Reviews with content warning for Suicide - Guía del club de lectura para matar vampiros

For the first 50-100 pages, I was assuredly in this book's corner. The writing was snappy, the setting sharp, and the looming threat of something sinister palpable. It had me in the palm of its hand, and then only intermittently, and then not at all. Some of that degradation is due to the rises and falls of the suspense, which could be tiresome to wade through since Hendrix doesn't give his reader any space to second-guess the facts of what's happening in the story, lessening the suspense somewhat. It's a narrative decision I want to admire, and I did initially since it firmly places the women driving the story in the right. But after that story humiliated or tortured them for the umpteenth time, I struggled to see the point.

There are hints of promise, specifically in the strength of female friendship and solidarity, but Hendrix's writing is so rooted in a shallow faux-feminism that it sabotages the book at every turn. For one thing, he can't help but describe women's bodies in detail, even when the context would make such specificity frivolous at best. It's a symptom of a larger problem, though, and only gets worse as the story approaches the climax, where Hendrix resorts to the threat of sexual violence or the act itself to ramp up the tension in ways I found to be distasteful. The book wants to paint a picture of how men have historically abused women, treating them like objects or tools for their pleasure or pursuit of power. I'm all for that, especially in a "vampire" period piece like this. But when that book also has a habit of treating its women the same way as the men it condemns, any semblance of commentary quickly deteriorates.

It doesn't help that the characters are predominantly defined by their genders and the traits stereotypically associated with them. Those aren't bad traits for a character to have, mind you, but I struggle to believe that women in the era were exclusively defined by their roles as wives and mothers. The insistence on defining all these characters by different shades of those characteristics was disappointing, especially since Hendrix failed to give the women any interior lives or depth beyond the basest impulses projected onto them. At the very least, though, he knows his way around the genre, and his fast-paced, zippy writing makes this an easy page-turner. He also has a knack for setting up nail-biting scenarios that gross you out just as much as they keep you flipping pages. Granted, some of those scenarios end up falling into the same problems I had with the rest of the book, but the build-up was there, at least. If Hendrix had more self-awareness about his limits and strengths, this could've been a pulpy banger of a book, but alas.

None of these problems are unique to this book, though—I recognize many of his worst impulses from some of Stephen King's earlier works, alongside plenty of other male horror writers. But we (meaning white men like myself) can do better than this, and it's frustrating when I find books that seem to tell me otherwise.

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tomasalbanez's review against another edition

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challenging dark emotional mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

5.0

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bites_of_books's review against another edition

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adventurous challenging dark mysterious sad tense fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

3.75

This was quite a surprising book for me, in many ways. Previously I've loved How to Sell a Haunted House and did not like Final Girls Support Group so, this was supposed to be in tie breaker. I find myself in the middle. I think this book had a great atmosphere for a book that brings horror into suburbia. I did not love how Mrs. Greene was more of a secondary character and would have loved for her to be the main character here (especially since she ends up doing most of the work herself). I did like the discussion on race and privilege, but there could have been some more action in giving Mrs. Greene more agency than she had, instead of making her to passive until Patricia finally decided to do something.
Overall a good book for the fall season but be prepared for really horrific scenes dealing with abuse (of all kinds), vermin, gore, etc.

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klabardee's review against another edition

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adventurous challenging dark emotional inspiring mysterious reflective sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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tracheite's review against another edition

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challenging dark mysterious sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.75

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hannahemckay's review against another edition

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4.5

Grady Hendrix is quickly becoming one of my favorite authors. This one was recommended to me by my mom, who was feeling the same way I was about How to Sell a Haunted House (she needed someone to talk to about this book).

It wasn't quite as wacky as HtSaHH but I still really enjoyed it. I did have to take a break about 75% of the way through bc it got pretty serious and not fun. There was also a moment that I literally almost threw up while listening in the car 🙊

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