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crusoe's review
challenging
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? N/A
- Flaws of characters a main focus? It's complicated
5.0
Positives. I couldn't put down this book. How could I when this retelling was so fresh, so compellingly written? I love when retellings bring something new to the table and this novel for that both in style (by alternating between POV's until they had each reached their conclusion or by alternating the form in which the story was told, such as through the letters of Penelope) and perspective. The prose had a brutal beauty to it and did not sugarcoat the effects of war.
This book, in a sense, is not what you might expect from a feministic retelling; these women are critical and jealous of each other, are absorbed with centering the loss of men in their lives. They have very little agency simply because they are an opressed group in a society where they are very rarely seen as more than property. But, with the little agency that they have, they do everything they can to survive- or die when that is the more tolerable option. They are not more dishonourable -not more honourable either- than the men who the stories usually focus on. They are resilient, they will survive, and so will their stories.
Negatives. This book is very bleak, war always is, which may or may not be a negative aspect depending on who you are asking. There are very few moments of hope to be found, especially near the end, which can make it a tough read.
Quote. When a war was ended, men lost their lives. But the women lost everything else.
This book, in a sense, is not what you might expect from a feministic retelling; these women are critical and jealous of each other, are absorbed with centering the loss of men in their lives. They have very little agency simply because they are an opressed group in a society where they are very rarely seen as more than property. But, with the little agency that they have, they do everything they can to survive- or die when that is the more tolerable option. They are not more dishonourable -not more honourable either- than the men who the stories usually focus on. They are resilient, they will survive, and so will their stories.
Negatives. This book is very bleak, war always is, which may or may not be a negative aspect depending on who you are asking. There are very few moments of hope to be found, especially near the end, which can make it a tough read.
Quote. When a war was ended, men lost their lives. But the women lost everything else.
Content Warnings
Graphic: Ableism, Child death, Death, Genocide, Gore, Misogyny, Physical abuse, Rape, Sexual assault, Sexual violence, Slavery, Suicide, Grief, Suicide attempt, Murder, War, and Injury/Injury detail
Moderate: Infidelity
nialiversuch's review
adventurous
dark
emotional
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.5
Content Warnings
Graphic: Ableism, Adult/minor relationship, Alcoholism, Animal cruelty, Body horror, Bullying, Child death, Confinement, Death, Domestic abuse, Emotional abuse, Genocide, Gore, Infidelity, Misogyny, Physical abuse, Rape, Sexism, Sexual assault, Sexual violence, Slavery, Suicidal thoughts, Suicide, Violence, Forced institutionalization, Blood, Kidnapping, Grief, Suicide attempt, Death of parent, Murder, Pregnancy, Abandonment, Alcohol, Colonisation, War, Injury/Injury detail, Classism, and Pandemic/Epidemic
lilifane's review against another edition
emotional
reflective
sad
fast-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
The Iliad is one of my favorite stories. Has been since I was a teenager. And one of my favorite ways to experience it is from a female point of view. Actually, the first time I read about Troy was in a retelling of the Iliad focusing on the women 30 years ago. Since then, I've read lots of books and plays on the topic, so this one didn't offer me many new insights.
I liked the framing device of Calliope having enough of inspiring heroic war stories. And it was nice to have all the different female perspectives in one book, the women of Troy as well as Greek women and all the goddesses and immortals involved. But if I hadn't known these characters and their stories as well as I did before, I would have been very confused. The story is not told in chronological order, you rather get glimpses of the different women's parts at random points in time. Some from before the war, some during the war, some at the end. Several times I didn't even know at which point of the plot we were. Plus, the characters are never really introduced. It's expected that you know who is who already. Which is a weird take for a book about the hidden women in the epic tale. I had an emotional connection to them because I already knew them, not because of how they were portrayed in this book.
