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kia_y_k's review against another edition
emotional
reflective
relaxing
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? N/A
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Rape, Sexual assault, and Sexual violence
Moderate: Alcoholism, Mental illness, Rape, Sexism, Sexual content, Sexual violence, Car accident, Pregnancy, and Alcohol
Minor: Death
sophtanda's review against another edition
challenging
emotional
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
A reflective book, on a woman who's reached her 30s, and realises she's not fully happy with her life, as she feels she's fallen into everything she's done. As her birthday approaches, she decides to try new things, such as going out with her colleague and only contacting on her phone, before eventually attempting to join a class at a university. In her attempt to apply, she meets someone who might just trigger the change she needs in her life.
Graphic: Rape, Sexism, Sexual assault, Sexual violence, and Toxic friendship
Moderate: Addiction, Alcoholism, and Alcohol
Minor: Pregnancy
jessbasuthakur's review against another edition
emotional
informative
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
Simply, a book that achieved what it set out to do, but nonetheless a bit of a slog to read. However, I will read more Kawakami books.
Graphic: Addiction, Mental illness, Rape, Sexism, Sexual assault, Sexual violence, and Toxic friendship
thewordsdevourer's review against another edition
dark
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
3.0
*Thank you to the publisher and NetGalley for the ARC
The thing about an author's first translated novel being her best one is it sets the bar high for all her subsequent translated works, and they might not wholly live up to it.
Such is the case here with All the Lovers in the Night, whose story of a thirty-something woman with a solitary job in Tokyo bears similarities to Breasts and Eggs, but - published in its original Japanese nearly a decade before the latter - is less successful in terms of story and emotional beats, though I still like it.
I enjoy the novel's exploration of its themes - the transient and obfuscating nature of time, memories, and acts of remembering and recollection - and the gradual growth of the protagonist Irie. However, I can hardly remember the story - what takes place between the crucial scenes and plot points - for it seems static a lot of the time, with similar occurrings replaying in several loops.
There is nothing wrong with a novel that does not focus on plot, but what substitutes for that - be it inner monologue, rumination, characterization - should be effective, and in this case I do not find Irie's reflections to be effective enough. The book also needs more proofreading and copyediting, as there are still some missing words and grammatical errors.
Nevertheless, I do enjoy watching the character grow as she tentatively learns to bask in the night and, step by step, revel in all its lights.
The thing about an author's first translated novel being her best one is it sets the bar high for all her subsequent translated works, and they might not wholly live up to it.
Such is the case here with All the Lovers in the Night, whose story of a thirty-something woman with a solitary job in Tokyo bears similarities to Breasts and Eggs, but - published in its original Japanese nearly a decade before the latter - is less successful in terms of story and emotional beats, though I still like it.
I enjoy the novel's exploration of its themes - the transient and obfuscating nature of time, memories, and acts of remembering and recollection - and the gradual growth of the protagonist Irie. However, I can hardly remember the story - what takes place between the crucial scenes and plot points - for it seems static a lot of the time, with similar occurrings replaying in several loops.
There is nothing wrong with a novel that does not focus on plot, but what substitutes for that - be it inner monologue, rumination, characterization - should be effective, and in this case I do not find Irie's reflections to be effective enough. The book also needs more proofreading and copyediting, as there are still some missing words and grammatical errors.
Nevertheless, I do enjoy watching the character grow as she tentatively learns to bask in the night and, step by step, revel in all its lights.
Graphic: Rape
Moderate: Alcoholism, Emotional abuse, and Toxic relationship
Minor: Mental illness, Sexism, Sexual content, Vomit, and Car accident
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