wiseowl33's review against another edition
3.0
enjoyed Goldie and Toadspits next adventure. Looking forward to the next book in the series.
emilyalbertelli's review against another edition
adventurous
funny
lighthearted
fast-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.25
iforgotilivedhere's review against another edition
5.0
I read this back when I was like eight no knowing that this was the second book lmao. Still loved it tho
tasmanian_bibliophile's review against another edition
4.0
‘A Big Lie isn’t the least bit convincing when you’re in it.’
Life seems to be returning to normal, in the city of Jewel, after the upheaval some months earlier (as related in the ‘Museum of Thieves’). Goldie Roth is both a trained thief and a skilful liar, and she should also be one of the Keepers of the Museum of Dunt, together with her friend Toadspit. But while Goldie desperately wants to be a Keeper, her parents are ill after their time in the House of Repentance, and she does not want to leave them.
'In the last few months she had had more than a dozen messages from the museum, asking when she was going to take up her position as Fifth Keeper. Tonight she would reply. 'Never.'
But on the way the Museum, with Toadspit and his sister Bonnie, Goldie is forced to leave the city of Jewel. Bonnie is kidnapped. Toadspit and Goldie follow the kidnappers, as they travel to the city of Spoke by ship, and Toadspit is also captured along the way.
How will Bonnie save her friends? The kidnappers have some dangerous secrets and some powerful friends. Bonnie becomes caught up in Spoke’s Festival of Lies, and will need all of her skills and abilities in order to survive and to save Toadspit and Bonnie. In the meantime, the Fugleman has returned to Jewel: can he really be a reformed character?
I really enjoyed this second instalment of ‘The Keepers’ trilogy. Goldie meets some interesting people in Spoke (I especially liked Mouse), and each chapter includes wonderful character drawings that are the perfect accompaniment to the story. I’m looking forward to the final instalment, scheduled for publication in 2012.
While The Keepers trilogy is primarily aimed at 9 to 12 year olds, many older readers will enjoy it as well. I did.
Jennifer Cameron-Smith
Life seems to be returning to normal, in the city of Jewel, after the upheaval some months earlier (as related in the ‘Museum of Thieves’). Goldie Roth is both a trained thief and a skilful liar, and she should also be one of the Keepers of the Museum of Dunt, together with her friend Toadspit. But while Goldie desperately wants to be a Keeper, her parents are ill after their time in the House of Repentance, and she does not want to leave them.
'In the last few months she had had more than a dozen messages from the museum, asking when she was going to take up her position as Fifth Keeper. Tonight she would reply. 'Never.'
But on the way the Museum, with Toadspit and his sister Bonnie, Goldie is forced to leave the city of Jewel. Bonnie is kidnapped. Toadspit and Goldie follow the kidnappers, as they travel to the city of Spoke by ship, and Toadspit is also captured along the way.
How will Bonnie save her friends? The kidnappers have some dangerous secrets and some powerful friends. Bonnie becomes caught up in Spoke’s Festival of Lies, and will need all of her skills and abilities in order to survive and to save Toadspit and Bonnie. In the meantime, the Fugleman has returned to Jewel: can he really be a reformed character?
I really enjoyed this second instalment of ‘The Keepers’ trilogy. Goldie meets some interesting people in Spoke (I especially liked Mouse), and each chapter includes wonderful character drawings that are the perfect accompaniment to the story. I’m looking forward to the final instalment, scheduled for publication in 2012.
While The Keepers trilogy is primarily aimed at 9 to 12 year olds, many older readers will enjoy it as well. I did.
Jennifer Cameron-Smith
mckinney_shannon's review against another edition
4.0
This is book 2 of 3 in The Keepers Trilogy written by Lian Tanner.
I am seriously shocked this book series isn’t beyond popular. Tanner takes us into another fantasy world. Goldie a trained liar is on a journey to save her friends, but she finds herself in a city that is full of lies. Everything is upside down and backwards, and the city itself is a liar.
I highly recommend this book, especially if you listen to the audio recording by Claudia Black - she’s smashing!
I am seriously shocked this book series isn’t beyond popular. Tanner takes us into another fantasy world. Goldie a trained liar is on a journey to save her friends, but she finds herself in a city that is full of lies. Everything is upside down and backwards, and the city itself is a liar.
