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deedireads's review against another edition
challenging
emotional
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
TL;DR REVIEW
Trespasses is a well-written, intentionally tense novel about choice, conflict, and community. I wasn’t quite in the right headspace for it, but there’s no denying its merits.
For you if: You are interested in novels set during the Troubles in Northern Ireland.
FULL REVIEW
Shortlisted for the 2023 Women’s Prize, Trespasses is a well-written, character-driven novel about the ripple effect of personal choices on a tight-knit community, especially during times of political unrest (in this case, the Troubles in Northern Ireland). I think that I was perhaps not quite in the right mindset for this one, so it didn’t blow me away, but I certainly enjoyed it and have a lot of respect for what it pulls off.
The novel takes place in a small town outside Belfast around 1975. The main character is a young Catholic schoolteacher named Cushla who begins an affair with an older, married, Protestant barrister (lawyer) named Michael. She also finds herself a bit too involved in the home life of one of her less fortunate students, Davy. Of course, all that hardly lends itself to stasis even without the Troubles; eventually, the precariousness of the situation implodes.
This kind of felt like Milkman meets Shuggie Bain. That explains why critics loved it and I only liked it (I was lukewarm on Milkman but loved Shuggie). I feel like I’ve read a lot of novels lately about young women making morally gray choices, and a lot about the Troubles, so maybe that’s why it didn’t stand out as much in my mind. I also thought I was picking up on a couple of hints at the end that ended up being red herrings or just wrong assumptions about where the story was going; the actual execution made less sense to me, plot-wise, than what I’d assumed, which left me a little unsatisfied.
Lest you think I disliked this book, I will say that I very much appreciated how Kennedy managed to show both sides of the conflict with nuance, more like what I imagine it would have been to live in a mixed community than history or the press can convey. I also appreciated the way she brought the question of class into the mix of themes — this was very well done. Finally, I gotta hand it to the narrator of the audiobook, who read the story beautifully and authentically.
If you like Irish literature, especially about the Troubles, this one might be for you.
Content Warnings
Graphic: Alcoholism, Death, Infidelity, Violence, Murder, and War
wsimcik's review against another edition
dark
emotional
informative
reflective
sad
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Addiction, Alcoholism, Death, and Violence
bps's review against another edition
challenging
dark
emotional
informative
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Death, Violence, Murder, and War
jaswoahreads's review against another edition
challenging
dark
emotional
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Death
Moderate: Addiction, Alcoholism, Gun violence, Infidelity, Violence, Grief, Religious bigotry, Death of parent, Murder, and Alcohol
Minor: Miscarriage, Police brutality, and Sexual harassment
noshinbean's review against another edition
challenging
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.25
Before reading this novel, I didn't know anything about the Troubles, a historical period of political unrest and violence in 1960s-1990s Ireland. I feel like I learned a lot about the prejudice experienced between Catholics and Protestants. I adored Davy's character, and I honestly hated Michael, even if he seemed to love Cushla. The parts that took place in 2015 made my heart happy.
Content Warnings
Moderate: Alcoholism, Death, Gun violence, Hate crime, Infertility, Miscarriage, Sexual content, Violence, Religious bigotry, Death of parent, Alcohol, and Classism
_inge's review against another edition
I loved how Irish this was. The characters all felt really real. Father Slattery was hilariously awful, I could practically smell the pub and hear the banter inside, and the Irish phrases used I could sometimes ‘hear’ on paper.
The story mostly focuses on how The Troubles influenced people in their daily lives. This was visible at the start of every second chapter or so, for instance. It would start by summarising news from the area, and sometimes you’d get to hear how this news impacts the protagonist or if it’s connected to her in any way, yet other times this isn’t brought on as there’s no connection between her and the news whatsoever. This really showed how odd it must’ve been to live during this period; if the news doesn’t broadcast anything on someone you may now, you’d still be wary that this might happen another day. People try to go on with their daily lives but current affairs always seep through. I found this perspective refreshing.
