Reviews with content warning for Death of parent - 'Salem's Lot

he does small town horror so well. I had to skim/skip some of the extra material after the story ended personally; One For the Road was good but it should have ended there.

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carewsee's review against another edition

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adventurous challenging dark mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? It's complicated

4.5

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joshkiba13's review against another edition

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dark slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.0

"On the other hand, there may be some truth in that idea that houses absorb the emotions that are spent in them, that they hold a kind of . . . dry charge. Perhaps the right personality, that of an imaginative boy, for instance, could act as a catalyst on that dry charge, and cause it to produce an active manifestation of . . . of something. I'm not talking about ghosts, precisely. I'm talking about a kind of psychic television in three dimensions. Perhaps even something alive. A monster, if you like . . . [T]here are evil men in the world, truly evil men. Sometimes we hear of them, but more often they work in absolute darkness."

This seems to be a fan-favorite among King fan groups - it certainly lived up to its reputation. People often talk about King's talent for immersing readers in a small town (Derry, Castle Rock, Jerusalem's Lot, etc), and now I get it. It was a little overwhelming at first to be introduced to SO many characters across the town (especially with names like Mark, Matt, Mike, Roy, Randy, Richie, Royal, Sandy, Susan, etc.), but it payed off in the long run. We get an overview of the town and its residents at the beginning, and return to them throughout the story as the town falls into ruin. Beautifully done (I just wish the names had been a little more distinct from each other hehe).

King always describes evil so well. Not only are the vampires in the story evil, but there seems to just be a foul air across the whole town. The Marsten house looms above them all on the hill, watching like a black sentinel. Ben's memories of terror inside the house, as well as its omnipresence during all the character vignettes, really solidified that element of the story as foreboding and creepy. But even just regular parts of the town were made freaky. For example:

"The town had a sense, not of history, but of time, and the telephone poles seemed to know this. If you lay your hand against one, you can feel the vibration from the wires deep in the wood, as if souls had been imprisoned in there and were struggling to get out."

Or . . .

"It was as if the dump had gained a heartbeat and that beat was slow yet full of terrible vitality."

I've never been scared reading a book until one night reading this one in the dark with a flashlight a mosquito flew right past my ear and made me jump. That was fun :)

I do wish the relationship between Susan and Ben could have been a little more developed

before she became a vampire - when Ben had to drive a stake into her I didn't quite feel the emotion I would have had we been a little more attached to her.

That's one con of a wide-scope story like this, I suppose, you don't spend as much time with any one character.

It took me a while to get into this one, but once I did I was all in. A great story overall :)

This was my last stop before resuming and completing my Dark Tower journey. Excited to see the return of

Father Callahan

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