Reviews tagging 'Stalking'

Brutes by Dizz Tate

3 reviews

madelinequinnee's review against another edition

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dark mysterious reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.5

The epitome of no plot just vibes. I enjoyed the prose of this book, and the setting was very appealing to someone who loves that ‘ethel cain southern gothic’ vibe, but i was confused the entire time i was reading this and i’m not sure if it was in a good or bad way? That may have been the point of the book, that girlhood and growing up is a confusing experience, so if that’s the case then i absolutely got that, but if it wasn’t then i have no idea what the point of the story was. 

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orlagal's review against another edition

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challenging dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.5


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rionstorm's review against another edition

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dark emotional mysterious sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

I don't know if I loved this book, but I flew through it because I couldn't look away, like when you see a car crash or something really gross. 

The plot is hard to follow and each new thread that seems like it will be the new main direction inevitably gets abandoned for whatever the characters are more fixated on at that moment, with a fickleness that is thematically appropriate. That being said, the author probably introduced more elements than she could realisticslly or satisfyingly pull off. 

The two main characters, in my opinion, are the setting of Florida and the amalgamation/superorganism that is The Girls. The sensory descriptions are delicious and disgusting, and the sense of place is overpowering. This feels like a horror about being a teenage girl - everything is grubby and decorated and fascinating and boring and pointless and achingly intensely meaningful. The characters are fixated on being seen and chosen, with the two possible outcomes (achieving this or not) both anticipated as equally nightmarish. 

The tension between their vulnerability, longing for tenderness, cruelty, and disgust at any softness or kindness feels sharply accurate to the experience of teenage girlhood - particularly the teenage girlhood of children who have been profoundly traumatised but don't have any way to confront or desk with that reality. The way that the narrators dance around their traumas without making direct eye contact with it, both as an unconscious survival mechanism and as a conscious denial, put words on an experience I'd seen play out among my peers as a teenager, but never identified. 

Overall I found this book interesting, if confusing, and enjoyed the uneasy atmosphere it created. Reccomend to people who love gross, cruel, painful, conflicting portrayals of girlhood, to people who love descriptions of rot and bugs and swamps, and to fans of Ethel Cain. Do not reccomend to people who want a solid plot or any conclusions.

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