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macliffe's review against another edition
adventurous
dark
emotional
hopeful
inspiring
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
I very much enjoyed the writing of this book, how it was so creative on both a macro and a micro scale. I always wanted to pick it up again. My only nitpicks were the constant switching of POVs, and how horrible most of the men were. But there was a lot more to those characters that you see by the end, so that ended up being better than I initially expected.
Content Warnings
Graphic: Addiction, Alcoholism, Animal death, Child death, Death of parent, Fire/Fire injury, and Alcohol
Moderate: Confinement, Racism, Sexual assault, Torture, Antisemitism, Grief, Murder, and War
Minor: Sexual content and Violence
justina_kl's review against another edition
adventurous
challenging
dark
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? N/A
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
This is now one of my favourite books of all time, and most certainly one of the best folklore fantasy books out there. It has a semi-historical setting in a world where real mixes with fantastical. The changes in point-of-view give the reader insight into the thoughts of characters from different backgrounds and who have different goals. The story is women-driven, and the characters are sympathetic without being flawless/perfect which adds to their realism.
Content Warnings
Moderate: Child abuse, Domestic abuse, and Antisemitism
Minor: Alcoholism, Death, Miscarriage, Xenophobia, Religious bigotry, and Death of parent
carlithian's review against another edition
dark
inspiring
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Addiction, Alcoholism, Child abuse, Death, Domestic abuse, Death of parent, and Fire/Fire injury
Moderate: Misogyny, Physical abuse, Blood, Antisemitism, Murder, and Injury/Injury detail
Minor: Animal cruelty, Animal death, Child death, Torture, Trafficking, Religious bigotry, Pregnancy, and War
amkleintje's review against another edition
adventurous
emotional
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.5
Content Warnings
Graphic: Child abuse and Domestic abuse
Minor: Rape, Sexual assault, Sexual violence, and Antisemitism
rjweck's review against another edition
adventurous
dark
mysterious
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Moderate: Child abuse, Domestic abuse, Racism, Violence, Antisemitism, and Murder
Minor: Miscarriage and Death of parent
erikagibson126's review against another edition
adventurous
mysterious
medium-paced
- Plot- or character-driven? A mix
4.5
Content Warnings
Graphic: Alcoholism, Child abuse, Death, Physical abuse, Violence, Antisemitism, Grief, Death of parent, Fire/Fire injury, and Alcohol
Moderate: Animal death, Bullying, Child abuse, Child death, Death, Domestic abuse, Physical abuse, Violence, Blood, Death of parent, Murder, Pregnancy, and Classism
kmoz's review against another edition
adventurous
dark
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.5
Content Warnings
Moderate: Torture and Violence
Minor: Antisemitism and War
revonue's review against another edition
adventurous
emotional
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Moderate: Violence and Antisemitism
_nayak's review against another edition
adventurous
hopeful
mysterious
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Graphic: Child abuse, Domestic abuse, and Violence
Moderate: Alcoholism, Rape, and Antisemitism
thepurplebookwyrm's review against another edition
adventurous
hopeful
mysterious
relaxing
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? N/A
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.25
Premise:
Spinning Silver centres on Miryem, a young Jewish woman who, at the beginning of the story, takes over her father's money-lending business as her family falls on hard times. She does such great work (better work than her too-nice father ever did), 'changing' silver coins into gold ones (meant for the family bank account, in the nearby town), she attracts the attention of a Staryk lord (a kind of fairy, essentially), who imperiously challenges her to turn his own silver into gold, within a certain amount of time.
The book also features three other points of view, but chiefly those of two other women: Wanda, a poor peasant who comes to work for Myriem in order to pay off her father's debt, and Irina, the daughter of a local lord fated to marry Mirnatius, the Tsar... and the fiery demon who inhabits him.
Spinning Silver thus broadly works as a loose re-telling, or re-imagining, of the Rumpelstiltskin fairy tale, set in Eastern Europe and mildly pulling from Slavic mythology.
Review:
To start off with some positives: I liked the fact this story was as female-centric as it was, and that it worked very well as a mythology-infused, fairy tale retelling.
On a world-building front, I most certainly enjoyed the fact Spinning Silver featured an Eastern European/Slavic setting, and that it pulled from Slavic mythology, for a pleasantly refreshing change! The novel's 'fairies', the Staryk, were also convincingly portrayed as non-human and otherworldly. Or rather... what I'll term 'sub or para-worldly', in the sense that they represented a different facet of the world, and Nature, rather than a completely separate sphere of being. And this is, in fact, more in line with what fairies, elves, the Sidhe, etc... are 'supposed' to be, so point there!
Speaking of Nature... I found the novel's highly atmospheric writing very compelling, and immersive. Novik's prose, for its part, flowed smoothly overall, though I can't say I found it evocative or inspiring in any specific fashion either.
Now onto some negatives: I'd say Spinning Silver was, more or less, equally character- and plot-driven, which was fine, but it lacked greater world-building, and certainly thematic depth beyond that. There just wasn't much there for me to engage with on an intellectual or emotional level, in terms of ideas, mythological referencing, or in terms of deeper character work, and greater character relatability. At most, I can say Spinning Silver showed a character experiencing anti-Semitic discrimination, and a sketch of intersectional oppression, since three of her four main characters were female and prejudiced in different ways. But I never got anything more than, well, a sketch, and would have preferred more substance and colour to be given to said sketch.
