Reviews with content warning for Kidnapping - The Phantom of the Opera

I've watched the musical years back, so I thought I would know how the story would go but the more I read, the more I realised how different they were. The book is much, much better than the play (although the music score was also brilliant).

I was pleasantly surprised to learn how fast paced the book was, and it was captivating from the start. It only took me more or less 6 hours to read it, and by the last 100 pages or so, I had the musical soundtracks to accompany me.

It was spooky, intoxicating, yet somehow humorous at times. Occasionally I would find myself to snicker or giggle at what the character said or did. I did not have a favourite character exactly, but I enjoyed reading the storyline; it kept me on the edge of my seat the whole time.

Love was a huge theme of the book. In the end, people just want to be loved.

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directorpurry's review against another edition

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mysterious sad medium-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? No

4.75

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caidyn's review against another edition

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adventurous dark medium-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No

4.0

I'm not sure why this says it's the first time I've read this book because it's not. But I liked this better than I remembered!

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uparrowhead's review against another edition

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challenging dark emotional mysterious reflective sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? N/A
Flaws of characters a main focus? Yes

4.5

A classic which, in my opinion, deserves to be considered timeless; the Phantom of the Opera raises the question on how we should treat the truly low members of society.

The novel introduces the story of the Opera Ghost, which stalks the shadows of the Paris Opera House and hunts for mischief and mystery. Strange events emerge and connect as the singer Christine Daaé slowly begins her rise in fame with her heavenly vocals, supposedly learning to sing from the Angel of Music. The reader navigates through this episodic novel and slowly gathers the truths to the unfolding story.

The Phantom of the Opera places a great emphasis on concepts of love, obsession, desire, and pity. How can we learn to, not love, but accept someone who is supposedly heartless? How can we take pity on people who are seemingly monstrous? How does unrecieved love mould into an overpowering obsession built upon desires we are unable to satisfy? The novel feels like it is truly a love letter to these themes as both pain and pleasure are combined into the flowing story.

I have loved this ever since watching the musical, and the original story that brought it to life is absolutely incredible.

I can't get over how beautifully tragic the ending for this novel is. It ends in Erik's death for his own overflowing love of Christine, one which he had never experienced with another woman in his life. It just serves to show how much Erik wished for nothing but a normal life but was cursed from the endeavour ever since he was first born just for his horrific features, leading him down a path of using his wits and intellect for his own disturbing gains as a way to not acknowledge his pain.

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ina_pages's review against another edition

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adventurous challenging dark funny mysterious sad medium-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.0

To say I expected a lot from this book would be an understatement, and sadly they weren’t full met (although I think that might be a fault on my end). I grew up watching the movie-musical adaptation, and the touring theater cast was all I could talk about for months when they finally made a stop in my home country. I love this story with my whole heart, but the source material is leaps different from the musical by Webber.

This isn’t to say this book was bad though! I did enjoy myself while reading it. The language, although not the easiest to read, isn’t totally archaic and I’d even recommend it for people whose first language isn’t English. If anything the language, to me, was one of the best parts of this book. Gaston Leroux often droned on about music and gothic architecture; and while that may not be everyone’s cup of tea, I thoroughly enjoyed his analogies.

< Leroux also makes use of a lot of metaphors relating to the sea or bodies of water. One of my favorites lines in the book reads like this: “In the orchestra stalls, the drugget covering them looked like an angry sea, whose glaucous waves had been suddenly rendered stationary by a secret order from the storm phantom, who, as everybody knows, is called Adamastor. MM. Moncharmin and Richard were the shipwrecked mariners amid this motionless turmoil of a calico sea.” Beautiful.>

What I found I couldn’t stand with this book were the characters. The simplest way I could describe Raoul in this book is a whiny, wimpy, cowardly white boy who did nothing but cry at every little inconvenience. I hated Raoul so much from start to finish, it actually amazing.

Christine was just a hair better but barely. In all versions of this story, Christine is depicted as a foolish and naive girl of pure innocence—she is literally likened as an angel throughout the book. However, I didn’t get naive or innocent… I just got stupid. Maybe I’m just pessimistic and have little patience but Christine throughout the book really just read to me as an idiot. She somewhat redeems herself in the end but as the book as written in the perspective of an investigator from the future, you can’t really tell what she’s thinking and so her character fell a little flat to me.

Erik is my favorite character in the movie and in the musical, but in this book we don’t get much insight from him either which is a total shame. <The first couple chapters literally fly by without him actually being there. We live through it with just the knowledge of his presence which, I think, might be the point if the author wanted to establish him as something incorporeal only to shock the readers somewhere down the line to say he’s mortal. If it is, brilliant! If not well…> To me he’s a tad bit better than Raoul and Christine but he’s equally as whiny as Raoul.

Surprisingly the most interesting character in this book is the Persian who doesn’t exist in the other adaptations (I could be wrong, don’t quote me on that). His story in the movie/musical was given to Madame Giry. I think this was a good call for the adaptation as it deepened her character in comparison to the book. <(Madame Giry in the book didn’t read very well to me. She was boring and seemed almost as stupid as Christine. I really liked that they made her character more formidable in the adaptations as it gave a better representation of women in comparison to the book.)>

Overall, the book wasn’t horrible. It felt a little lackluster in comparison to its adaptations but if you’re into gothic horror or simply want to read the source material for Phantom of the Opera the Musical then I say go for it! Just don’t expect it to be anything like the movie.

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seapotatohowisitalrtaken's review against another edition

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adventurous dark emotional funny mysterious reflective sad fast-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

4.5

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enchantingreads's review against another edition

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dark emotional mysterious sad tense medium-paced

Plot- or character-driven? Character
Strong character development? N/A
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

I absolutely loved this book. I decided to finally read it, because I was named after Christine Daae. This book was so much better than the movie. This book is full of so much detail that it really ties the book together and makes it enjoyable.

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seforana's review against another edition

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emotional mysterious reflective medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

3.75

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