Reviews tagging 'Incest'

A Thousand Ships by Natalie Haynes

7 reviews

eni_iilorak's review against another edition

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adventurous dark emotional funny informative reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? No

5.0


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jeannekmele's review

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challenging dark emotional inspiring reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

cws: rape, child death, slavery, war, grief/trauma, genocide mention, spoilers

An exceptional collection of nearly universal tragedy across its heroines, pyrrhic victories are the norm for women whose darkest moments shine with vibrant human spirit on the pages of A THOUSAND SHIPS.

So often left footnotes--wives, mothers, sisters, sluts and daughters written to live, die, and love for the storied men of old--any background knowledge of the classical canon will lend an unerring hand to the conclusions we know these women will come to. Yet you cannot help but root for their success, or their peace if no such thing exist; despite the ends long since written for them, their human resilience and fragility and the womanly grit behind it all almost feels as if history could rewrite itself this time.
It doesn't, of course, but this in of itself is the devoted intersection of care and craft.

Though ATS is tragedy from the first page to last, the deluge of misery and loss roils and settles with the comfortable shape of a story until you're left with a sense of resolution that is not gratifying, but it is real. And that is the way of tragedy, trauma, and war: these things cannot be reversed, nor smoothed over, nor sated.
Andromache's family, first husband and son are dead; but she has another husband, another son, and her freedom; perhaps that must be enough. Penelope loses twenty years of her life, marriage, queenship and motherhood waiting for a husband who never comes home to her. But there is a like man in their bed, and his name is Odysseus, and perhaps that will have to be enough.


What of Eris, the instigator? What of Helen, the adulteress, the end of a kingdom? It is very easy, in a song about war, to glorify and vilify to the whims of one's own biases, or heroes, or chosen themes. I don't believe you will find such binary in this book.
A mother kills children to avenge her own. Slave-owners and rapists (we'll save the discussion on rape, duious consent, and power in the classical canon for another time) show gentleness and provision to their victims, even when regarded as property. The selfish goddesses who set a decade of devastation and a death toll unnumbered are, themselves, steered from the shadows by intentions as selfless and pragmatic as they are genocidal.

I will quote Natalie Haynes' afterword: 'Survivors, victims, perpetrators: these roles are not always separate. People can be wounded and wounding at the same time, or at different times in the same life.'

It would be erroneous to go into A THOUSAND SHIPS expecting anything less than complex women with rich inner lives under extraneous circumstances. In the man-made disaster that is war, it becomes impractical and impossible to keep an orderly measure of right and wrong. The human condition warps into something immeasurable under such extreme duress. Though by no means a soothing read, I nonetheless devoured ATS as I haven't done with a book in a long time.

I will close with this: Grief is a long-lived creature with many faces that may come in any amount or combination at any time, in three days or five years, or decades hence. Grief is angry, and loud, and dead-eyed; it is wasting away and endless tears and twists in our chests that by right of anatomy shouldn't twist there; it is jealousy and accusation and cruelty and violence and submission and insanity.
Grief is ugly, and so often in contemporary western culture it is unsightly and to be repressed. In women, grief is mockingly anticipated, oppressively levied, and mercilessly culled. A THOUSAND SHIPS is an excellent read across the board, but for those who are processing grief and trauma, who may be unsure how to (especially women), it is a cathartic and humanizing portrait of the externally-inflicted and yet worst, most unacceptable parts of ourselves that are too big for our bodies, and too loud for the world.

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marianneiriss's review

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adventurous challenging dark emotional funny informative mysterious reflective sad tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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gertrudethemoonstone's review

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emotional reflective relaxing sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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orlagal's review against another edition

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challenging dark emotional informative reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.5


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claudiamacpherson's review against another edition

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adventurous challenging dark emotional inspiring mysterious sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

 
“When a war was ended, the men lost their lives. But the women lost everything else.”
Homer’s <i>Iliad</i> has inspired generations of epic tales: tales of war, rage, violence, and glory. But these tales have been told primarily by and about men. In <i>A Thousand Ships</i>, Haynes asks: What about the women? Many of their stories have been told, yes, but as footnotes or backstories for the “real” heroes: the men. But why should heroism be confined to the battlefield? The women of Troy lose everything, but must find the courage to continue. Penelope waits for her husband for 20 years, but uses her wit to escape her suitors and stay loyal and true to her husband. 

As a rule, I prefer my stories with happy endings. I went into this book knowing that I wouldn’t get one, and worried that that would ruin the story for me, but it didn’t. The stories were told so beautifully and the endings so inevitable that I loved each one of them (even as I cried for the lost). I’ve read a lot of really incredible mythology-inspired books this year, and this was definitely one of my favorites!

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sarah984's review against another edition

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dark informative slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.0

I liked the idea of this book, focusing on war’s effects on women and a sort of discussion on the meaning of heroism, but the execution just felt really weak to me. The muse character basically outright states the book’s theme at least three times, in case I somehow missed it, the overpopulation motif with Gaia is boring and ridiculous, and the tone of some parts is really weird (Penelope’s letters at times feel like a comedy sketch). The book also mostly focuses on noblewomen and goddesses which I feel is a missed opportunity in a book about women and war.

The chapter about the Amazons was interesting though and I found Cassandra’s point of view compelling, so three stars.

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