whoischels's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Spoiler
characters have died off and been replaced by new, untrauma-ed characters.As the classic comedy of war book, it's a very comedic read. The comedic style throughout the whole thing undergoes its own character development in a way that is quite satisfying. It works to keep the horror of the experience of war at arm's length for the majority of the book and then slowly brings it closer for the end. Heller captures the comedic dichotomy between the very visceral body horror that people experience at war and the slow machine of bureaucracy.
My only complaints are that it's a behemoth to read. Heller can be describing an event that is comedic in its conception, but do so in a way that obstructs feeling, particularly in the first 2/3. I understand this to be intentional, but was still a bit frustrated with the masculine boringness of the prose. It's an odd experience to read something that has these features but still manages to be so dynamic and flexible in its plot structure.
Graphic: Panic attacks/disorders, Death, War, Medical trauma, Injury/injury detail, and Sexual harassment
Moderate: Sexual assault and Misogyny
bibliorama's review
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Enjoyment - 2.5
Start - 2
Characters - 3
Atmosphere - 2.5
Plot - 3
Ending - 4
Style - 3.5
Overall - 3
Graphic: War, Injury/injury detail, Racial slurs, Domestic abuse, Death, Murder, Physical abuse, and Misogyny
Minor: Sexual violence and Rape
loverboy's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, War, Gore, Injury/injury detail, Sexism, and Violence
Moderate: Murder, Fire/Fire injury, and Rape
Minor: Religious bigotry, Car accident, and Suicide
nnannanna's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.0
The way Joseph Heller writes isn't to my liking in the slightest. The explanations of events are verbose, jumping from place to place and character to character. You start a chapter from a plane in the middle of a war and end it in a fully unrelated story that happened 10 years prior. Finally I gave up on trying to understand everything and just plowed through to reach the end.
Lastly the role of women in the book was just... Not? Every single female character is somehow connected to sex. Either they're a sex worker, a nurse that gets sexually assaulted or somehow sex is written into their description. Maybe there is a point to this and it belongs to the satire but I did not catch that.
Graphic: Sexual assault, Sexism, War, and Injury/injury detail
mahamsiddiqui's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
I felt like the novel dragged in places, it also felt like I'm reading someone's diary instead of a novel, sometimes felt like a college student looked up the synonyms in a thesaurus and put every word that they could find in the book.
The book certainly is witty and funny. The characters are well written. Their humanness and fallibility and their complexities make you think or forces you to think, human beings are not black and white. War is evil. Human beings are mere pawns in it, and at the mercy of the fascists, who invoke wars to stroke their tiny egos. Through Yosarrian you see how a person in trying to do the right thing is always caught in exasperating circumstances. The skepticism of Yosarrian is something that I guess all of us go through after a certain point in life. It's relatable and quite understanding.
Moving on, I absolutely did not like and was quite frankly disgusted by the rape and sexual assault scenes. They were described jn graphic details, and I believe for which there was no need. The treatment of women as mere sex toys was very disturbing. And we know that, that's how men treat women especially those who go to war. Women and children and elderly suffer the most. Women and children are raped, brutally assaulted and all because the men who go to war think that it is their right for defending their country to gain sexual pleasures by hook or crook. I just wish that the sexual scenes were described to a minimum.
All in all, book is good, okay. 3.5 stars, .5 extra for Yosarrian. I loved him till the end. You cannot predict that the characters will have this human aspect to them when you first start the book but as you go by and the book explore similar scenes from different POVs you understand them and mildly condemn yourself for judging them too hastily.
Graphic: Bullying, Rape, Schizophrenia/Psychosis , Sexual harassment, Sexual violence, Torture, War, and Violence
Minor: Injury/injury detail
c3liaiswhoiam's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.0
Moderate: Sexual violence, Violence, War, Gaslighting, Injury/injury detail, Rape, and Sexual harassment
seanml's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
Graphic: Panic attacks/disorders, Sexism, Injury/injury detail, Death, and Gore
Moderate: Gaslighting, Grief, Alcohol, Alcoholism, Body horror, Confinement, Cursing, Medical content, Animal cruelty, Sexual assault, Murder, Racism, Vomit, War, Adult/minor relationship, Gun violence, Infertility, Mental illness, Misogyny, Physical abuse, Rape, and Torture
Minor: Cannibalism
elmewhy's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.5
*rounded to 3 stars
I think it’s fair to say that this review is a modern Gen Z take on a classic that was not written for me or for people of my time. This book was just not for me. While I appreciate that this book was written at a different time, I couldn’t forgive some parts of it. I decided to split my review into a pro and con list.