However, I enjoyed the book, it was a quick read. And I LOVED Penelope's part. Her letters to Odysseus got hilarious the longer she had to wait for him. I literally couldn't stop laughing at one point. A much-needed break from all the sad tragedies in the book. I also appreciate that Haynes went all the way back to the very beginning to find out what exactly started the conflict. I liked that a lot. And the writing is stunning!
I liked the framing device of Calliope having enough of inspiring heroic war stories. And it was nice to have all the different female perspectives in one book, the women of Troy as well as Greek women and all the goddesses and immortals involved. But if I hadn't known these characters and their stories as well as I did before, I would have been very confused. The story is not told in chronological order, you rather get glimpses of the different women's parts at random points in time. Some from before the war, some during the war, some at the end. Several times I didn't even know at which point of the plot we were. Plus, the characters are never really introduced. It's expected that you know who is who already. Which is a weird take for a book about the hidden women in the epic tale. I had an emotional connection to them because I already knew them, not because of how they were portrayed in this book.
However, I enjoyed the book, it was a quick read. And I LOVED Penelope's part. Her letters to Odysseus got hilarious the longer she had to wait for him. I literally couldn't stop laughing at one point. A much-needed break from all the sad tragedies in the book. I also appreciate that Haynes went all the way back to the very beginning to find out what exactly started the conflict. I liked that a lot. And the writing is stunning!
Content Warnings
Graphic: Child death, Death, Genocide, Slavery, Suicide, Grief, Suicide attempt, Death of parent, Fire/Fire injury, and War
jeannekmele's review
challenging
dark
emotional
inspiring
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
cws: rape, child death, slavery, war, grief/trauma, genocide mention, spoilers
An exceptional collection of nearly universal tragedy across its heroines, pyrrhic victories are the norm for women whose darkest moments shine with vibrant human spirit on the pages of A THOUSAND SHIPS.
So often left footnotes--wives, mothers, sisters, sluts and daughters written to live, die, and love for the storied men of old--any background knowledge of the classical canon will lend an unerring hand to the conclusions we know these women will come to. Yet you cannot help but root for their success, or their peace if no such thing exist; despite the ends long since written for them, their human resilience and fragility and the womanly grit behind it all almost feels as if history could rewrite itself this time.
It doesn't, of course, but this in of itself is the devoted intersection of care and craft.
Though ATS is tragedy from the first page to last, the deluge of misery and loss roils and settles with the comfortable shape of a story until you're left with a sense of resolution that is not gratifying, but it is real. And that is the way of tragedy, trauma, and war: these things cannot be reversed, nor smoothed over, nor sated.Andromache's family, first husband and son are dead; but she has another husband, another son, and her freedom; perhaps that must be enough. Penelope loses twenty years of her life, marriage, queenship and motherhood waiting for a husband who never comes home to her. But there is a like man in their bed, and his name is Odysseus, and perhaps that will have to be enough.
What of Eris, the instigator? What of Helen, the adulteress, the end of a kingdom? It is very easy, in a song about war, to glorify and vilify to the whims of one's own biases, or heroes, or chosen themes. I don't believe you will find such binary in this book.A mother kills children to avenge her own. Slave-owners and rapists (we'll save the discussion on rape, duious consent, and power in the classical canon for another time) show gentleness and provision to their victims, even when regarded as property. The selfish goddesses who set a decade of devastation and a death toll unnumbered are, themselves, steered from the shadows by intentions as selfless and pragmatic as they are genocidal.
I will quote Natalie Haynes' afterword: 'Survivors, victims, perpetrators: these roles are not always separate. People can be wounded and wounding at the same time, or at different times in the same life.'
It would be erroneous to go into A THOUSAND SHIPS expecting anything less than complex women with rich inner lives under extraneous circumstances. In the man-made disaster that is war, it becomes impractical and impossible to keep an orderly measure of right and wrong. The human condition warps into something immeasurable under such extreme duress. Though by no means a soothing read, I nonetheless devoured ATS as I haven't done with a book in a long time.
