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anarmandameg's review
dark
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Animal death, Body horror, Confinement, Deadnaming, Death, Gore, Violence, Blood, Medical content, Grief, Medical trauma, Fire/Fire injury, Toxic friendship, Alcohol, Dysphoria, War, and Injury/Injury detail
Minor: Alcoholism, Animal cruelty, and Cannibalism
tamarant4's review against another edition
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
..my brothers would never see Antarctica. Never know a clear day on the South Atlantic, or the jewelled ice of the floes. Their dreams had come to nothing, but I was the last Morgan sibling, and I knew where I’d find them. I knew where I had to go. [p. 8]
Jonathan Morgan stows away on the Fortitude to join the (fictional) 1920 British Coats Land Expedition, bound for Antarctica. Morgan's elder brothers Rufus and Francis both died in the Great War, before they could join explorer James Randall's expedition: Jonathan is still young enough to believe in heroism and desperate to prove himself as much of a man as his brothers. He is helped by Harry Cooper, an old friend of the family, but is of course discovered, some days into the voyage south. Expedition leader James 'Australis' Randall decides to let him stay, and Jonathan (having proved his worth by saving a crew member from going overboard) shares the peril of the crew as disaster strikes and they're stranded on the ice, with the southern winter closing in. The men are whispering about ghosts, about half-heard familiar voices, about vivid hallucinations of the War. And Jonathan begins to believe that he's glimpsed the ghost of his brother Francis.
This is an alternate history: instead of Shackleton's heroic efforts to save the Endurance expedition, Wilkes gives us Randall, damaged and flawed, unwilling to admit that he could ever make the wrong call when it comes to polar exploration. All the White Spaces explores ideas of masculinity: Randall, bluff and tough; Tarlington, the expedition's scientist, a former conscientious objector who's ostracised by the rest of the crew; Harry Cooper, who continually behaves as though Jonathan is a girl disguised as a boy; and Jonathan himself, self-made into the man he always knew he was, desperate to belong to 'the place I’d won by the fire, in that circle of men'.
Wilkes writes beautifully of Antarctica's stark beauty ('Tiny cracks marbled the furthest ice, thin and dark as the veins on an old woman’s hand. Everything else was glittering, sharp—dead white.') and imbues the crackling aurora australis, flickering red and green overhead, with dread. The aurora seems to herald visitations by something that Jonathan calls 'the nightwatchman'; blizzards come out of nowhere; a previous, German, expedition has vanished without trace. If All the White Spaces was a simple horror novel, it would be an accomplished example of its kind. The interactions between Jonathan, Cooper, Tarlington and Randall add a dimension that I found compelling and fascinating. Looking forward to reading Wilkes' second novel, Where the Dead Wait, which seems to riff off the Franklin expedition...
"We’ve dropped down a ... hole in the cloth of the world. Been sucked into one of the white spaces on the map.”
Fulfils the ‘grieving characters’ rubric of the 52 books in 2024 challenge: Jonathan and Harry are grieving the Morgan brothers, Randall is grieving his son, many of the crew have lost friends and relations to the War.
Content Warnings
Graphic: Injury/Injury detail
Moderate: Deadnaming and Fire/Fire injury
gen_wolfhailstorm's review against another edition
adventurous
challenging
emotional
hopeful
inspiring
mysterious
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Set in the 1920s, an Antartic expedition adventure quickly becomes deadly and frightening, when the crew become stranded and begin to see spectral apparitions.
I went into this thinking it was going to be horror from the start and was turned off when that wasn't the case and felt very heavy on the historical fiction, but I'm so glad I carried on, because I quickly ate this up whenever I picked it up.
It felt like like I was there with the expedition, feeling bone cold with the men and dogs out on the great expanse of ice and snow. I began to agree with their paranoia, thinking one or more of the crew had intentionally sabotaged the expedition, but to what ends and I grew insistently more anxious as to what supernatural forces were at play; why were the dogs going mad? Where was the German expedition? How longer would Jonathan be able to keep his privacy and will Harry, in a fit of rage, out him? How would they make it back home? ... If they ever would...
