Reviews with content warning for Vomit - Nona la Novena

There’s a LOT of genderfuckery going on here, and for that, I will always love this series. Other than the fact that this book differed from the first two, I feel like there’s not much I can say without delving into spoilers, so without further adieu—

y’all this rating might change after I read the last book, but my initial reading experience was sullied by the experience of being completely confused through 100% of the book. I spent so much time trying to figure out WHO Nona was and when we finally find out, then there’s other stuff going on that’s still confusing. And as lovely as Nona is, I missed the gideoness of the first two books. And I missed harrow’s tiny bomb of aggression. I missed bones and ninth’s badass goth aesthetic

One mostly spoiler free thing I loved about this book was getting a closer look at Camilla and Palamedes. It was interesting to learn their personalities and see the relationship between them. It was heartwarming really, with a healthy dose of angst, which is how I like all relationships. And speaking of, one thing about tamsyn muir is that she likes her relationships MESSY. And once again, I love that.

idk if this counts as a spoiler but i am, unfortunately, as it’s probably not canon, a camilla/coronabeth shipper

Honestly I’ve never been so excited to get into the fanfic as i was upon finishing this book. So overall, great book, liable to a higher rating on a reread when I’m less confused and more familiar with the characters. Catch me on ao3 next 🫡
Original rating: 4.25

2nd reread: oh my god I feel so stupid for not getting it the first time around. The relationship/character dynamics run DEEP in this book and I will be thinking about it for the rest of my life.

Content Warnings

abarnakwn_ourcolourfulpages's review against another edition

Go to review page

adventurous challenging dark emotional mysterious reflective tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

Content Warnings

lumberelk's review against another edition

Go to review page

challenging emotional mysterious slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes

4.0

Content Warnings

nittiotvaan's review against another edition

Go to review page

dark emotional funny mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

Content Warnings

svnflower's review against another edition

Go to review page

adventurous mysterious reflective medium-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? It's complicated

4.0

Content Warnings

sophiesmallhands's review against another edition

Go to review page

dark emotional mysterious medium-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.75

Content Warnings

softanimal's review against another edition

Go to review page

adventurous funny mysterious tense medium-paced

5.0

Once again Tamsyn Muir managed to write a character I found to be one of the most charming in all of fiction. I didn't think Gideon (the book or the character) could be outdone but here we are. I love Nona so much. Bless this book.

Content Warnings

booksthatburn's review against another edition

Go to review page

adventurous dark lighthearted mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

NONA THE NINTH deals with a necromantic version of plurality in a way whose groundwork was laid in GIDEON THE NINTH and HARROW THE NINTH. Much as "one flesh, one end" is undeniably queer, Camila and Palamedes display a version of plurality, which is necromantic in its origins, but familiar to me in its general shape. I’m a singlet, not a plural system, but several important people in my life are plural, and so much of how Nona interacts with Camilla and Palamedes echoes my interactions with those people in my own life. There’s a line in the second half of the book that makes it clear that at least some of the characters know about plurality, even if what’s happening with them is a specific magical version which canonically involves souls. In some ways plurality is more canonical to the text than any particular style of queerness (except perhaps for sapphic attraction), though this book (and the whole series) is undeniably and wonderfully queer.

The worldbuilding gets more of a chance to breathe this time around. GIDEON THE NINTH was a murder mystery until other things started being much more important. HARROW THE NINTH is a fever dream of confusion which suddenly snaps into coherence at the 90% mark. NONA THE NINTH is a breath, pausing for a story which has a clear framework, a lovable protagonist, and a sense of rhythm and pattern to her days. This calm amidst the storm is ripped open by a descent into war and the deterioration of her body as the day approaches when the Locked Tomb will open. I like the interludes as John tells the story of how this started. These sections helped with pacing and framing, as well as bringing the extremely welcome event of someone actually explaining what the fuck is going on for once.

As the third book in the series, NONA THE NINTH continues Several things begun in earlier books, specifically, but not only, the fates of a great many characters such as Camila and Palamedes. There's so much in each book that it's very difficult to know which details will be picked up later and which ones have been completely handled in their first treatment, but this does eventually give some answers about things first raised in earlier books. There’s an entirely new storyline related to Nona, her relative newness, and everyone she cares about at home and the school. She’s just so happy in a way that incorporates strangeness and allows for a joking grotesquerie, effortlessly finding beauty in weirdness. It also leaves a huge thing for later, promising that the Locked Tomb will be opened, even counting down to that promised day before leaving the aftermath of its opening to be handled in the next book, ALECTO THE NINTH.

There are many fewer memes than the previous books, but the few that are in there are expertly chosen to devastating effect. There's one near the very end that I refuse to spoil which threads the needs between fantastically illustrating the meaning of the surrounding text and needing to be imperceptible to anyone not already in the know. I applaud the execution of it, even if by its nature it's frustrating that this is what the author decided to include. Masterfully done, I tip my cap.

As was the case for HARROW THE NINTH, if someone tried to read this as their introduction to the series, it would likely make sense almost all the way through... and then the ending would be strange and sideways because it relies on several things established in previous books as well as bringing many returning characters who have been more thoroughly introduced elsewhere. Also, the way that the John interludes are explaining how things came to be like this would be a bit strange without the grounding provided in GTN and HTN.

I think this is my favorite book in the whole series, and I'm looking forward to what ALECTO THE NINTH brings.

Content Warnings

More...