avid_d's review against another edition
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.25
mandyist's review against another edition
5.0
I think I can say it now: I think Galgut is my favourite author. It feels important to note because the last time I felt this sweeping, all encompassing love for an author was in the early 90s with Margaret Atwood and Milan Kundera, and later that decade with Michael Dibdin.
Galgut writes such quintessentially South African novels. I'd love to discuss his novels with non-South African readers because I don't know that they would understand large swathes of the content in his novels. SA is a complex, tricky, often tragic country with massive violence and disparities between rich and poor (that often follows racial lines) and Galgut's novels capture that.
Which is all to say that this novel has drummed up a lot of emotion for me but that I'm not sure I can write a very good review for it. I'll be thinking of The Good Doctor's flawed characters for some time to come and will definitely not wait so long to read my next Galgut novel. For now, I'll need to read something simple and mindless.
Galgut writes such quintessentially South African novels. I'd love to discuss his novels with non-South African readers because I don't know that they would understand large swathes of the content in his novels. SA is a complex, tricky, often tragic country with massive violence and disparities between rich and poor (that often follows racial lines) and Galgut's novels capture that.
Which is all to say that this novel has drummed up a lot of emotion for me but that I'm not sure I can write a very good review for it. I'll be thinking of The Good Doctor's flawed characters for some time to come and will definitely not wait so long to read my next Galgut novel. For now, I'll need to read something simple and mindless.
isaac_salle's review against another edition
dark
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
rachelsbooks23's review against another edition
challenging
dark
reflective
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
myke's review against another edition
mysterious
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
suknee's review against another edition
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
fictionfan's review against another edition
4.0
Channelling Greene...
Having retreated to a remote country hospital following the messy break-up of his marriage, Doctor Frank Eloff is in a reasonably contented rut. The hospital is in a town that was briefly the capital of a newly set-up homeland in South Africa. But politics move on, and the homeland ceased to exist when apartheid ended, so that now the town is sparsely occupied and the hospital has very few patients and only a tiny staff. But one day a new doctor shows up – young Laurence Waters, who has chosen to do his year's compulsory post-qualifying service in this remote spot. Idealistic and somewhat naive, Laurence wants to do good, and his presence becomes a catalyst for change. This is a story of disillusionment – of a man and of a country.
In both style and subject matter, the book reminded me very much of Graham Greene. Galgut has that same spare precision with words, that ability to conjure a pervading air of menace and decay, that empathetic insight into the fallibilities of human nature. His main character and narrator, Frank, also has all the attributes of a Greene protagonist – somewhat passive, without the strength of character to be either fully good or fully bad, an observer forced to become an unwilling participant. His marriage ended years ago, but he is treading water, unwilling to finalise the divorce – symbolic of the end of apartheid not yet having produced the hoped-for change. The lives of all the hospital staff are in limbo, each waiting for a change that seems increasingly unlikely – the head of the hospital waiting for promotion back to the city, Frank waiting to fill her shoes when – if – she goes, a married couple from Cuba, one wishing to return, the other wishing to stay, and their marriage slowly disintegrating under the strain.
Along comes Laurence, fresh and full of hope, forcing the others to recognise the lethargy they've sunk into. The question seems to be – will Laurence change them or will they destroy his idealistic optimism? The answer never seems in doubt.
There was much I loved about this – the writing, the characterisation of Frank, the creation of an air of uneasy melancholy and later of menace and fear. I was totally involved for well over half of the book. And then, and I can't quite put my finger on the reason, it fell away and rather lost me towards the end. I felt the plot wasn't developed well enough – it all seemed contrived to deliver an ending. (Yes, I know all plots are contrived to deliver endings, but the good ones don't feel as if they are.) The drama all takes place off the page, which does stop it reading like a thriller, which it isn't, but also somehow stops it from delivering an emotional impact. When the major event finally occurred, I found I didn't much care. And that made me realise that, although Frank is fully and excellently realised, the other characters hadn't come to life for me, not even Laurence. In a sense, I think that's part of the point – Frank is detached from emotional involvement, and therefore so are we. But even when he is finally jarred out of his apathy, his efforts at playing a more active part are half-hearted and soon over. Again, I think this is meant to be symbolic of the failure of the hopes of the new South Africa, but whatever, it left me shrugging a bit.