I will close with this: Grief is a long-lived creature with many faces that may come in any amount or combination at any time, in three days or five years, or decades hence. Grief is angry, and loud, and dead-eyed; it is wasting away and endless tears and twists in our chests that by right of anatomy shouldn't twist there; it is jealousy and accusation and cruelty and violence and submission and insanity.
Grief is ugly, and so often in contemporary western culture it is unsightly and to be repressed. In women, grief is mockingly anticipated, oppressively levied, and mercilessly culled. A THOUSAND SHIPS is an excellent read across the board, but for those who are processing grief and trauma, who may be unsure how to (especially women), it is a cathartic and humanizing portrait of the externally-inflicted and yet worst, most unacceptable parts of ourselves that are too big for our bodies, and too loud for the world.
An exceptional collection of nearly universal tragedy across its heroines, pyrrhic victories are the norm for women whose darkest moments shine with vibrant human spirit on the pages of A THOUSAND SHIPS.
So often left footnotes--wives, mothers, sisters, sluts and daughters written to live, die, and love for the storied men of old--any background knowledge of the classical canon will lend an unerring hand to the conclusions we know these women will come to. Yet you cannot help but root for their success, or their peace if no such thing exist; despite the ends long since written for them, their human resilience and fragility and the womanly grit behind it all almost feels as if history could rewrite itself this time.
It doesn't, of course, but this in of itself is the devoted intersection of care and craft.
Though ATS is tragedy from the first page to last, the deluge of misery and loss roils and settles with the comfortable shape of a story until you're left with a sense of resolution that is not gratifying, but it is real. And that is the way of tragedy, trauma, and war: these things cannot be reversed, nor smoothed over, nor sated.
What of Eris, the instigator? What of Helen, the adulteress, the end of a kingdom? It is very easy, in a song about war, to glorify and vilify to the whims of one's own biases, or heroes, or chosen themes. I don't believe you will find such binary in this book.
I will quote Natalie Haynes' afterword: 'Survivors, victims, perpetrators: these roles are not always separate. People can be wounded and wounding at the same time, or at different times in the same life.'
It would be erroneous to go into A THOUSAND SHIPS expecting anything less than complex women with rich inner lives under extraneous circumstances. In the man-made disaster that is war, it becomes impractical and impossible to keep an orderly measure of right and wrong. The human condition warps into something immeasurable under such extreme duress. Though by no means a soothing read, I nonetheless devoured ATS as I haven't done with a book in a long time.
I will close with this: Grief is a long-lived creature with many faces that may come in any amount or combination at any time, in three days or five years, or decades hence. Grief is angry, and loud, and dead-eyed; it is wasting away and endless tears and twists in our chests that by right of anatomy shouldn't twist there; it is jealousy and accusation and cruelty and violence and submission and insanity.
Grief is ugly, and so often in contemporary western culture it is unsightly and to be repressed. In women, grief is mockingly anticipated, oppressively levied, and mercilessly culled. A THOUSAND SHIPS is an excellent read across the board, but for those who are processing grief and trauma, who may be unsure how to (especially women), it is a cathartic and humanizing portrait of the externally-inflicted and yet worst, most unacceptable parts of ourselves that are too big for our bodies, and too loud for the world.
Content Warnings
Graphic: Gore, Misogyny, Slavery, Suicide, Violence, Grief, Murder, Schizophrenia/Psychosis , and War
Moderate: Adult/minor relationship, Body horror, Child death, Domestic abuse, Emotional abuse, Incest, Infidelity, Rape, Self harm, Suicidal thoughts, Torture, Blood, Trafficking, Suicide attempt, Death of parent, Fire/Fire injury, and Classism
Minor: Ableism, Confinement, Death, Eating disorder, Fatphobia, Vomit, Pregnancy, and Alcohol
marianneiriss's review
adventurous
challenging
dark
emotional
funny
informative
mysterious
reflective
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Adult/minor relationship, Child death, Death, Misogyny, Rape, Sexism, Sexual assault, Sexual violence, Slavery, Suicidal thoughts, Violence, Kidnapping, Murder, Fire/Fire injury, and War
Moderate: Cursing, Infidelity, Slavery, Torture, Xenophobia, Blood, Death of parent, War, and Injury/Injury detail
Minor: Animal death, Incest, Mental illness, Physical abuse, Self harm, Suicide, Suicide attempt, Pregnancy, Abandonment, Alcohol, and Injury/Injury detail
camsara99's review
dark
emotional
informative
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
A Thousand Ships focuses on the women who played a role in the legendary Trojan War, and all of the heroic and tragic roles they played before, during, and long after.
