, and there's a third gender. Here are three boxes to sort yourselves into instead of two. Um. Call. What if someone doesn't fit into any of the boxes regardless? What about genderfluid people? It's inclusive on one hand, and constraining on another in a way I feel the treatment of nonbinary identities just shouldn't be. Idk. I'd rather stand under an umbrella than live in a box, personally.
Then there's the external plot, and, my. That's the whole reason this could never be more than a four-star read read for me. It was just so utterly shallow and at times silly! Even more so than with the worldbuilding, every bit of it glaringly, obviously, starkly existed to allow for hitting the romance plot beats at the right times. The villain might as well have been walking around with a big neon sign, "HELLO I'M THE BAD GUY," and the fact it took hundreds of pages to uncover the whole mystery/conspiracy says nothing good about plenty of the characters. In fact, it completely ruins the initially strong characterization of the female characters—Zeliha and Eozena—which is a damn shame. With Zeliha in particular, it's just so frustrating. She initially looked like a strong, capable, complex woman juggling a lot of important threads, but apparently, she just needed to listen more to her younger brother early on and the fact she didn't paints her in a rather strange light at the end. I kept waiting for some twist to occur and prove to me that the "big neon sign" was in a fact a red herring, but noooo.
The romance, though. The romance and its development. That sure deserves all the stars, just as the deep delves into both leads' inner worlds (I come from fanfic, okay, I'm a sucker for 500-pages character studies) and Rowland's amazing prose. So all in all, I liked the time I spent with the book—and picking apart all of its element to see the purpose of each was fun and educating in its own way!
Well, this was an interesting experience! I really, really loved the romance and the two leads' character arcs. These parts of the books were handled absolutely beautifully. The slow burn? The gradual growth fueled by all the realizations? The way Kadou and Evemer just worked together? The themes of fealty? The way Kadou's anxiety was handled? Evemers entire personality? Aspects of so many of my favorite tropes woven together into one glorious tapestry, from enemies to lovers to bodyguard romance to fake dating? Perfection, really. In terms of all this, the book hit all of my buttons.
Everything around the romance, though... The more I read on and the closer I looked at the other aspects of the novel, the more weirdly artificial everything around the two main characters looked. On the surface, the Ottoman-inspired setting was brimming with detail, from infodumps about currency to the smaller stuff like all the descriptions of food and clothes. But somehow, most of it felt like digging deeper would reveal a glaring void rather than a larger iceberg. And hey, you know what, that is often indeed the case with SFF novels that aren't *about* worldbuilding! Half the magic of writing sometimes is about arranging the stuff you have in a way that makes readers feel that it goes so much deeper than it does. But here, those tricks just felt strangely obvious. Like almost everything about the setting mattered inasmuch as it affected the main characters and their budding relationship.
There were two aspects of the worldbuilding that I found genuinely interesting and thought-provoking. One, in a good way: the way inheritance works, the whole deal with body-fathers, how female rulers don't need to marry because everyone already understands their children are their own/belong to the dynasty, whereas male rulers have to marry to have the legal claim as fathers. This here is a lot of cool stuff. The other aspect, I'm more on the fence about, although I appreciate it: the active inclusion of nonbinary characters, or rather, the way it was handled. On one hand, it was incredibly cool that there were so many, that society is fully accepting of nonbinary characters, that there's an accepted third set of pronouns, etc! I love this! On the other hand, as a nonbinary person I disliked how all of them were basically shoved into the same category. There are men, women, and there's a third gender. Here are three boxes to sort yourselves into instead of two. Um. Call. What if someone doesn't fit into any of the boxes regardless? What about genderfluid people? It's inclusive on one hand, and constraining on another in a way I feel the treatment of nonbinary identities just shouldn't be. Idk. I'd rather stand under an umbrella than live in a box, personally.
Then there's the external plot, and, my. That's the whole reason this could never be more than a four-star read read for me. It was just so utterly shallow and at times silly! Even more so than with the worldbuilding, every bit of it glaringly, obviously, starkly existed to allow for hitting the romance plot beats at the right times. The villain might as well have been walking around with a big neon sign, "HELLO I'M THE BAD GUY," and the fact it took hundreds of pages to uncover the whole mystery/conspiracy says nothing good about plenty of the characters. In fact, it completely ruins the initially strong characterization of the female characters—Zeliha and Eozena—which is a damn shame. With Zeliha in particular, it's just so frustrating. She initially looked like a strong, capable, complex woman juggling a lot of important threads, but apparently, she just needed to listen more to her younger brother early on and the fact she didn't paints her in a rather strange light at the end. I kept waiting for some twist to occur and prove to me that the "big neon sign" was in a fact a red herring, but noooo.
The romance, though. The romance and its development. That sure deserves all the stars, just as the deep delves into both leads' inner worlds (I come from fanfic, okay, I'm a sucker for 500-pages character studies) and Rowland's amazing prose. So all in all, I liked the time I spent with the book—and picking apart all of its element to see the purpose of each was fun and educating in its own way!
Content Warnings
Graphic: Panic attacks/disorders
Moderate: Confinement and Violence
mollybear888's review against another edition
emotional
hopeful
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This book was an odd mix of romance, politics, world building, and economics- and it was great! The main character is relatable and his struggles with panic attacks vividly depicted. I liked how the magic elements were interwoven with the world and how the culture of the country was so unique.
Content Warnings
Graphic: Panic attacks/disorders
Moderate: Violence
kal517's review against another edition
adventurous
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Panic attacks/disorders and Kidnapping
Moderate: Sexual content and Violence