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katharina90's review against another edition
4.0
I didn't connect with it as easily as I did with Postcolonial Love Poem but I enjoyed the themes and language used.
"Why I Hate Raisins" stood out, as did many of the poems about addiction.
Graphic: Addiction
Moderate: Colonisation
lidia7's review against another edition
The world has tired of tears.
We weep owls now. They live longer.
They know their way in the dark.
favorite poem: My Brother at 3 A.M.
Graphic: Addiction and Drug abuse
Moderate: Racism
Minor: Racial slurs
gabbygarcia's review against another edition
3.0
Graphic: Addiction, Drug abuse, and Mental illness
Moderate: Injury/Injury detail
Minor: Sexual content and War
readingwithkaitlyn's review against another edition
3.0
Graphic: Drug abuse, Drug use, Mental illness, and Murder
Moderate: Animal cruelty, Violence, and Blood
Minor: Addiction, Adult/minor relationship, Bullying, Child abuse, Child death, Genocide, Infidelity, Racism, Sexual content, Xenophobia, Excrement, Police brutality, Islamophobia, Grief, Fire/Fire injury, Colonisation, and War
diabetes, residential schools, g slur.jayisreading's review against another edition
4.5
Graphic: Addiction, Death, Drug abuse, and Drug use
Moderate: Racism, Violence, and Grief
thecolourblue's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The collection is based around a mythologized account of Diaz' brother (and other family members), growing up, living and hurting together as indigenous people in a colonized America. Diaz' brother, the titular Aztec, suffers from methamphetamine addiction and mental illness. The account of his life and relationship both with his sister and their parents and grandmother is utterly heartbreaking. The blend of love, fear, guilt, anger and other more undefinable emotions that Diaz feels towards her brother feels completely real and will be recognizable to anyone who's even been in a similar situation with a family member.
Rather than telling her poems in a straightforward confessional style, Diaz adopts the legacy of mythologies and storytelling within her culture to transform herself and her family members into figures of legend - the Aztec, the Warrier, the Woman with No Legs. Even Mojave Barbie. This personal mythology, rather than distancing the reader and subject from the stories, fills them with a sense of beauty and tragedy. Applying these ancient structures of myth to a deeply personal family dynamic elevates the poems to the scale of epics, drawing direct lines between the life and struggle of one indigenous family and the historical oppression and degradation of native peoples and narratives by settler colonialism. How Diaz managed to create such striking and radical political critique without losing the beating, bleeding heart of her personal story I'm not sure, but she did it expertly.
Moderate: Addiction, Chronic illness, Drug use, and Racism
birdbeakbeast's review against another edition
4.5
Minor: Addiction, Drug abuse, Mental illness, Racism, and Colonisation
cantfindmybookmark's review against another edition
3.75
Graphic: Addiction and Drug abuse