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josiew's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Sexual content, Xenophobia, and Religious bigotry
Moderate: Blood
corine's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Graphic: Body horror, Cursing, Death, Misogyny, Sexism, Violence, Blood, Religious bigotry, Murder, and Injury/Injury detail
callmesword's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
I may not share Lou's excessive swearing, at least not aloud, but I sure as hell share her love for cinnamon rolls and buns! 🥐 I remember it was one of my favorite traits of her when I first read the book; so relatable. The descriptions of smells and such are magnificent.
Graphic: Blood and Murder
Moderate: Sexual content
accalia175's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.5
__________
This was a Goodwill store pickup book, mostly because it was a fantasy/witch-type. The cover artwork was eye-catching as well. I only read this book for something to pass the time as I'm waiting for two other books to be delivered of other series I'm reading. However, it's clear from the beginning chapter this is certainly a YA book, if not a mature YA. There's a lot of dialogue, not much description, and things seem to be jumping around. If you're not well-versed in French, fair not since there aren't too many terms/names that are hard to pronounce, but for me, there was enough that I was kinda struggling throughout the entire book.
The plot is a familiar church vs witches theme, with the witches having massive powers and out for blood, as well the church burning any witch at the stake, no questions asked. We've all seen/read of this before, so the originality is lacking. The slight difference is that the bad guys almost end up grouping together to become good guys, in a sense.
So, why the 3 stars?
- Lack of originality
- Little descriptions of people, cities/towns, events, etc.
- Too much dialogue (in a way I was able to breeze through most of it without actually "reading" it)
- For most of the book, the plot seems to vary, as do the characters' emotions. There are only two POVs, but it all seems so different each time it's switched. Almost like a whiplash of emotions/actions, so to speak.
I do want to mention the ending for anyone who's thinking of DNFing this book. It took until the last quarter or so of the book for me to fully have a grasp on the characters, where the plot is heading, and actually wanting to find out what happens. I don't want to give anything away, but it's almost sweet. There were actually a couple of spots that were heartwrenching. There's some humor mixed into the book, but most of it seems to fall flat.
This is certainly a YA book, but mature for language and there's only one "spicy" scene.
This will not a series I will be continuing to read.
Moderate: Death, Hate crime, Blood, and Murder
imaginationindex's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
- Enemies-to-Lovers paired with a marriage of convenience with a sprinkling of sharing-one-bed and “that’s my wife”… 🙌🏻
- I loved the two secs of witches, Dames Rouges and Dames Blanches. I’m curious to learn more about the Blood Magic as well as
how Reid was able to do magic when we should have been dying 😅 - Ansel, you sweet boy! Coco, what a badass! I like how we flipped the script on traditional gender roles
- This is a perfect example of new adult stories; our characters are adults who can make their own decisions and swear.
- While the fantasy world was a total vibe, there are some moments where the religion aspect of the anti-witch stance gets to be a bit much. That might just be me but the Archbishop needed to relax 95% of the book
- I noticed a lot of re-explaining and telling. I get that we had the dual POV and catch up might have been needed, but I thought it was clearly shown so we could have saved ourselves a few pages.
- Genuine question, when were we? The France inspired world was cool but we had swords and monarchy, but full theatres and working bathrooms
Graphic: Blood
Moderate: Cursing, Vomit, Religious bigotry, and Death of parent
jkneebone's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
1.0
Serpent & Dove takes place in a proto-fantasy-France called Belterra, a land that used to be the domain of witches until the royal family Lyon took it over and began a campaign to burn any witches they could find. Louise, aka Lou, is a witch who ran away from her kin and swore off magic to avoid detection by other witches or by witch-hunters. She makes her living as a thief, and at the opening of the book, she has her sights set on a specific magical ring which will make it even harder for other witches to track her. Reid is a Captain of the witch-hunters, called Chasseurs, which are a weird hybrid between a religious order and law enforcement. He hates witches and anything to do with witches, especially since the older sister of the woman he was courting was murdered by witches, causing his sweetheart to end their relationship. Reid is an orphan but a favorite of the Archbishop, who is the head of the church (which isn't called so but is basically the Catholic church) and of the Chasseurs.
After a run-in on the street, and another during a robbery, Lou and Reid have an unfortunate altercation in public. To avoid the negative PR from a Chasseur seemingly attacking an innocent woman, the Archbishop declares that Reid and Lou must marry, since if Lou is his wife, it's okay for Reid to be rude to her in public? Or something?
