Reviews with content warning for Gun violence - Bone Weaver

THE BONE WEAVER explores grief, otherness, and reconnection in a second-world fantasy. Toma was raised by undead but is forced to find connections with the living when her sister is stolen by soldiers as a curious specimen. She travels with Mikhail, the displaced Tsar, and Vanya, a commoner with magic.

Because Toma was raised by undead for a large portion of her life, there are a lot of things where her reasoning gets her to a workable solution by a very strange route. Her traveling companions don’t usually try to correct her, as her worldview is so fundamentally different from theirs they might not even know where to begin. In matters of the undead, she eventually gets them more comfortable. In matters of society, war, and prejudice, the tsar and the commoner tend to vehemently disagree while Toma listens to them both and makes up her own mind. Vanya is part of a persecuted minority, his situation made more precarious because he has magic. This would be fine if he were noble, but commoners with magic are thought of as unclean or cursed, somehow fundamentally different than nobles with the same powers.

I enjoyed the array of undead types who appear late in the book. The timing means that the worldbuilding as far as human society and the current conflict are well established before the differences between types of undead begin to matter in the story.

Toma and Mikhail travel for a while before meeting Vanya, which helps with balancing the interactions between them. Toma and Mikhail establish a rapport, then Vanya finds his place in their trio. Toma is the only point-of-view character, but in at least one instance she overhears a discussion between Vanya and Mikhail which makes it clear they have built a friendship separate from and in parallel with their friendships with her. It never feels like an infodump because the three main characters have legitimate reasons to explain things to each other. For each of them it might be some very fundamental aspect, but their experiences have been so disparate as to feel like a different world.

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adventurous dark emotional medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Flaws of characters a main focus? It's complicated

4.0

Thank you to Netgalley and Inkyard Press for providing me with a digital ARC of this book!

The world of Bone Weaver explicitly pulls from a wide breadth of Slavic folklore and the history of early twentieth-century imperial imperial Russia. Even though this book is not a historical fantasy in the same manner of The City Beautiful, it’s very easy to notice those historical influences on the story. I personally enjoyed this book more—perhaps because fantasy with historical influences is less rigid in the atmosphere you can create and worlds you can build compared to historical fiction with fantasy elements. In that respect, this reminds me of Leigh Bardugo’s Grishaverse books and even The Wolf and the Woodsman by Ava Reid.

I loved all three of the characters in the main ensemble, but Toma definitely has my heart. Her commitment to finding and saving her sister, Galina, creates an immediate emotional depth even beyond Toma’s slow unraveling of her past before she found family among upryi. I love her dynamic with Vanya and Mikhail in that feels fully realized. Their interactions feel like three people with entirely different life experiences and perspectives on the world who have stumbled into a quest together. I don’t want to spoil the third act and a certain event, but I love that we get to see how much they care about each other in the wake of everything they’ve gone through together.

I had only one substantial qualm with Bone Weaver that made this go from a five star to a four star rating: I felt like the resolution wrapped up a bit too quickly in regards to the politics. Polydoros set up a very nuanced and complex political landscape for most of the book, not just with the peripheral events the characters pass through but also with the conversational clashes between Vanya and Mikhail on those matters.

The conclusion of that arc where Vanya trusts Mikhail to be capable of solving these issues simply because he will not be like his father and that he is a good man falls a bit flat to me. It feels like it’s not fully reckoning with the fact that the problems we saw throughout the book are bigger than the tsar or the Tribunal. That being said, I do appreciate that it’s made clear that there is a staggering amount of work that needs to be done before they could reach a semblance of justice—and that killing Koschei did not solve everything.

Definitely recommend this for anyone who enjoys young adult fantasy books like the Grishaverse or even historical fantasies set in the nineteenth or early twentieth century!

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