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ayamaro's review against another edition
adventurous
challenging
emotional
inspiring
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? N/A
5.0
Content Warnings
Graphic: Xenophobia
Moderate: Incest
Minor: Addiction, Sexism, and Sexual harassment
loki's review against another edition
adventurous
challenging
dark
emotional
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
The way this book explores gender means so much to me. While I knew the premise of the book, I didn't expect it to be quite as revolutionary as it is, especially given when it was written. The two perspectives of Gently Ai and Estraven work beautifully to illustrate both the strangeness of the androgyny of the inhabitants of Gethen, and the strangeness of our own gender norms. The dual perspective allows us to see how each system of gender is working, and how crucial those systems are in understanding each other. It is painful to watch the two main characters so deeply misunderstand each other to begin with, and then to find mutual understanding as the story goes on. I was surprised that the book managed to convince me not to hate Gently Ai, as I did after just the first chapter. In a wider context, this is the first of Le Guin's books that I have read so far that so beautifully marries social commentary and an incredible story.
As a final note that i will not specify as a positive or a negative, this is essentially omegaverse before omegaverse even existed.
As a final note that i will not specify as a positive or a negative, this is essentially omegaverse before omegaverse even existed.
Content Warnings
Graphic: Sexism, Violence, Grief, and Colonisation
tiredcreature's review against another edition
adventurous
challenging
hopeful
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This is my second readthrough, the first having been many years ago now. It's a difficult book, that doesn't only speak of a different world, but is itself from a different world - the country called the past. I've read a fair bit of classical sci-fi, but no other book so far has given me such a keen feeling of its age as The Left Hand Of Darkness. Perhaps because how personal its themes are to me. For all of its difficulty, I found it less frustrating when I reminded myself of that.
And so, Genly Ai, a man from Earth, preoccupied with his masculinity, and passively misogynistic by upbringing, comes to the planet Gethen, where the people are both male and female and also neither, and the duality of the sexes doesn't exist. He is an alien in many senses here, but his journey and the bond he forms with Estraven along the way leave him changed, until he feels more familiar with the Gethenians than with his fellow Earthlings. When the story comes full-circle, the world has, largely, stayed the same; it is Genly who returns a different man.
And so, Genly Ai, a man from Earth, preoccupied with his masculinity, and passively misogynistic by upbringing, comes to the planet Gethen, where the people are both male and female and also neither, and the duality of the sexes doesn't exist. He is an alien in many senses here, but his journey and the bond he forms with Estraven along the way leave him changed, until he feels more familiar with the Gethenians than with his fellow Earthlings. When the story comes full-circle, the world has, largely, stayed the same; it is Genly who returns a different man.
Content Warnings
Moderate: Confinement and Forced institutionalization
Minor: Misogyny and Sexism
thecriticalreader's review against another edition
challenging
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? N/A
- Flaws of characters a main focus? It's complicated
4.5
Blurb:
Genly Ai is a human envoy from an interstellar organization called Ekumen that coordinates communication, trade, transportation, and cultural exchange between anthropoid planets sent to the planet of Gethen to convince the planet’s government to join Ekumen. Gethen is an extremely cold planet with near-constant wintery weather. Another notable aspect of the planet is that its inhabitants belong to a singular, fluid sex. Their physiology is androgynous and asexual except for when they find themselves in heat, at which point they couple with another person in heat. When coupling, one person’s anatomy and hormones closely resemble that of a human male; the other, that of a human female. Genly Ai struggles as he fights to accomplish his goal on a planet that he finds strange, confusing, and inhospitable.
Review:
The Left Hand of Darkness is a science fiction novel that is often spoken about for its exploration of gender and sex, but it would be unfair to limit one’s assessment of the novel here, because The Left Hand of Darkness also delves into themes of patriotism, war, human nature, and cultural anthropology. The book’s main strengths lie in world-building, philosophical thought, and thematic explorations: since it reads like a cultural anthropology report, Le Guin’s highly imaginative world stands out but remains rather remote from the adventure, unique characterizations, and gripping plots that some expect from the science fiction genre. Nevertheless, she expertly evokes an icy atmosphere, both in terms of Gethen’s physical conditions and in the bewildering incomprehensibility its society presents for Genly Ai. The language and descriptions are so vivid, in fact, that I felt distinctly chilly every time I picked up the book. Although the plot moves slowly and takes place on another world, the story at the book’s center is a very human one.
