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purrson's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Moderate: Confinement, Death, Sexual content, Blood, and Gaslighting
Minor: Kidnapping, Grief, and Religious bigotry
amy_in_the_city's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.0
Sarkis kept alluding to some big secret he needed to tell Halla, and I was really expecting it to be something major and a plot twist. When it was finally revealed, my reaction was "Is that the big secret? That's it?" I thought Halla overreacted to that reveal as the secret had nothing to do with her at all and no effect on her life. It felt very contrived just to add in some conflict between the couple.
I liked how inclusive this world seemed to be of various LGBTQ+ identities, with one very notable exception. Same sex couples appeared to be widely accepted and to have the same rights as straight couples. The nonbinary character was never misgendered or questioned about their gender, even by the villains. This culture of acceptance integrated into the worldbuilding was what made it so shocking to me when towards the end of the book, there were several moments where the characters seemed very unaccepting of, and even hostile towards, asexual people. Halla had an unsatisfying sex life with her late husband and described him as having been uninterested in sex in general. Sarkis vilified the late husband for this and even said he wished he could hurt him. Eventually, they seemed to settle on seeing the late husband and his asexuality as a burden. There's a lot of language that suggests ace people are broken, like saying he'd have to be "half-dead not to be interested in you" or Sarkis saying his religion has no use for someone who can't please their partner. This all felt really uncalled for. It put a damper on my enjoyment of the book and left a bad taste. It's a shame because this had been such a cozy and fun book for me, but it ended with me feeling attacked.
Graphic: Confinement, Death, Domestic abuse, Violence, Blood, Suicide attempt, Murder, and Injury/Injury detail
Moderate: Sexual content and Acephobia/Arophobia
Minor: Sexism, Grief, Religious bigotry, and War
sonatica's review against another edition
- Plot- or character-driven? A mix
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
While there were some aspects of the book and romance between the main characters that weren't for me, I genuinely enjoyed it! The narrator of the audiobook does a great job with the character voices though, that really stood out to me - especially Sarkis! Du be warned though, if you do listen to the audiobook version, that this book has a few 'spicy' scenes in it. Those generally catch me off guard in audiobooks, so I thought it might be helpful to others if they knew beforehand.
Spoilers for the end of the book ahead:
Graphic: Confinement, Cursing, Death, Misogyny, Suicidal thoughts, Violence, Grief, and Suicide attempt
Moderate: Domestic abuse, Sexual content, Kidnapping, Religious bigotry, Alcohol, and Classism
Minor: Physical abuse, Murder, and War
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
SWORDHEART is one of the funniest books I’ve read recently, and the main contenders for that honor are other White Rat books by this same author. It’s vibrant without requiring the characters to constantly be witty, the whole thing is a delight. It’s a fluffy romance in desperate circumstances, buoyed by Halla’s never-stymied open nature and endless optimism, and tempered by Sarkis’s practicality. Halla uses prattle, questions, and observations as a multi-purpose tactic on a near-constant basis. Sarkis is trapped in a sword and is unfamiliar with current customs of Halla’s home, creating a natural ebb and flow of competency and possession of relevant information at any one moment. Zale is a welcome addition to their party, a temple lawyer acquired to help with Halla’s legal tangle, and Brindle rounds out their party by taking care of the ox and cart.
SWORDHEART is not technically a sequel, it is a stand-alone book. However, it takes place in the world of the White Rat approximately five years after the events of CLOCKWORK BOYS and THE WONDER ENGINE. It contains details that blur the line between callback and spoiler, I think they’re suitably opaque as to keep from giving away major plot points of that duology, but I do recommend reading this after the duology for the best overall experience. The worldbuilding seemed complete enough to stand on its own, someone reading just SWORDHEART would know everything they need to. It is focused on different aspects than in the earlier duology, complementing the prior information without feeling redundant. Because Sarkis is from another land it also helps to establish the patchwork of kingdoms and territories in this part of the world.
I had a fantastic time reading this and I'm looking forward to more books set in this world.
Graphic: Death, Suicidal thoughts, Violence, and Blood
Moderate: Animal death, Confinement, Domestic abuse, Emotional abuse, Physical abuse, Sexual content, Suicide, Excrement, Medical content, Kidnapping, Grief, Murder, Alcohol, Sexual harassment, and Injury/Injury detail
Minor: Alcoholism, Child death, Slavery, Terminal illness, Torture, Vomit, Death of parent, Pregnancy, Fire/Fire injury, and War
misterwisp's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I bought more books by the author as soon as I was done reading this. The writing is witty in a laugh out loud kind of way that reminded me of Terry Pratchett.
The desire for sequels does not mean this ends on a cliffhanger. It does not. Things get to a satisfying wrap up but there is more than enough room for the stories of the other two swords mentioned in the book. This still stands well on it's own though so don't do the thing where you don't support a series until it's fully done and then because not enough people supported it early on it never actually gets to be finished.
In all seriousness it's really good, and worth giving a try.
Graphic: Confinement, Sexual content, Toxic relationship, and Kidnapping
Moderate: Medical content and Murder
Minor: Emotional abuse, Suicidal thoughts, Blood, and Grief
valpuri's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
4.25
Moderate: Confinement, Death, Sexism, Sexual content, Suicidal thoughts, Suicide, Violence, Blood, Suicide attempt, Murder, and Injury/Injury detail
Minor: Vomit, Grief, and Alcohol