I highly recommend this book, especially if you listen to the audio recording by Claudia Black - she’s smashing!
raejeanr's review against another edition
4.0
This book was as good as the first one; I'm looking forward to reading the next book in the series. I was caught up in the action, even if the bad guys were a little predictable. I appreciate that through it all Goldie remained true to her goodness.
heyshay07's review against another edition
5.0
I completely loved this book. Lian Tanner does just as well with her second book as she did with Museum of Thieves. What I love most about her books is that the characters are all very developed and amazing, especially the new character of Mouse. I hope we learn more about Pounce in the next book. Like the Museum of Thieves, the plot is always fast paced, exciting, and its unusual without being totally weird and unrelatable. I can't wait to see what happens next in the series!
leslie_d's review against another edition
4.0
Goldie isn’t the only accomplished Liar and Thief to return in this sequel to Museum of Thieves. We get to experience a whole City of Liars. Shoot, even the City is a Liar. I adore the author of this children’s book series, I really do.
Lian Tanner’s sequel to the brilliant Museum of Thieves is among the better of Book Twos that I have read. In City of Lies Tanner sets us right back down into the City of Jewel and Goldie’s life. It is only a short while after the ending of Museum of Thieves and everyone is still reeling from the effects of Book One. Tanner reminds the reader a bit of the first, but not a great deal. A few interspersed notes by the 3rd person narrator and we are off on this new adventure. There is a diverting cleverness in bringing the Reader into this new twist swiftly and with such immersion—Tanner needs the Reader to be present in the now of the book. And besides, you’ve read the first book. You have, haven’t you? Because you really should.
The shine of the first story’s victory has taken some tarnish. One, Goldie is unwilling to become the Fifth Keeper of the Museum of Dunt as she is meant to be. Two, Jewel’s parents are still adjusting to having independent children and the absence of the Blessed Guardians. Yes, the change is a good thing, but it is so different from how they were raised. The indoctrinations are not easily shrugged off and when accidents begin to occur a murmuring begins. Three, the Fugleman has returned—and is “a changed man.”
Goldie claims her reason for refusing the appointment as Fifth Keeper is that her parents are sick. And they are. Their time as prisoners of the House of Repentance was traumatic. The parents are also rather clinging (3). Theirs is a chain of a different sort than the first book’s. But they aren’t the only ones holding Goldie back. While their worry is infectious, Goldie herself is a problem—specifically that voice that so infamously led her to triumph in Museum of Thieves.
Goldie has come to believe that the voice only brings her trouble; which isn’t a lie. In part, Goldie longs for a normal childhood, a boring one. This inevitably wars with her more adventurous and independent side that has a daring job to do using her unusual and oft socially unacceptable skill-set. She decides to ignore the voice while undertaking her search for Toadspit and Bonnie in the foreign City of Spoke. In addition to sorting out who she should and will be and whether the voice is worth listening to, Goldie must also navigate a strange city amidst their Festival of Lies where everything is turned inside out and upside down. How does one tell a lie in order to find the truth, and how does one find the already hidden when everything is to be masked?
In the kind of imaginative turn that I adore with Frances Hardinge’s stories, Lian Tanner creates this marvelous Festival of Lies. Everyone must speak in lies and the City itself participates by telling a few Big Lies to the lucky few. Yes, City of Lies maintains the idea that magical (and metaphoric) possibility exists not only within a person or creature, but within Place as well. Beside the focus of a lie-celebrating City of Spoke, the novel returns us to the strange Museum of Dunt occasionally, a Place that has revealed its own consciousness in Museum of Thieves. As in the first book, the state of unrest is linked to the state of the City and the children—Goldie and Toadspit in particular. The Places externalize anxiety and create a fun sort of tension in the novels. In City of Thieves a terrifying beast in on the loose and on the hunt in the Museum, in the City of Jewel, and in the City of Spoke. There are all sorts of dangers and only the daring need apply.
I read an article recently about leading women in Romantic Comedies and it remarked upon how the flaws the writers must give them are, in actuality, trite. She can’t not be beautiful, so let’s make her a klutz. I don’t think Romantic Comedies have cornered the market on this kind of characterization. If not negligibly flawed, many an Adventure Heroine is formulaic enough to undermine (or even nullify) the conflict. Tension is muted because the flaw is hardly considerable or easily overcome by the perfections. Goldie’s flaws create serious conflict, and ones that are identifiable enough within the Reader that adrenaline and worry surface.
