Reviews with content warning for Alcoholism - Sea of Tranquility

This is a series of individual stories from different timelines that start out unrelated, but end up beautifully and neatly interwoven. The ending leaves you with that "ah ha" moment that's so satisfying.

The build-up is slow, so don't give up on it. There are unconventional chapter setups and changes of POV that you adjust to.

I have mixed feelings on how time travel and the future are illustrated in this story. I caught myself being too picky about realism and tiny details (like, why is there an overpopulation problem when that clearly is not where we're trending?) -- but appreciated the focus on pandemics, very clearly inspired by COVID. It's like we progress, but our nature stays the same.

There's a moment where a character muses in front of an audience why we are so focused on pandemic literature. Our inherent narcissism is brought up, but dismissed quickly. I think that's so funny, given how this story is tied up.

You'll enjoy this if you normally like time travel / futuristic stories, pensive reads.

Content Warnings

miller8d's review against another edition

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adventurous dark emotional hopeful inspiring lighthearted mysterious reflective sad medium-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

4.0

Emily St. John Mandel is the only author I’ve ever read as an adult whose writing is effortlessly legible— I don’t have to drag myself through the continuation of the logic, the story, the names and details. She is an incredible world-builder and crafts her books in a way that kindly takes all pressure off the reader to painstakingly translate the story as they go, and she does it without losing the substance nor the sophisticated chaos of the story. She includes unnecessary yet enriching details everywhere so that you never quite catch on to the endings (unlike so many stories that make me think “Oh, well, that must be foreshadowing something”). I had a complicated

feeling of disappointment at the ending of the story: I was pulled to finish this book in two days because I was so excited to learn the explanation for the anomaly, and when I turned the final page, I said “Oh, come on” out loud because I did not feel like I got one at all in the moment. I found the twist exciting and sweet and logical but emotionally frustrating at first. But since I completed the book twenty minutes ago, I’ve realized I’m not actually disappointed because that is actually the most natural and truthful ending there ever could have been, and it rings true to the entire story, to the nature of time and space and boring explanations for exciting anomalies. It shines light on the entire hero’s journey and disarms us with a lonely sense of naked responsibility over the choices we make and especially over the universally lackluster inevitability of the logical consequences of the choices we make. I also really love how Mandel softly infused a strong clarity of anti-colonization and anti-cop sanity throughout the actions and beliefs of the lovable characters— refreshing to read a sci-fi/fictional/apocalyptic piece that doesn’t bury the lead of what evils are obviously leading us toward the darkness (colonization and cops, etc.), and refreshing to read any fictional book that pursues a leftist narrative through world-building and plot points, instead of just veering recklessly into harmful tokenization, superimposed racial dynamics written by a white author, and so on. I also just realized I liked the red herring of Vincent falling off into the sea— at the time, I was 100% sure she’d been teleported by the anomaly and that we must meet her later on. Fun to think that perhaps she did teleport somehow but that we’ll never know because Gaspery never knows.

I loved this book.
Note: I pictured Gaspery as Jacob Wysocki from College Humor.

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