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bruhbruh's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Graphic: Genocide, Hate crime, Slavery, Xenophobia, Police brutality, Religious bigotry, Death of parent, War, Classism, and Deportation
jokehelldo's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Police brutality
Moderate: Xenophobia and Death of parent
Minor: Cultural appropriation
some_random_person_hi's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
Graphic: Hate crime, Racism, Toxic relationship, Grief, Death of parent, and Abandonment
Moderate: Death, Sexual content, Violence, Xenophobia, Blood, Murder, Cultural appropriation, Alcohol, and Injury/Injury detail
Minor: Fire/Fire injury and War
kell_xavi's review against another edition
3.0
I must admit, none of immersive fantasy, revenge stories, or romance are a draw for me, so I can’t say these elements we’re successful. I do look for unique narratives and ideas though, and Varela has certainly created something I haven’t come across before. I was curious about the automai as a computer/robot analogue or as a live automaton, a doll come to life. They seem, more than anything, given the natural elements they need to live, to be sentient creatures created by magic. Their pillars, though, are created more like AI might be coded. They’re Pinocchio x an algorithm, I guess, meant to be perfect according to some (European Enlightenment) version of the strong, symmetrically beautiful, reasoned man. This idea, taken further with a power dynamic of servitude and control, mastery through abjection and cultural genocide, is a story told many times in history, in many voices and truths. It is also a twist on the clever machine, a story of humans playing god and being killed by their creation. It is a story of the Enlightenment, Modernism, and the Computer Age, distant from any mention of divinity, a battle of gilded things, intellects, and emotions.
It is here that the print gets smudged a bit. Why is this a love story, why does the relationship become what Varela wants to say? The descriptions of Crier and Ayla listening to each other breathing, feeling each other’s warmth, being stung and angry and worried and desperate and hateful of each other, thinking of each other and holding the other’s belongings… were not new. They were sluggish in the story, overwrought and tropish, slowing down the court intrigue, the uncovers of secrets, allies and enemies. The winding and conflicting passions bring the story back to Earth (or wherever they are), away from the brilliance spinning out from all directions. Crier’s jealousy and Ayla’s sense of betrayal, unrelated to their feeling for each other, are similarly sticky, repetitive, sentences to skip past until the plot comes back in.
The events of the plot are great! The threads pull apart and stitch together and fray so many times, and I loved the weaving. There’s folktale in the lines, there’s music and dancing, murder and memory, feathers and stones, apples and ocean, a compass and black dust. The symbolism is wonderful, spinning up a creeping Victorian dread, a liveliness, a rich and storied history to the world we enter. I wanted more. I wanted Ayla and Crier to sink in, rather than floating out into each other and away from each other, as though the setting were not a magnificent tale to be told.
Moderate: Xenophobia, Murder, and War
Minor: Infertility and Sexual content
clayclay's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Genocide, Slavery, Violence, and Xenophobia
cheeky_biscuits's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Graphic: Body horror, Child abuse, Death, Drug use, Genocide, Violence, Xenophobia, Blood, Grief, Death of parent, Murder, Gaslighting, and War
Moderate: Misogyny, Sexual content, Alcohol, and Classism
Minor: Confinement and Dysphoria
marshiereads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Child death, Death, Genocide, Gore, Hate crime, Racism, Suicidal thoughts, Violence, Xenophobia, Police brutality, Grief, Death of parent, Murder, Gaslighting, Injury/Injury detail, and Classism
Moderate: Animal death, Body horror, and Blood
Minor: Miscarriage
cemeterygay's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I also loved that we got a Sapphic romance that wasn't solely focused on coming out. I also really enjoyed the writing style of this book and I found the ending cliffhanger to be quite effective. While quite a few twists were predictable, the reveals were still quite satisfying and it wasn't necessarily a let down that they weren't revolutionary.
I was very concerned that this was going to be a yet another book where a person in a position of privilege only begins to care about oppression because they think a person that is oppressed is cute, but that was not what this was. It is very clear from the onset that Crier has severe doubts about the treatment of humans and from the get go wants to help improve the lives of humans separate to her relationship with Ayla.
I really liked this book but I will say it's nothing that revolutionary. I would recommend this book but it's not like you have to read it.
Graphic: Death, Genocide, Infertility, Misogyny, Xenophobia, and Grief
Moderate: Cultural appropriation and War
Cultural Appropriation is of fictional cultures. Discussions of infertility refer to past figures and not main characters but is still discussed in depth.k_aro's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.25
Crier and Ayla are... good? Characters? I'm definitely not categorically opposed to them but I don't think they're particularly compelling in and of themselves, they seem kind of standard.
It was pretty gripping, though. It took me a little bit to get into it but it was definitely exciting after that.
Graphic: Death, Genocide, Misogyny, and Xenophobia
Moderate: Police brutality, Cultural appropriation, Abandonment, and War
Minor: Infertility, Self harm, Death of parent, and Alcohol
It's sort of hard to talk about the more social aspects of this book, given that it's between a fictional race and a real one, so when I say "cultural appropriation" I'm unsure whether it would realistically affect someone, given that it is largely the king appropriating human culture (such as, marital traditions).morganish's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Yet even as I've been leaning away from YA fantasy and more toward adult recently, I found myself really absorbed in this one. The prose was straightforward, but sometimes unexpectedly beautiful; the worldbuilding wasn't dense or complicated, and yet the central conceit works well and there's a surprising amount of effective mystery. All the untold secrets yet to be discovered ultimately worked to hook me in. The romance is a kind I like but don't often find executed this effectively: angst-heavy, with lots of pining. It's a true slow burn, with outstanding threads still left hanging by the end of this installment, the first of a duology. Even though I'd heard others say this book was really good, AND even though I was excited by the idea of AI creations in a traditional fantasy setting, I was still surprised how good Crier's War was.
If you like your slow-burn romances to actually feel like something slow and aching and epic, this book probably has what you're looking for. (Especially if you're looking for more sapphic fantasy.) If you like the feel of YA fantasy stories, but sometimes wish the worldbuilding had just a little bit more mystery or intrigue like adult fantasy, this might serve, depending on your tastes. But if you're just completely done with YA fantasy and all the aspects that come with it, or don't like romances that build across multiple books, OR don't like the enemies-to-lovers trope, this book probably won't do much for you.
Graphic: Death, Violence, Blood, Grief, and Murder
Moderate: Confinement, Toxic relationship, Xenophobia, Death of parent, Gaslighting, Abandonment, and War
Minor: Genocide, Sexism, Cultural appropriation, and Alcohol
A lot of the elements I include about the content warnings are specifically fantastical, like fantastical xenophobia. Most of the other content warnings have some level of fantastic to them as well. It isn't a direct reference to IRL events and doesn't include IRL bigotry, for example.