This book is one of the most beautifully written I have read in a long time. The prose itself completely sucked me in, not to mention the incredibly well-constructed story. Natalie Haynes did a phenomenal justice to all of these characters who always seem to come second to their male counterparts, if not just ignored completely.
I particularly loved the chapters about Cassandra. Haynes wrote her with such care and intelligence, while still keeping the youth of the character clear. I was happy to see in the afterword that this character was her favourite as well.
I also strongly recommend listening to the audiobook for this. It is narrated by the author so you hear everything exactly as it was intended, and the performance is phenomenal. I can’t wait to read more from Natalie Haynes going forward.
This book is one of the most beautifully written I have read in a long time. The prose itself completely sucked me in, not to mention the incredibly well-constructed story. Natalie Haynes did a phenomenal justice to all of these characters who always seem to come second to their male counterparts, if not just ignored completely.
I particularly loved the chapters about Cassandra. Haynes wrote her with such care and intelligence, while still keeping the youth of the character clear. I was happy to see in the afterword that this character was her favourite as well.
I also strongly recommend listening to the audiobook for this. It is narrated by the author so you hear everything exactly as it was intended, and the performance is phenomenal. I can’t wait to read more from Natalie Haynes going forward.
Content Warnings
Graphic: Adult/minor relationship, Child death, Death, Rape, Sexual content, Sexual violence, Slavery, Violence, Vomit, Pregnancy, War, and Injury/Injury detail
Moderate: Animal cruelty and Animal death
Minor: Suicidal thoughts, Suicide, and Suicide attempt
gracebanks's review
challenging
dark
hopeful
informative
inspiring
reflective
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Adult/minor relationship, Child death, Death, Misogyny, Pedophilia, Physical abuse, Rape, Sexism, Sexual assault, Sexual violence, Slavery, Suicidal thoughts, Suicide, Violence, Grief, Suicide attempt, Murder, Sexual harassment, and War
bookish_sabrina's review against another edition
challenging
dark
funny
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
This was a mostly hit, some miss retelling of the Trojan war from the perspective of the women on both sides. I, not having a lot of familiarity with the traditional narrative, sometimes found myself getting a bit lost due to the sheer number of characters, as well as the fact that the story was pieced together nonlinearly. However, once I found my footing, I really enjoyed the result, particularly Haynes' thesis that women in war narratives are heroes, too. They may not be wielding a sword and shield (although some are), they are holding society together by maintaining the households, raising the children, and staying stable in the face of violence, loss, and grief.
I enjoyed the sections about the goddesses, particularly the one where Aphrodite, Hera, and Athena are squabbling over a shiny, apple shaped bobble. I also enjoyed the letters from Penelope's perspective, growing increasingly exasperated as she writes to Odysseus, waiting years for his return. I really enjoyed Haynes' wit, and her prose was absolutely gorgeous. Also beautifully read on audio.
I enjoyed the sections about the goddesses, particularly the one where Aphrodite, Hera, and Athena are squabbling over a shiny, apple shaped bobble. I also enjoyed the letters from Penelope's perspective, growing increasingly exasperated as she writes to Odysseus, waiting years for his return. I really enjoyed Haynes' wit, and her prose was absolutely gorgeous. Also beautifully read on audio.
Content Warnings
Graphic: Slavery, Suicide, and Suicide attempt
Moderate: Confinement, Death, and Violence