slothrop_garp's review against another edition
dark
emotional
funny
hopeful
lighthearted
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
martin_books's review against another edition
emotional
funny
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
blaetz's review against another edition
emotional
funny
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
rebeccatc's review against another edition
4.0
This is the first time I have read anything by John Irving. It's the story of an eccentric family with five children and their attempts to run two different hotels, one in New Hampshire and one in postwar Vienna, Austria. The story takes many unexpected turns and addresses some uncomfortable subjects but is written in an entertaining and often laugh out loud way. I did think the last quarter dragged. You know the book has gone on too long when it starts quoting poetry on every other page.
reading_carrot's review against another edition
adventurous
dark
emotional
funny
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
mg_libros's review against another edition
4.0
"Tienes que obsesionarte y mantener la obsesión. Y pasar de largo ante las ventanas abiertas."
Si de algo sabe John Irving es de obsesiones, toda su obra gira en torno a ellas. Con los mismos elementos construye siempre historias diferentes: en El hotel New Hampshire tenemos osos, Viena, luchadores y todo lo que forma ese universo propio.
La segunda parte de la novela se me ha hecho un poco pesada y hay una trama bastante perturbadora que me resulta completamente prescindible.
Si de algo sabe John Irving es de obsesiones, toda su obra gira en torno a ellas. Con los mismos elementos construye siempre historias diferentes: en El hotel New Hampshire tenemos osos, Viena, luchadores y todo lo que forma ese universo propio.
La segunda parte de la novela se me ha hecho un poco pesada y hay una trama bastante perturbadora que me resulta completamente prescindible.
chiaralt's review against another edition
emotional
funny
hopeful
inspiring
relaxing
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Graphic: Sexual assault, Incest, and Rape
Moderate: Gun violence, Death of parent, Antisemitism, Suicide, and Child death
martine_01's review against another edition
dark
emotional
funny
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
astridrv's review against another edition
This was a strange one, John! As always, there is a lot of heart in Irving's novels - and here too, I felt care for and cared by this family. This time however, their repeated mantras were a bit overdone. As always, there are his recurring themes around sexuality, too: prostitution, age gaps, sexual violence, rape, incest. Regarding the latter, I just can't. Brother-sister incest is a huge part of this book, and I can't really articulate a more complex opinion than: I can't. I loved Suzie, I loved the ending, I loved many passages, but I can't say I loved this book.
Graphic: Homophobia, Animal death, Death of parent, Violence, Rape, Incest, and Death
Moderate: Suicide, Sexual violence, Grief, and Adult/minor relationship
dllh's review against another edition
3.0
This book was funny and at times had a lot of heart, but the big middle part dragged on, and I felt uneasy with Irving's treatment of both race and another (avoiding spoilers here) central sort of trauma in the book. I'm not sure they're bad treatments, but they did make me feel uneasy.