Goldie’s abilities put her at odds with her society. The risks in using her beliefs and skills to create change are significant. Entering the second book, we know that those risks have some reward and consequence, but we feel victorious and that Goldie is capable. She might fumble a bit, but she had come into herself in book one, had she not? But in City of Lies, Tanner creates a separation for the character and Reader. Goldie falters and is somewhat immobilized by responsibilities, distrust of herself, and –let’s face it—weariness. Enter Goldie No One, a reinvention of a self in order to free a self. It is the masked ball, the move to a new city, an opportunity to overcome the limitations pressed upon her by circumstance and expectation—it is a Festival of Lies. Goldie is back to a different kind of beginning, and the conflict of being able to trust who she is still becoming. Should she trust that voice in the back of her head?
Tanner has created a complex character ever in the state of changing, of becoming more. Goldie No One is an aspect this protagonist must address; throwing her into a Festival of Lies is a brilliant move. She has to find her friends, (while without knowing it) find herself, and she has to discern what is mere diversion and what is true and real. Who and what are sincere? Do you create your destiny or do you run blindly along with it—or is there a state in between? How do you interpret the signs?
Who might a young girl become when unencumbered, or, even, encumbered by someone else? Inhabiting the dreams, the adventures of others is a nice move in an Adventure story rife with intrigues. And I enjoy the idea that a person is a place; a museum, a collection of historical fact and figures; that the character might not only inhabit another’s history/adventure, but that they might in turn inhabit the character—whether the character be an actual building or city, or a different plane, or a person or creature. The present can be affected by the past, as well as the lies, in positive and negative ways, tangibly or intangibly. [Those black/white messages of children's early years become more gray--a lovely lovely shade of gray.]
Despite the disguises, the essence of who someone is appears to remain much the same. This can be infinitely reassuring, or a terrible prickling up the spine. The Lies can be fun, but they can be quite deadly. Little is as it seems, and City of Lies is rife with uncertainty.
City of Lies is everything I want to see as a Book 2 of 3. It bridges to a third and final book with the promise of a great denouement. It also holds an arch of its own: introducing great new characters, providing a mystery to solve, and creating, developing, and gifting a sense of resolution. It doesn’t really stand alone, nor does it apologize for the fact. I am satisfied by good story, by great writing, and I wait longingly for the third book.
************************
If you like Frances Hardinge or Adrienne Kress, you will like Ms. Tanner’s The Keepers books (and vice versa). For boys and girls alike; ages 9 & up (likely to 12/13); lovers of Utopia/Dystopia fiction and/or of fantasy; and especially for those tired of romances in every book they read.
L @ omphaloskepsis
http://contemplatrix.wordpress.com/2011/10/24/city-of-lies/
Lian Tanner’s sequel to the brilliant Museum of Thieves is among the better of Book Twos that I have read. In City of Lies Tanner sets us right back down into the City of Jewel and Goldie’s life. It is only a short while after the ending of Museum of Thieves and everyone is still reeling from the effects of Book One. Tanner reminds the reader a bit of the first, but not a great deal. A few interspersed notes by the 3rd person narrator and we are off on this new adventure. There is a diverting cleverness in bringing the Reader into this new twist swiftly and with such immersion—Tanner needs the Reader to be present in the now of the book. And besides, you’ve read the first book. You have, haven’t you? Because you really should.
The shine of the first story’s victory has taken some tarnish. One, Goldie is unwilling to become the Fifth Keeper of the Museum of Dunt as she is meant to be. Two, Jewel’s parents are still adjusting to having independent children and the absence of the Blessed Guardians. Yes, the change is a good thing, but it is so different from how they were raised. The indoctrinations are not easily shrugged off and when accidents begin to occur a murmuring begins. Three, the Fugleman has returned—and is “a changed man.”
Goldie claims her reason for refusing the appointment as Fifth Keeper is that her parents are sick. And they are. Their time as prisoners of the House of Repentance was traumatic. The parents are also rather clinging (3). Theirs is a chain of a different sort than the first book’s. But they aren’t the only ones holding Goldie back. While their worry is infectious, Goldie herself is a problem—specifically that voice that so infamously led her to triumph in Museum of Thieves.
Goldie has come to believe that the voice only brings her trouble; which isn’t a lie. In part, Goldie longs for a normal childhood, a boring one. This inevitably wars with her more adventurous and independent side that has a daring job to do using her unusual and oft socially unacceptable skill-set. She decides to ignore the voice while undertaking her search for Toadspit and Bonnie in the foreign City of Spoke. In addition to sorting out who she should and will be and whether the voice is worth listening to, Goldie must also navigate a strange city amidst their Festival of Lies where everything is turned inside out and upside down. How does one tell a lie in order to find the truth, and how does one find the already hidden when everything is to be masked?
