Reviews with content warning for Animal death - Swordheart

Reviews tagging 'Animal death'

Swordheart by T. Kingfisher

7 reviews

trapdorr's review against another edition

adventurous funny medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.75

I throughly enjoyed this book. It was just what I needed right now. I would give it 5 star but the Valley and black monsters feel like they were oddly tied in and like not important again. Sad it’s just a standalone.

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bluejayreads's review against another edition

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adventurous slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? It's complicated

4.75

This is an unusual book. First of all, the back cover doesn't actually tell you much about what actually goes on in the book - which is Sarkis, immortal swordsman in the most literal possible sense, is now bound to Halla, a housekeeper trying her darndest to get her inheritance and evade her aunt's attempts to steal it. Considering the majority of the story takes place while traveling back and forth on one particular stretch of road in an effort to set up what is essentially a court case, it doesn't sound all that appealing.

There's also the whole romance angle. It's not even hinted at on the back cover, but it's glaringly obvious from the moment Sarkis enters the story that he and Halla are going to be a thing. And for how much of that angle is some variety of mutual pining, I shouldn't have liked that very much, either.

And yet. And yet I liked this book a lot. Because while boiling this story down to its barest elements does indeed make it sound quite boring, it's the details that get boiled away that make it so much fun. The world itself is, for the most part, a standard rural vaguely-Western-European setting. But with Sarkis being several hundred years old and remembering different things about his homeland and his home time, the world has a sense of having depth and longevity and realness - it may not be teeming with excitement and adventure, but it feels solid, somewhere you could sink your teeth into. (Plus there's that one weird group of hills full of very nasty things that definitely do not stay in one place, which adds some delightfully dangerous whimsy to the whole thing.) And the plot itself, while not on the surface incredibly exciting, is solid. The goals and motivations are clear, the consequences of failure are quite dreadful (though not life-and-death), and the journey, though mostly back and forth on one road, has enough detours and obstacles to never feel truly dull. Besides creepy moving hills, they also encounter bandits, some very unpleasant priests, and a host of other interesting allies, antagonists, and situations that add up to a very entertaining story.

What really makes this book sing, though, are the characters. Halla and Sarkis, obviously, but also Zale, the nonbinary lawyer-priest who Halla enlists to help legally stake her claim on the inheritance and so ends up spending a lot of the journey with them. All of them are great in their own unique ways, and even the more minor characters are engaging. Even with all of that, though, this book could have easily slipped into "well-written and generally fine but overall lackluster" territory - if it wasn't for the dynamic between Halla and Sarkis, which was the absolute star of the book for me.

And most of that was Halla. I love her so much. She's smart, practical, no-nonsense, and incredibly quick-witted. She knows her options are limited as a widow in a patriarchal society, but she refuses to let that stop her, and her humility bordering on self-effacement makes her utterly unashamed to let people think less of her if it moves her closer to her goals. She wields ingenuity and fast-talking instead of a sword and shield, but she's just as much of a warrior as Sarkis. And that's what made their dynamic so good - I loved Halla accepting each new development and figuring out how to deal with it, while Sarkis got progressively more amazed at how this random middle-aged housekeeper was dealing with everything so well and kept falling more in love with her. (The romance angle could easily have been annoying, but I liked their dynamic so much I didn't mind.)

This book is also hilarious. It's peppered with absurd moments and unexpected one-liners that made me laugh. Although I tried reading a few of them to my husband and he didn't find them funny, so I think they're only funny in the context of the book itself. Either way, I thought it was a great touch, and the humor was balanced really well with the darker elements of the book.

This is exactly the kind of book I'm starting to expect from T. Kingfisher - serious without feeling too dark, an uncomplicated but engaging plot, and characters that leap off the page and elevate the story into something great. I'm a little sad that there isn't a sequel to this book (I really want more Halla), but I have more T. Kingfisher books on my reading list, and I hope they're enjoyable as this one is.

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a_ab's review against another edition

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adventurous challenging lighthearted medium-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

3.0

I wish I could have liked this book more. It had a lot going for it: a fascinating world with interesting religious and social structures, an unusual mix of values and norms, a great cast of characters from different walks of life and cultures, and most of those characters are fun to observe. But...