I adored this for the trans rep. I wasn't expecting it and to be in the head space of Jonathan, trying to navigate how he's always felt, whilst hiding on a ship he shouldn't be on, and trying to keep his body a secret when discovered was such a different experience. A perspective I thought was well explored (coming from a cis female).
This was such a great story. It felt pretty slow burn and psychological but when others confirmed sightings of ... <i> something </i>... it made me spiral as to how corporal these phantoms were and what they could do to the living.
A well written, well researched tale of isolation, desperation, identity and hope.
I went into this thinking it was going to be horror from the start and was turned off when that wasn't the case and felt very heavy on the historical fiction, but I'm so glad I carried on, because I quickly ate this up whenever I picked it up.
It felt like like I was there with the expedition, feeling bone cold with the men and dogs out on the great expanse of ice and snow. I began to agree with their paranoia, thinking one or more of the crew had intentionally sabotaged the expedition, but to what ends and I grew insistently more anxious as to what supernatural forces were at play; why were the dogs going mad? Where was the German expedition? How longer would Jonathan be able to keep his privacy and will Harry, in a fit of rage, out him? How would they make it back home? ... If they ever would...
I adored this for the trans rep. I wasn't expecting it and to be in the head space of Jonathan, trying to navigate how he's always felt, whilst hiding on a ship he shouldn't be on, and trying to keep his body a secret when discovered was such a different experience. A perspective I thought was well explored (coming from a cis female).
This was such a great story. It felt pretty slow burn and psychological but when others confirmed sightings of ... <i> something </i>... it made me spiral as to how corporal these phantoms were and what they could do to the living.
A well written, well researched tale of isolation, desperation, identity and hope.
Content Warnings
Graphic: Animal death, Body horror, Bullying, Confinement, Deadnaming, Death, Gore, Gun violence, Homophobia, Infidelity, Mental illness, Misogyny, Physical abuse, Sexism, Suicidal thoughts, Suicide, Torture, Transphobia, Violence, Blood, Vomit, Medical content, Grief, Medical trauma, Stalking, Suicide attempt, Murder, Fire/Fire injury, Outing, Gaslighting, Toxic friendship, War, and Injury/Injury detail
layzuli's review
dark
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Death and Blood
Minor: Animal death, Cursing, Deadnaming, Death, Gun violence, Violence, Blood, Vomit, Grief, Murder, Fire/Fire injury, War, and Injury/Injury detail
arlingtonchamberofgay's review
adventurous
dark
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Medical content and Injury/Injury detail
Moderate: Deadnaming and Death
samferree's review
adventurous
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Cold Horror (winter, arctic, Antarctic, etc.) is one of my favorite subgenres, and this is one of the best I have ever read. It's a meditative, melancholic, gripping, terrifying story set in a slightly alternate timeline in which Antarctica had not been more fully explored by 1920 when the protagonist and his party set out to try to reach the South Pole. Jonathan Morgan is a young trans man who lost both his brothers in the final days of WWI and is determined to fulfill their ambition of becoming Antarctic explorers. What I really love about this book is how Wilkes juxtaposes the horror and unfathomable slaughter of WWI with the desolation of Antarctica, and plays on themes of self-perception, social identity (and rejection), (suicidal) masculinity, guilt, and personal loss. They are all masterfully woven into the narrative and lead to a satisfying conclusion.
Content Warnings
Graphic: Ableism, Animal death, Cursing, Deadnaming, Toxic relationship, Transphobia, Violence, Forced institutionalization, Grief, Murder, Abandonment, Dysphoria, and War
nikolas_fox's review
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Content Warnings
Graphic: Deadnaming and Gore
caidyn's review
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
It was a fine read, but I was hoping for something spookier.
Content Warnings
Moderate: Deadnaming and Violence
cmaples's review
adventurous
dark
emotional
mysterious
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
This was the very first time I've ever browsed the horror section and picked up a book about a character who's like me--a trans man. And a horror book at that! What a perfect combination.
