The design and UX isn't done, Rob and Abbie, okkurrrr! 😌
kglas's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
1) It's definitely best to read the seasonal quartet in the order im which the books were published: autumn - winter - spring - summer. Even though there are new characters at the heart of each novel, it is such a delight to re-encounter some loveable ones in more than one of them. Especially, half of the fun of reading Summer at the end is recognising the characters and stories from previous seasons.Â
2) I read Autumn twice. I finished it and realised that for understanding more deeply I needed to read it again , and that was fully worth it. I may also re-read some of the quartet at some point and I am sure I'll keep discovering connections and passages that I haven't realised so far.
3) I regularly checked out the references to artists and other writers, looking at their work online. That made the reading experience more complete and made me get to know some exciting works of art I'd had no idea about before reading these books.Â
To sum up, I adore Ali Smith's masterful writing style, her wordplay, the topics she picks up (female art, migration, the Brexit, climate change, COVID 19, activism, ...) and the loving, caring characters she has created. Â
AÂ must-read for anyone who loves good and sometimes complex novels.
Moderate: Death, Confinement, Xenophobia, Grief, and Suicide attempt
at806's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Graphic: Xenophobia, Forced institutionalization, Hate crime, Police brutality, Sexual violence, Suicide, Trafficking, Classism, Colonisation, Deportation, Racism, Suicide attempt, and Suicidal thoughts
megsotto's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Suicide attempt, Deportation, Confinement, Terminal illness, Physical abuse, Grief, and Xenophobia
Moderate: Cancer
deedireads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
TL;DR REVIEW:
Spring is my favorite of Ali Smith’s Seasonal Quartet so far. It’s a deeply felt novel with smart, resonant social commentary.
For you if: You love characters that feel real enough to break your heart.
FULL REVIEW:
I’m currently reading Ali Smith’s Seasonal Quartet in order, season by season (with @caseys_chapters!). I’ve liked them all, but I think Spring is my favorite so far.
This one focuses on two main characters: Richard, an older man who was once a moderately successful film director, mourning the loss of his closest friend; and Brit, a corrections officer for the quartet’s fictional security company (which is also involved with border security). Richard has decided there’s nothing left for him, and Brit finds herself traveling with a remarkable young schoolgirl named Florence.
I think this one felt a little less abstract in terms of how it related to the season it’s named for, which helped. It sang with positioning of spring against the idea of borders and migration and the kind of impossible, barely-there hope that always exists despite the brokenness of the world. It might also be that the social commentary felt a little fresher (since the book is newer); I was particularly struck by Brit and the momentum that keeps her from opening her eyes, much less taking action.
But even considered on its own, the power of Ali Smith’s prose is (as always) somehow unnameable but also unmistakeable, and the characters broke my heart. This was deeply felt and effective, and I can’t wait to read Summer.
Graphic: Racism, Xenophobia, and Suicide attempt
Moderate: Confinement
katekenney's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
Graphic: Cursing
Moderate: Xenophobia
Minor: Suicide attempt and Trafficking
Non-linear storytelling, some questions left answeredcrazytourists_books's review against another edition
- Plot- or character-driven? A mix
3.5
Again, I loved the writing style, the artistic references (consistent in all three books), the sweetness that's lingering in the pages, and Smith's effort to address brexit and the worl wide humanitarian/migration crisis. But there were a few holes in the story, which I am sure were deliberate but left me unsure, wondering, and some surreal descriptions that I didn't particularly enjoyed.Â
Now I wait, till summer comes!
Moderate: Racism and Xenophobia
amelreads's review
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Xenophobia, Forced institutionalization, Grief, Racism, and Confinement
Moderate: Trafficking, Police brutality, Violence, Sexual content, Physical abuse, Sexual violence, and Colonisation
Minor: Torture and Sexual assault
alicea's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The same time that this storyline is unfolding there is a parallel storyline following a director named Richard who has lost someone very close to him and has decided that life has lost all meaning as a result. His story is told very descriptively through literature and film references and without any visuals still manages to evoke clear pictures in the mind of the reader. (If you couldn't tell I really loved it.) Rainer Maria Rilke and Katherine Mansfield's stories are told alongside his as he wrestles with adapting a book about them into a film. I feel that Smith's writing is valuable and poignant as well as incredibly relevant (purposely so which is why I somewhat regret not reading these as they came out). I'm very much looking forward to the last in the series but I'm also sad to be finishing the journey. Spring is a definite 10/10.
Graphic: Confinement, Emotional abuse, and Xenophobia
Moderate: Suicidal thoughts and Suicide attempt
writtenontheflyleaves's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
🌟🌟🌟🌟
Long overdue for the #alismithreadalong but it's here!!
🌸 The plot: Richard is a filmmaker who is grieving the death of his close collaborator, Paddy. He's been asked to help adapt a book about Katherine Mansfield and Rainer Maria Rilke, but his new partner is butchering it and without Paddy's insight, Richard doesn't see the point any more. Brit is a worker at an immigration detention centre where the daily meaningless cruelty of the job is wearing away at her humanity. Brought together by chance encounters with Florence, a twelve year old girl with a remarkable gift, Richard and Brit are caught up in a story about connection and hope that is bigger than both of them.
Spring is probably my second favourite of the Seasonal Quartet, but it's the one that I find hardest to read. Its analysis of the UK government's treatment of refugees seems to get more prescient with every passing year: the routine dehumanisation of vulnerable people, the constant directive from right wing media to share nothing, close the doors and send them somewhere else, enshrining cruelty as standard procedure. The aptly-named Brit is an infuriating character, because of the ways in which she suppresses her conscience, acting out of fear and anger and surrendering responsibility for her actions. You want her better nature to win out, but she just doesn't seem ready.
Still, like all Alis, this is ultimately a hopeful book. Richard's story really blazed out at me on this reread, the way it speaks to Ali's devotion to the theme of companionship in all her work. His love for Paddy felt vivid and beautiful despite the pain of his grief, and the message the book leaves you with is that while hostility grows here, resistance and hope do too. Smith dares to suggest that deep under the surface, good things are growing, and while it's only a glimmer of hope, I'll take it.
🌸 Read it if you want to see the impact of Theresa May's hostile environment depicted alongside hope for change and resistance.
🚫 Avoid it if you're sensitive to depictions of suicidal thoughts/ suicide attempts and particularly forced incarceration.Â
Graphic: Suicide attempt, Xenophobia, Confinement, Forced institutionalization, Grief, and Suicidal thoughts
Moderate: Racism and Sexism
Minor: Death of parent, Self harm, War, Trafficking, Sexual violence, Torture, and Violence