Pro
It’s a classic for a reason. The origins and concept of the term ‘Catch 22’ is genius. After researching this book, I can see why it was so popular, especially with young people during the Vietnam War.
War Representation. I did appreciate the insanity of war portrayal and the desperateness this led to. I’ve not seen a lot of portrayals of this in classic or modern media, and it was an interesting take to see.
Format. Polarising, but I enjoyed the format. It is disjointed with sporadic short stories mentioned, which are revealed later in the book, the re-read ability is huge, and you can reread parts with a brand new understanding. There are many characters, but this format taught me whos who much more quickly. Although not comparable, I did get a Grand Budapest Hotel vibe from the format/humour/visualisation.
Con
Misogyny. There’s a lot of this; in fact, I don’t believe a female character is mentioned in a way that wasn’t sexual or perverse or made them out to be less than deranged. Here are some examples:
One character is named “Nately’s Whore”, who is a prop prostitute for a character until they get mentioned more and becomes a psycho stalker killer. Lots of inappropriate touching, mostly sexual assault and the women don’t always seem to care?! Mentions of underage women (as young as 12) and virgins are sexualised - although we never see this, it is idolised heavy. **Trigger!** A very heartless and glossed-over mention of a rape where the female dies from it and gets thrown out of a window, with no consequence even though the police turn up, but they chose to focus on other topics rather than the raped and murdered women lying in the street.
Racism. N-word usage - only really in the beginning. Again, something which is more prominent in older books as it was the norm during this time but does not hold up in the modern day.
Humour. I just did not get the humour, there were parts in which I thought ohh I get why people think it's funny, but I definitely wouldn’t call this hilarious. The humour was repetitive (the same word play humour beat to death), the context was just not funny, and, for me, the misogynistic, classism and racist overtones overshadowed the book for it to be funny.
If you’re a fan of adult-level pantomime jokes, you’ll be fine.
Ultimately, while you get to say you’ve read this notorious classical book and boast to all your friends that you’re smart and read more than YA/fantasy/preferred genre, you actually have to put yourself through it - so how’s that for a Catch 22?
Graphic: War, Death, Misogyny, and Injury/injury detail
Moderate: Rape, Racial slurs, Medical content, and Racism
Minor: Suicide and Vomit
xsophiesticated's review against another edition
- Plot- or character-driven? Character
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Sexual assault, Misogyny, War, Gore, and Injury/injury detail
Moderate: Rape
haleyd's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.25
Graphic: Violence, War, Gore, Injury/injury detail, Medical content, Medical trauma, Mental illness, Misogyny, Panic attacks/disorders, Sexual content, Sexual harassment, and Forced institutionalization
Moderate: Alcohol, Confinement, Excrement, Physical abuse, Racial slurs, Sexual assault, and Trafficking
Minor: Adult/minor relationship, Alcoholism, Animal cruelty, Child abuse, Classism, Cursing, Domestic abuse, Homophobia, Infidelity, Kidnapping, Police brutality, Rape, Religious bigotry, Sexual violence, Stalking, Terminal illness, and Vomit
A sometimes humorous, sometimes depressing classic full of paradoxes and contradictions that only prove themselves true, this take on WWII was a bit difficult for me to get through. Once I knew the writing style was to intentionally include these opposites, I became bored and would fall asleep after a few pages. It went more quickly toward the end, but then it was just so sad in some of the final pages, it was that what became the challenge for me. I'm reading this as part of a goal to get through several lists of "banned books" I've found. While I don't think any books should be truly banned, this one made me think several times, "Eek. This is part of the reason this was banned." Most of that is because it is so repulsive and very graphic. But also, things were quite different when this book was written which is evidenced by some of the behaviors wherein described. It could possibly be argued that children's minds are too vulnerable, but I would personally argue that I'd be confident letting my own teenage child read this, knowing that I've raised her well. However, I would definitely warn her that she likely wouldn't want to.