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dannythestreet's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
3.75
Graphic: Child abuse, Death, Eating disorder, Emotional abuse, Mental illness, Misogyny, Physical abuse, Racism, and Sexism
Moderate: Domestic abuse, Self harm, Violence, Grief, and Pregnancy
fromlindenmere's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Body shaming, Child death, Cursing, Death, Eating disorder, Emotional abuse, Infidelity, Mental illness, Misogyny, Physical abuse, Racism, Vomit, Grief, Religious bigotry, Pregnancy, Colonisation, and Classism
now_booking's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
The premise is that when Tambu loses her brother, who happens to be her nemesis, she inherits his opportunity to move in with their wealthy uncle to pursue her dream of an education and a better life for her family. But she finds that life isn’t as perfect as she believed in the household of her god-like uncle and aunt, and she finds that in the pursuit of her dreams, she may be losing her identity.
This was set up like it was going to be Tambu’s coming of age story, but it didn’t really deliver on that expectation. In the end, it was kind of a collection of incidents and events about family expectations, gender inequity and coloniality and the legacies of compromising oneself for the Western gaze in order to be successful enough to look after one’s family. Yet even though my expectation for a connected story about Tambu wasn’t met, and even though this was very “slice of life,” I think it articulated experiences that were very realistic and pertinent to a Zimbabwean and more broadly, African, experience. The character development was stellar, the scenes and reflections were on point, the scenarios and ways of thinking resonated. I could see the experiences of my own family, friends and neighbours in the grievances and hurts and expectations and hopes and responsibilities that lay in this book. I loved the complex family dynamics and the imperfect characters. If I’m removing one star, it’s because this did not feel entirely cohesive to me. I enjoyed the stories but I did feel it felt a little incomplete and “so what” at the end. It left me as a reader wondering what the author wanted to accomplish with this story which ended as abruptly as it started, kind of in the middle. The focus was very much on the themes and the characters demonstrating the themes, but there wasn’t really an overarching plot or a main story. I could enjoy the pieces of story and the slices of experience and these are themes I care about, so it worked for me. But I also felt like this wasn’t really anchored and it only worked for me because I liked older Tambu’s editorializing voice. The story wasn’t allowed to tell itself without older Tambu/the author’s voice inserting itself into my consciousness to make decisions on my feelings about the story for me. Indeed, my favourite character was the peripheral Aunty Lucia, whose boldness, wisdom, open sexuality and cunning made her engaging and powerful in a world where the women were subdued by nervous conditions. Specific to this edition, I thought it was a strange choice to include a spoiler-ridden introduction at the start of this book and I think that could spoil the book for people who are vehemently anti-spoiler.
My understanding is that this is the first book in a trilogy of books featuring Tambu which might explain why this felt so abrupt and somewhat incomplete. But I also felt like this didn’t end on a cliffhanger or with any express trigger to pick up the next book. That said, overall, I really liked the story and would like to see what older Tambu’s foreshadowing will lead to, so I plan to check out the other books in the series. I recommend.
Graphic: Child abuse, Child death, Death, Eating disorder, Emotional abuse, Infidelity, Mental illness, Misogyny, Racism, Sexism, Toxic relationship, Grief, Death of parent, Toxic friendship, Abandonment, Colonisation, and Classism
Moderate: Body shaming, Bullying, Fatphobia, and Physical abuse
tina94's review against another edition
4.0
Graphic: Child abuse, Eating disorder, Sexism, Religious bigotry, Schizophrenia/Psychosis , and Colonisation
Moderate: Child death, Infertility, Miscarriage, Excrement, and Grief
emmazan's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Eating disorder, Emotional abuse, Mental illness, Misogyny, Racism, Self harm, Grief, Religious bigotry, Cultural appropriation, Colonisation, and Dysphoria
Moderate: Death, Domestic abuse, Physical abuse, and Sexism
lauconn's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Eating disorder
Moderate: Child abuse and Child death
Minor: Excrement and Grief
whatjaimereads's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
This is a short novel, but every word is placed with intent, there’s no question that this is a modern classic which will stand up to the test of time. Nervous Conditions is a semi-autobiographical novel that chronicles an important moment in Zimbabwean history, the turn of independence, through the eyes of a teenage Tambudzai and her extended family. The discussions of gender, (post)colonialism, race, and mental illness are incisive and deeply impacting. Tambu’s character was designed to be relatable to the masses within Zimbabwe, and the realisations of the dominance of poverty, particularly through the eyes of an increasingly-educated protagonist, will be unforgettable.
Dangarembga treats each of her characters with kindness and generosity, despite the hardship with which they are faced. This is deeply reminiscent of the recent article written by Simukai Chigudu for The Guardian which I bang on about all the time; so if you read and enjoyed that, I definitely recommend moving onto this. Actually, I recommend this to everyone, there’s no way that you can go into this book without benefitting from its richness and the knowledge that it imparts. Undeniably accomplished, outstandingly realised, and a true privilege to have read.
Graphic: Child death, Death, Eating disorder, Mental illness, Misogyny, Violence, Excrement, and Grief
Moderate: Miscarriage, Forced institutionalization, and Vomit