I also developed the impression, rightly or wrongly, that this feeling of utter depression about the state of post-apartheid South Africa was terribly white. Galgut doesn't romanticise the past in any way – quite the reverse – but he also gives no feeling for the immense hope that surely existed among black South Africans, finally free from the yoke of subjugation. Even when things didn't improve as dramatically as people hoped, I found the idea of apathetic acceptance unrealistic. I'd have expected continued hope, anger, possibly despair – not apathy. But perhaps I'm wrong. Perhaps in the rural areas things went on much as they always had.
I certainly enjoyed Galgut's writing and found the book thought-provoking if not entirely convincing. I'll be looking forward to reading more of his work and, despite my reservations, I do recommend this one – although it tailed off for me at the end, I found it an absorbing and worthwhile read up to that point.
www.fictionfanblog.wordpress.com
Having retreated to a remote country hospital following the messy break-up of his marriage, Doctor Frank Eloff is in a reasonably contented rut. The hospital is in a town that was briefly the capital of a newly set-up homeland in South Africa. But politics move on, and the homeland ceased to exist when apartheid ended, so that now the town is sparsely occupied and the hospital has very few patients and only a tiny staff. But one day a new doctor shows up – young Laurence Waters, who has chosen to do his year's compulsory post-qualifying service in this remote spot. Idealistic and somewhat naive, Laurence wants to do good, and his presence becomes a catalyst for change. This is a story of disillusionment – of a man and of a country.
In both style and subject matter, the book reminded me very much of Graham Greene. Galgut has that same spare precision with words, that ability to conjure a pervading air of menace and decay, that empathetic insight into the fallibilities of human nature. His main character and narrator, Frank, also has all the attributes of a Greene protagonist – somewhat passive, without the strength of character to be either fully good or fully bad, an observer forced to become an unwilling participant. His marriage ended years ago, but he is treading water, unwilling to finalise the divorce – symbolic of the end of apartheid not yet having produced the hoped-for change. The lives of all the hospital staff are in limbo, each waiting for a change that seems increasingly unlikely – the head of the hospital waiting for promotion back to the city, Frank waiting to fill her shoes when – if – she goes, a married couple from Cuba, one wishing to return, the other wishing to stay, and their marriage slowly disintegrating under the strain.
Along comes Laurence, fresh and full of hope, forcing the others to recognise the lethargy they've sunk into. The question seems to be – will Laurence change them or will they destroy his idealistic optimism? The answer never seems in doubt.
There was much I loved about this – the writing, the characterisation of Frank, the creation of an air of uneasy melancholy and later of menace and fear. I was totally involved for well over half of the book. And then, and I can't quite put my finger on the reason, it fell away and rather lost me towards the end. I felt the plot wasn't developed well enough – it all seemed contrived to deliver an ending. (Yes, I know all plots are contrived to deliver endings, but the good ones don't feel as if they are.) The drama all takes place off the page, which does stop it reading like a thriller, which it isn't, but also somehow stops it from delivering an emotional impact. When the major event finally occurred, I found I didn't much care. And that made me realise that, although Frank is fully and excellently realised, the other characters hadn't come to life for me, not even Laurence. In a sense, I think that's part of the point – Frank is detached from emotional involvement, and therefore so are we. But even when he is finally jarred out of his apathy, his efforts at playing a more active part are half-hearted and soon over. Again, I think this is meant to be symbolic of the failure of the hopes of the new South Africa, but whatever, it left me shrugging a bit.
I also developed the impression, rightly or wrongly, that this feeling of utter depression about the state of post-apartheid South Africa was terribly white. Galgut doesn't romanticise the past in any way – quite the reverse – but he also gives no feeling for the immense hope that surely existed among black South Africans, finally free from the yoke of subjugation. Even when things didn't improve as dramatically as people hoped, I found the idea of apathetic acceptance unrealistic. I'd have expected continued hope, anger, possibly despair – not apathy. But perhaps I'm wrong. Perhaps in the rural areas things went on much as they always had.
I certainly enjoyed Galgut's writing and found the book thought-provoking if not entirely convincing. I'll be looking forward to reading more of his work and, despite my reservations, I do recommend this one – although it tailed off for me at the end, I found it an absorbing and worthwhile read up to that point.
www.fictionfanblog.wordpress.com
bookishkath's review against another edition
dark
medium-paced
- Plot- or character-driven? Character
- Loveable characters? No
- Flaws of characters a main focus? Yes
3.5
jessbarbour's review against another edition
4.0
Perfectly sums up the problems with modern day South Africa
brooklynbrianreads's review against another edition
5.0
4th Galgut book in 4 months...phenomenal writer!