There's so much to like about how Wilkes handles the trans narrative here. It's historical fiction so it doesn't use any modern language to describe Jonathan; the word "trans" is never mentioned. But he is undoubtedly a trans character; he makes that very clear.
So many things he mentions resonated with me, too. Little details like hating being called a "late bloomer," people using your full name against you because they know you hate it, and the demand to behave ladylike. The joy at seeing yourself in the mirror for the first time.
And so there I was, 1/3 of the way through the novel when I realized I loved Jonathan because he's a great reader-insert for trans people. And that's both a strength and a flaw. The problem is, for so much of this book I really had no idea how Jonathan felt or who he was. He'd get irritated easily; sometimes I could tell why, and sometimes he seemed really uncharitable to other characters and I couldn't figure it out. He just doesn't seem to have transparent internal struggles, and despite narrating the book in first person, he doesn't let us in on what he really thinks about a lot of the other characters and events. There are times where if feels like he's just going with the flow, along for the ride, without much of an opinion about where that ride is going.
All that being said, I really enjoyed this book and I value the representation a lot.
If that's not what you're here for, it's also got a lot of other things going for it! The arctic setting is really terrifying. It's hard to *not* think about the Thing when you read it, but thankfully it stops short of being derivative. It just has that same, deserted in the deadly white Arctic with something very dangerous, sort of feel to it. Though the horror takes a while to ramp up, it goes from eerie to full blown terrifying. I loved a lot of the other characters and some of them got good development and had interesting secrets of their own. If you like historical fiction & horror, I recommend you check this out.
There's so much to like about how Wilkes handles the trans narrative here. It's historical fiction so it doesn't use any modern language to describe Jonathan; the word "trans" is never mentioned. But he is undoubtedly a trans character; he makes that very clear.
So many things he mentions resonated with me, too. Little details like hating being called a "late bloomer," people using your full name against you because they know you hate it, and the demand to behave ladylike. The joy at seeing yourself in the mirror for the first time.
And so there I was, 1/3 of the way through the novel when I realized I loved Jonathan because he's a great reader-insert for trans people. And that's both a strength and a flaw. The problem is, for so much of this book I really had no idea how Jonathan felt or who he was. He'd get irritated easily; sometimes I could tell why, and sometimes he seemed really uncharitable to other characters and I couldn't figure it out. He just doesn't seem to have transparent internal struggles, and despite narrating the book in first person, he doesn't let us in on what he really thinks about a lot of the other characters and events. There are times where if feels like he's just going with the flow, along for the ride, without much of an opinion about where that ride is going.
All that being said, I really enjoyed this book and I value the representation a lot.
If that's not what you're here for, it's also got a lot of other things going for it! The arctic setting is really terrifying. It's hard to *not* think about the Thing when you read it, but thankfully it stops short of being derivative. It just has that same, deserted in the deadly white Arctic with something very dangerous, sort of feel to it. Though the horror takes a while to ramp up, it goes from eerie to full blown terrifying. I loved a lot of the other characters and some of them got good development and had interesting secrets of their own. If you like historical fiction & horror, I recommend you check this out.
Content Warnings
Graphic: Death, Violence, Medical content, Grief, Medical trauma, Murder, Toxic friendship, War, and Injury/Injury detail
Moderate: Animal death, Deadnaming, Homophobia, Outing, Abandonment, and Dysphoria
Minor: Confinement
blklagoon's review
adventurous
challenging
dark
emotional
hopeful
inspiring
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
I haven’t been this engrossed in a book in a long time. The descriptions truly chilled me to my bones, I understood the cold. Spooky and mysterious to the end, with just a touch of gore. And a trans protagonist in horror? Where his gender was a minor detail and there was actual plot not relating to gender? Incredible.
Content Warnings
Graphic: Animal death, Death, Blood, Fire/Fire injury, and Injury/Injury detail
Moderate: Animal death, Deadnaming, Gore, Gun violence, Medical trauma, and Dysphoria