The book is way way way too long, and most of it is spent in a rather pointless repetitive travelog and on the romantic relationship focus for the main characters. The characters themselves have plenty of quirks, but despite that seem rather one-note. And worst of all: too much page-space is spent on the adventures and inner turmoil of the characters while the more fascinating aspects of the world are barely hinted at and remain unexplored.

Reading this book ended up feeling like a weird mixture of enjoyment and frustration.

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evarinya's review against another edition

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adventurous funny lighthearted fast-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.75

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booksthatburn's review against another edition

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adventurous funny lighthearted fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

Halla is a widow who has inherited her uncle's fortune, whereupon her aunt and brother-in-law have locked her in her room until she agrees to marry him. He has an odious personality and clammy hands, and seemingly no understanding that locking a woman in a room until she agrees to marry you is a very terrible start to any kind of relationship. When she decides that death is better than her upcoming fate, she tries to kill herself with a sword that turns out to have Sarkis, an immortal swordsman, trapped inside. Together they escape and attempt to get help for Halla's legal troubles and grasping relatives.

SWORDHEART is one of the funniest books I’ve read recently, and the main contenders for that honor are other White Rat books by this same author. It’s vibrant without requiring the characters to constantly be witty, the whole thing is a delight. It’s a fluffy romance in desperate circumstances, buoyed by Halla’s never-stymied open nature and endless optimism, and tempered by Sarkis’s practicality. Halla uses prattle, questions, and observations as a multi-purpose tactic on a near-constant basis. Sarkis is trapped in a sword and is unfamiliar with current customs of Halla’s home, creating a natural ebb and flow of competency and possession of relevant information at any one moment. Zale is a welcome addition to their party, a temple lawyer acquired to help with Halla’s legal tangle, and Brindle rounds out their party by taking care of the ox and cart.

SWORDHEART is not technically a sequel, it is a stand-alone book. However, it takes place in the world of the White Rat approximately five years after the events of CLOCKWORK BOYS and THE WONDER ENGINE. It contains details that blur the line between callback and spoiler, I think they’re suitably opaque as to keep from giving away major plot points of that duology, but I do recommend reading this after the duology for the best overall experience. The worldbuilding seemed complete enough to stand on its own, someone reading just SWORDHEART would know everything they need to. It is focused on different aspects than in the earlier duology, complementing the prior information without feeling redundant. Because Sarkis is from another land it also helps to establish the patchwork of kingdoms and territories in this part of the world.

I had a fantastic time reading this and I'm looking forward to more books set in this world.

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wilybooklover's review against another edition

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adventurous funny lighthearted medium-paced

4.0

This was so fun. Cosy fantasy with a smidge of death and horror and a lot of swoony romance. It was so genuinely funny, too. I often find that humour in books falls flat for me but the banter in Swordheart had me laughing out loud. Sarkis and Halla were such great characters and worked together so beautifully (if I’m being honest I kind of want a Sarkis myself). I loved that they were both older and had the bodies to show for it.

The world that T. Kingfisher has created is so intriguing. The variety of different gods and religions and all of the lore and rules behind them, the truly inventive creatures, the incredibly disturbing Vagrant Hills. You could tell at times that the author also writes horror, because some of the scenes were so creepy they sent a chill down my spine.

One thing I really appreciated was a key aspect of Halla’s characterisation. She basically uses the misogyny of the world to her own advantage and deliberately plays stupid and acts like a bit of a vapid airhead so that people underestimate her and she can get away with things. Weaponised ignorance, basically. You don’t often see women in fantasy novels taking back some power in this way.

I really didn’t like the third-act conflict though. It felt very out of character for Halla to react in the way that she did, especially after everything she’d been through in the book.

It read more like a deus ex machina in order to tie up the Bartholomew/Nolan plot. And I have some qualms about the ending, with Sarkis remaining immortal while Halla is mortal. There’s scope for it to be addressed in future books, I suppose, but it didn’t really feel like a proper HEA.

I want to end on a positive note, because I really did love this book, so I’ll just say that Zale was amazing and I would die for them.

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ashleycmms's review against another edition

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adventurous emotional funny lighthearted tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

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