I'm also not entirely sure the story needed all its points of view, and this feeling honestly came as somewhat of a surprise, since I'm generally a fan of multiple POV stories. But it may precisely be because I felt the story lacked deeper substance; it didn't need so many 'character bones', as it were, given it's lack of 'meat' (stories are animals in this metaphor, apparently, lol). And the same kind of goes for the book's length. Not that it's a chonker either, mind you, but I'm not sure it needed to be as long as it was. Still, I'll allow its compelling atmosphere largely made up for this feeling of 'paddedness'.
I am, unfortunately, a little more miffed about Spinning Silver's ending, which felt rough and rushed to me. I basically had to 'reason' my way to it feeling like it 'fit', if that makes sense. Because sure, I suppose it could fit, in a roundabout way, but... it needed additional build-up. It really did. That being said, and despite that, the book's very last sentence, on its own, resonated perfectly.
Overall, then, Spinning Silver was a slightly more positive-than-not, but ultimately mixed bag for me, and my 2024 'reading run' remains, on the whole, decidedly average. #KindaSadgeBookwyrm
On the bright(er) side, however, I'll add that I liked Spinning Silver just enough to give Naomi Novik's work another go, and will thus probably check out Uprooted... at some undefined point in the future. 🙂
Spinning Silver centres on Miryem, a young Jewish woman who, at the beginning of the story, takes over her father's money-lending business as her family falls on hard times. She does such great work (better work than her too-nice father ever did), 'changing' silver coins into gold ones (meant for the family bank account, in the nearby town), she attracts the attention of a Staryk lord (a kind of fairy, essentially), who imperiously challenges her to turn his own silver into gold, within a certain amount of time.
The book also features three other points of view, but chiefly those of two other women: Wanda, a poor peasant who comes to work for Myriem in order to pay off her father's debt, and Irina, the daughter of a local lord fated to marry Mirnatius, the Tsar... and the fiery demon who inhabits him.
Spinning Silver thus broadly works as a loose re-telling, or re-imagining, of the Rumpelstiltskin fairy tale, set in Eastern Europe and mildly pulling from Slavic mythology.
Review:
To start off with some positives: I liked the fact this story was as female-centric as it was, and that it worked very well as a mythology-infused, fairy tale retelling.
On a world-building front, I most certainly enjoyed the fact Spinning Silver featured an Eastern European/Slavic setting, and that it pulled from Slavic mythology, for a pleasantly refreshing change! The novel's 'fairies', the Staryk, were also convincingly portrayed as non-human and otherworldly. Or rather... what I'll term 'sub or para-worldly', in the sense that they represented a different facet of the world, and Nature, rather than a completely separate sphere of being. And this is, in fact, more in line with what fairies, elves, the Sidhe, etc... are 'supposed' to be, so point there!
Speaking of Nature... I found the novel's highly atmospheric writing very compelling, and immersive. Novik's prose, for its part, flowed smoothly overall, though I can't say I found it evocative or inspiring in any specific fashion either.
Now onto some negatives: I'd say Spinning Silver was, more or less, equally character- and plot-driven, which was fine, but it lacked greater world-building, and certainly thematic depth beyond that. There just wasn't much there for me to engage with on an intellectual or emotional level, in terms of ideas, mythological referencing, or in terms of deeper character work, and greater character relatability. At most, I can say Spinning Silver showed a character experiencing anti-Semitic discrimination, and a sketch of intersectional oppression, since three of her four main characters were female and prejudiced in different ways. But I never got anything more than, well, a sketch, and would have preferred more substance and colour to be given to said sketch.
I'm also not entirely sure the story needed all its points of view, and this feeling honestly came as somewhat of a surprise, since I'm generally a fan of multiple POV stories. But it may precisely be because I felt the story lacked deeper substance; it didn't need so many 'character bones', as it were, given it's lack of 'meat' (stories are animals in this metaphor, apparently, lol). And the same kind of goes for the book's length. Not that it's a chonker either, mind you, but I'm not sure it needed to be as long as it was. Still, I'll allow its compelling atmosphere largely made up for this feeling of 'paddedness'.
I am, unfortunately, a little more miffed about Spinning Silver's ending, which felt rough and rushed to me. I basically had to 'reason' my way to it feeling like it 'fit', if that makes sense. Because sure, I suppose it could fit, in a roundabout way, but... it needed additional build-up. It really did. That being said, and despite that, the book's very last sentence, on its own, resonated perfectly.
Overall, then, Spinning Silver was a slightly more positive-than-not, but ultimately mixed bag for me, and my 2024 'reading run' remains, on the whole, decidedly average. #KindaSadgeBookwyrm
On the bright(er) side, however, I'll add that I liked Spinning Silver just enough to give Naomi Novik's work another go, and will thus probably check out Uprooted... at some undefined point in the future. 🙂
Content Warnings
Minor: Sexism and Antisemitism
The novel centres on female characters (one of whom is Jewish, in Early Modern Europe) who experience discrimination, and prejudice, on different levels.