The book’s imaginative worldbuilding and profound philosophical discussions make it a worthwhile and enjoyable read, but it would be incorrect to call The Left Hand of Darkness a ‘timeless classic,’ as several aspects of its thematic exploration betray it as a product of its time. For one, the book’s concern with the nature of patriotism and war reflects anxieties over America’s division over the Vietnam War, although these discussions still hold relevance today. On the other hand, its central optimism, rather unquestioning faith in institutions of open trade and cultural exchange, and lack of concern surrounding ecological destruction seem rather naïve to a twenty-first-century reader. Similarly, Le Guin’s narrative brushes against but never fully embraces the idea of gender and sex as social constructions, ultimately unable to fully escape a bio-essentialist understanding of gender. Her exclusive use of he/him pronouns to describe the ambisexual Getherians—despite their nonbinary conception of gender—particularly undercuts the impact of her commentary. The Left Hand of Darkness would have certainly been radical in the middle of the second wave of feminism, but now appears rather outdated in the face of subsequent scholarship in the field of gender and sexuality studies.
The Run-Down:
You will probably like The Left Hand of Darkness if:
· You enjoy cerebral, philosophical science fiction in the vein of Star Trek
· You are a fan of cultural anthropologys
You might not like The Left Hand of Darkness if:
· You are looking for an action-packed, adventurous story with fascinating characters
Content Warnings
Graphic: Forced institutionalization
Moderate: Death, Incest, and Sexism
Minor: Miscarriage, Sexual assault, Sexual content, Violence, Pregnancy, and War
erebus53's review against another edition
adventurous
emotional
hopeful
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The premise of this book is that a man comes from outer-space, to a world different to ours, on a peaceful mission of communication; as is often the case when worlds collide, it's more about the journey than the destination.
As is often the case with hard science fiction, we break into this story feeling like and Alice (in Wonderland). We don't know what half the words mean and we are a little out of our depth, but through the ignorance of the protagonist, we learn our way around by their experiences. Despite having a world with some different names for things, and a slightly different calendar and clock, the new world is fairly easy to understand once you get over the initial shock, and I think that's pretty much the point of it. Our protagonist comes at this new place with curiosity, but with his own preconceptions, some of which slowly grow and change over the course of the book.
The core of this book explores a premise whereby there can be no "battle of the sexes" if there are no distinctly different sexes. This story tells of a people who go through a monthly fertile time, during which they become either male or female depending on the conditions. They have no sexual need outside of that fertile time, and their society is arranged to accommodate it. In coupling either of the partners could be the child-bearer so there is no division of labour as we have in out "bi-sexual" society. I can see how this would be a popular read today, as our society's friction over accepting non-binary gender identities becomes even more prominent.
As an aside, I find it amusing that the people in the new world can't pronounce the protagonist's name properly, and the Audiobook narrator has a tiny lisp. It's barely noticable but, when he has to say a soft "th" sound he uses an "ff" sound.. so death becomes deff, breath becomes breff. Typically this sort of thing annoys me, but I just think it's quite charming in such an alien story. ... aaaanyway.
There is an incisive foreword from the author at the start of the audiobook, where Ursula Le Guin says some valuable things about the roles and lying ways of speculative fiction writers, and how they are not to be trusted, or treated as though they are experts, profits or sages.
Without the relationship building in this story, it might have been quite a dry affair. After helping to introduce the protagonist to those in charge of the land, his main contact is exiled as a traitor, and the two of them are caught in the wheels and machinations of the politics of the place. They undertake a journey to find friends, and need to work together to survive the hostile climate. I was reminded of the film Enemy Mine (1985 w. Louis Gosset Jnr, Dennis Quaid) and I find it hard to imagine that a film like that (based on a 1979 novella by Barry B. Longyear) was made without the influence of this 1969 book.
The story is quite an adventurous tale, one of exploration and survival and understanding. I think the style in which it is written may be an acquired taste, but it's a must-read Classic for any fans of science fiction.
As is often the case with hard science fiction, we break into this story feeling like and Alice (in Wonderland). We don't know what half the words mean and we are a little out of our depth, but through the ignorance of the protagonist, we learn our way around by their experiences. Despite having a world with some different names for things, and a slightly different calendar and clock, the new world is fairly easy to understand once you get over the initial shock, and I think that's pretty much the point of it. Our protagonist comes at this new place with curiosity, but with his own preconceptions, some of which slowly grow and change over the course of the book.