My first issue with this book is how flimsy the reasoning for their forced marriage is. It started off promising, with Lou and her friend (and fellow witch) Coco sneaking around and planning a heist, but the set-up of the forced marriage made no sense. If it had ended up working for the plot or the romance arc, I might have been able to overlook the flimsy foundation, but most of this book was a mess.
The pacing of the plot was wildly inconsistent, and for most of the book it was unclear what the characters' motivations were, or what they were working towards. At the beginning, at least Lou seemed to have a goal, but after Lou and Reid were married, the plot devolved into them "bonding" (at least I assume that's what the author was going for). Then, in the last 100 pages, suddenly a lot of things started happening again, a ton of new information (that came out of nowhere) was revealed, and all the various plot threads had to be wrapped up (with questionable success).
If the romance arc/development had been done better, I might have been able to overlook some of the lack of plot in favor of Lou and Reid domesticity. But the Lou and Reid relationship arc was extremely unbelievable. It went from them hating each other to being In Love extremely quickly, with very little development. I didn't buy into or care about their relationship, and it seemed like things were happening because those were the beats the author needed to hit, rather than actually being believable in the story of these two characters. (Also, there was a multi-page sex scene that was pretty explicit for YA.)
Reid as a character was also very confusing and unlikable. At the beginning, his POV was uncomfortable because he clearly hated women, but then his views seemed to change - except sometimes his negativity towards witches would still crop up. The author was trying to show that he struggled with anger, but it was done in such a clumsy way that it made no sense and was weird to read about. It's also a pet peeve of mine when a dual-POV book is way heavier in one POV than the other, so I disliked that Reid's POV was so much less frequent than Lou's - in that case just make it her POV entirely!
The magic and world-building was lacking, too much important information was dropped on the reader at the last second, and the pacing was super inconsistent. This was a promising premise, and I was even interested in some later revelations
Finally, I suspect that Serpent & Dove was initially written as (new) adult paranormal romance, and somewhere along the way someone suggested to the author that they make it YA instead, which the author then did in a very slapdash way. Lou is supposed to be 18, and we don't even know how old Reid is supposed to be, but both of them behave like they are in their mid-20s. They think about a 16-year-old side character as an immature child, Lou is implied to have had several past sexual/romantic relationships, and Reid has achieved not only the position of Chasseur (which we find out late in the book he had to compete for and is very difficult to do), but he has been made a Captain. It would have made more sense if the characters had been older, but in lieu of that, I at least wish that the author had been more thoughtful about making them teenagers - teenagers acting like adults in YA fantasy certainly can be done successfully, it just wasn't done so here.
Unfortunately I can't recommend Serpent & Dove. I'm sure some teenage readers can get caught up in the drama and romance, but for me it feel completely flat. It was poorly written, confusingly plotted, and poorly paced. The only reason I didn't DNF it was so I could feel completely justified in writing this one-star review!
Graphic: Violence and Blood
Moderate: Sexual content
melissafelicia's review against another edition
- Strong character development? Yes
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Graphic: Sexism, Violence, Blood, Religious bigotry, and Abandonment
Moderate: Cursing, Death, Misogyny, Death of parent, and Injury/Injury detail
Minor: Child death
solenaromanii's review against another edition
1.5
Graphic: Gore
Moderate: Violence and Blood
booksbooks1's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Minor: Blood
zia_c's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
The plot is good but it's kinda confusing for me. There's no time reference and not much detail about the world. I don't even know the mmc's age.. lol.
Either way, I enjoyed reading it. The ending wasn't satisfactory nor was the 3rd part of the book but anyway. I'm rating this book on fmc alone.
It's been a very long time since I've found a fmc with a spine and a impressive mouth( not like that).
I don't know if I'll continue the series. I've got what I wanted and I can kinda see where the story's going so imma put in down for now. Reason is the YA writing style. The writing is beautiful and engaging, no doubt, but I still kinda not completely connect with it.
The story is good and I think those who enjoy YA will really like it.
Graphic: Hate crime, Misogyny, Sexism, Violence, Forced institutionalization, Blood, Vomit, Religious bigotry, Fire/Fire injury, and Injury/Injury detail
Moderate: Infidelity and Sexual content