In the kind of imaginative turn that I adore with Frances Hardinge’s stories, Lian Tanner creates this marvelous Festival of Lies. Everyone must speak in lies and the City itself participates by telling a few Big Lies to the lucky few. Yes, City of Lies maintains the idea that magical (and metaphoric) possibility exists not only within a person or creature, but within Place as well. Beside the focus of a lie-celebrating City of Spoke, the novel returns us to the strange Museum of Dunt occasionally, a Place that has revealed its own consciousness in Museum of Thieves. As in the first book, the state of unrest is linked to the state of the City and the children—Goldie and Toadspit in particular. The Places externalize anxiety and create a fun sort of tension in the novels. In City of Thieves a terrifying beast in on the loose and on the hunt in the Museum, in the City of Jewel, and in the City of Spoke. There are all sorts of dangers and only the daring need apply.
I read an article recently about leading women in Romantic Comedies and it remarked upon how the flaws the writers must give them are, in actuality, trite. She can’t not be beautiful, so let’s make her a klutz. I don’t think Romantic Comedies have cornered the market on this kind of characterization. If not negligibly flawed, many an Adventure Heroine is formulaic enough to undermine (or even nullify) the conflict. Tension is muted because the flaw is hardly considerable or easily overcome by the perfections. Goldie’s flaws create serious conflict, and ones that are identifiable enough within the Reader that adrenaline and worry surface.
Goldie’s abilities put her at odds with her society. The risks in using her beliefs and skills to create change are significant. Entering the second book, we know that those risks have some reward and consequence, but we feel victorious and that Goldie is capable. She might fumble a bit, but she had come into herself in book one, had she not? But in City of Lies, Tanner creates a separation for the character and Reader. Goldie falters and is somewhat immobilized by responsibilities, distrust of herself, and –let’s face it—weariness. Enter Goldie No One, a reinvention of a self in order to free a self. It is the masked ball, the move to a new city, an opportunity to overcome the limitations pressed upon her by circumstance and expectation—it is a Festival of Lies. Goldie is back to a different kind of beginning, and the conflict of being able to trust who she is still becoming. Should she trust that voice in the back of her head?
Tanner has created a complex character ever in the state of changing, of becoming more. Goldie No One is an aspect this protagonist must address; throwing her into a Festival of Lies is a brilliant move. She has to find her friends, (while without knowing it) find herself, and she has to discern what is mere diversion and what is true and real. Who and what are sincere? Do you create your destiny or do you run blindly along with it—or is there a state in between? How do you interpret the signs?
Who might a young girl become when unencumbered, or, even, encumbered by someone else? Inhabiting the dreams, the adventures of others is a nice move in an Adventure story rife with intrigues. And I enjoy the idea that a person is a place; a museum, a collection of historical fact and figures; that the character might not only inhabit another’s history/adventure, but that they might in turn inhabit the character—whether the character be an actual building or city, or a different plane, or a person or creature. The present can be affected by the past, as well as the lies, in positive and negative ways, tangibly or intangibly. [Those black/white messages of children's early years become more gray--a lovely lovely shade of gray.]
Despite the disguises, the essence of who someone is appears to remain much the same. This can be infinitely reassuring, or a terrible prickling up the spine. The Lies can be fun, but they can be quite deadly. Little is as it seems, and City of Lies is rife with uncertainty.
City of Lies is everything I want to see as a Book 2 of 3. It bridges to a third and final book with the promise of a great denouement. It also holds an arch of its own: introducing great new characters, providing a mystery to solve, and creating, developing, and gifting a sense of resolution. It doesn’t really stand alone, nor does it apologize for the fact. I am satisfied by good story, by great writing, and I wait longingly for the third book.
************************
If you like Frances Hardinge or Adrienne Kress, you will like Ms. Tanner’s The Keepers books (and vice versa). For boys and girls alike; ages 9 & up (likely to 12/13); lovers of Utopia/Dystopia fiction and/or of fantasy; and especially for those tired of romances in every book they read.
L @ omphaloskepsis
http://contemplatrix.wordpress.com/2011/10/24/city-of-lies/
jeannemurray3gmailcom's review against another edition
3.0
Not as good as the first book in the series but still looking forward to the third.