The core of this book explores a premise whereby there can be no "battle of the sexes" if there are no distinctly different sexes. This story tells of a people who go through a monthly fertile time, during which they become either male or female depending on the conditions. They have no sexual need outside of that fertile time, and their society is arranged to accommodate it. In coupling either of the partners could be the child-bearer so there is no division of labour as we have in out "bi-sexual" society. I can see how this would be a popular read today, as our society's friction over accepting non-binary gender identities becomes even more prominent.
As an aside, I find it amusing that the people in the new world can't pronounce the protagonist's name properly, and the Audiobook narrator has a tiny lisp. It's barely noticable but, when he has to say a soft "th" sound he uses an "ff" sound.. so death becomes deff, breath becomes breff. Typically this sort of thing annoys me, but I just think it's quite charming in such an alien story. ... aaaanyway.
There is an incisive foreword from the author at the start of the audiobook, where Ursula Le Guin says some valuable things about the roles and lying ways of speculative fiction writers, and how they are not to be trusted, or treated as though they are experts, profits or sages.
Without the relationship building in this story, it might have been quite a dry affair. After helping to introduce the protagonist to those in charge of the land, his main contact is exiled as a traitor, and the two of them are caught in the wheels and machinations of the politics of the place. They undertake a journey to find friends, and need to work together to survive the hostile climate. I was reminded of the film Enemy Mine (1985 w. Louis Gosset Jnr, Dennis Quaid) and I find it hard to imagine that a film like that (based on a 1979 novella by Barry B. Longyear) was made without the influence of this 1969 book.
The story is quite an adventurous tale, one of exploration and survival and understanding. I think the style in which it is written may be an acquired taste, but it's a must-read Classic for any fans of science fiction.
Content Warnings
Graphic: Ableism, Confinement, Death, Gun violence, Sexism, Transphobia, Forced institutionalization, Grief, and Deportation
Minor: Incest, Physical abuse, Racism, Suicide, Vomit, and Pregnancy
dhiyanah's review against another edition
adventurous
challenging
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Diverse cast of characters? It's complicated
4.0
I tried reading this a few years ago, excited by the hype of it, a gender-smashing sci-fi adventure promised by the synopsis. I didn't get past the first few chapters that time. Picked it back up this year out of a nostalgia for classic sci-fi, more readily aware of the slow pace and dense narration that comes with the territory.
I appreciate Ursula's treatment of imaginative concepts, how easily she weaves a story that serves as a potent reflection for real-life considerations. The frustrations and complications of gender showcased through this slow interplanetary adventure is both intriguing and irritating. I enjoyed the melding-together of landscape, political science, and character growth in this story.
I appreciate Ursula's treatment of imaginative concepts, how easily she weaves a story that serves as a potent reflection for real-life considerations. The frustrations and complications of gender showcased through this slow interplanetary adventure is both intriguing and irritating. I enjoyed the melding-together of landscape, political science, and character growth in this story.
Content Warnings
Graphic: Sexism and Forced institutionalization
Moderate: Body horror, Suicide, and Torture
Minor: Death and Violence
zazreads's review against another edition
slow-paced
- Loveable characters? No
3.5
Content Warnings
Minor: Sexism
dawntin's review against another edition
adventurous
challenging
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
There’s a lot to unpack in this book. LeGuin tackles politics, discrimination, and the gender binary throughout the novel. All of the alien Gethenians in the book are addressed with he/him pronouns, but I don’t actually see that as a huge issue considering this book was written in 1969. I think if it was published today, the Gethenians would have been referred to with gender-neutral pronouns. It was funny to read “The king was pregnant.” The book is beautifully written and the descriptions of scenery make this fictional world feel real and even cozy at times, but there’s also a lot of other things that are missing. What I found strange was the way families in Gethen were handled. There was not that much about what Gethenian kids are like, and the parents in the only established family in the book were estranged. I also feel like the author threw in incest as an acceptable part of Gethenian society, even between siblings for extra squick. It seemed so unnecessary to me. The relationship between Genly and Estraven was kind of reductive, since Estraven presented as a woman when Genly realized his feelings but I guess it was a good way to have Genly deal with his biases. I’m still not over that ending.
Content Warnings
Graphic: Confinement, Death, and Torture
Moderate: Incest and Sexism
Minor: Suicide
erikwmj's review against another edition
adventurous
challenging
emotional
inspiring
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Death, Torture, and Police brutality
Moderate: Suicide
Minor: Sexism and Xenophobia
jessthanthree's review against another edition
adventurous
emotional
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Moderate: Sexism, Suicide, and Torture
Minor: Miscarriage