The style of writing included a lot of shifts. Sometimes you’d not hear what a character is up to, but it would be alluded to it. Someone might stand in front of a house, for instance, but the next sentence describes how the doorknob feels. This character would be inside the house in the sentences that follow. So you don’t read about them twisting the doorknob themselves, or even stepping inside, but from the next few lines you get that they must now be inside the house. Every chapter started at a completely different point of the story too. In the previous chapter you may have read about the protagonist leaving one place, but the next chapter would cut to her being somewhere entirely different. This fragmented style sometimes means you have to actively work out what’s happening. It’s never too difficult, but I have had times where I got lost in the details of a certain place and got confused at the location of the next scene. The author doesn’t use quotation marks either, but because there’s quite a few characters in this you might have to work out who’s speaking, too.
I did find it interesting how every character is referred to by their first name. Even Cushla’s mum or brother are never referred to as being that to her. This makes for interesting writing concerning the affair; just like the protagonist you don’t know who Michael is to her. I don’t know whether this was a fully conscious choice, but I did like it.
This could’ve been a hard read, and I could get that this character focused story could make that even more so for some, but there was hope found within the pages. People were as horrible as they were kind to each other. Throughout reading you’re never too sure what the intentions of each character are, and if their actions are wrong or right. That makes for an interesting read.
The story mostly focuses on how The Troubles influenced people in their daily lives. This was visible at the start of every second chapter or so, for instance. It would start by summarising news from the area, and sometimes you’d get to hear how this news impacts the protagonist or if it’s connected to her in any way, yet other times this isn’t brought on as there’s no connection between her and the news whatsoever. This really showed how odd it must’ve been to live during this period; if the news doesn’t broadcast anything on someone you may now, you’d still be wary that this might happen another day. People try to go on with their daily lives but current affairs always seep through. I found this perspective refreshing.
The style of writing included a lot of shifts. Sometimes you’d not hear what a character is up to, but it would be alluded to it. Someone might stand in front of a house, for instance, but the next sentence describes how the doorknob feels. This character would be inside the house in the sentences that follow. So you don’t read about them twisting the doorknob themselves, or even stepping inside, but from the next few lines you get that they must now be inside the house. Every chapter started at a completely different point of the story too. In the previous chapter you may have read about the protagonist leaving one place, but the next chapter would cut to her being somewhere entirely different. This fragmented style sometimes means you have to actively work out what’s happening. It’s never too difficult, but I have had times where I got lost in the details of a certain place and got confused at the location of the next scene. The author doesn’t use quotation marks either, but because there’s quite a few characters in this you might have to work out who’s speaking, too.
I did find it interesting how every character is referred to by their first name. Even Cushla’s mum or brother are never referred to as being that to her. This makes for interesting writing concerning the affair; just like the protagonist you don’t know who Michael is to her. I don’t know whether this was a fully conscious choice, but I did like it.
This could’ve been a hard read, and I could get that this character focused story could make that even more so for some, but there was hope found within the pages. People were as horrible as they were kind to each other. Throughout reading you’re never too sure what the intentions of each character are, and if their actions are wrong or right. That makes for an interesting read.
Content Warnings
Graphic: Addiction, Alcoholism, Death, Infidelity, Violence, Medical content, Grief, Murder, Alcohol, and Injury/Injury detail
Moderate: Fire/Fire injury
geraldinerowe's review
challenging
dark
emotional
informative
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Trespasses is utterly heartbreaking, not just as far as the main relationship in the story is concerned, but all of those around it as well as the times in which it was set. I found the power balance in the affair between Cushla and Michael somewhat problematic, even beyond its acknowledgement by the author, and Cushla's awareness of it and willingness to continue nevertheless, which slightly soured the romance of it for me. The language is beautiful and pulls you along with it (despite the fashionable lack of speech marks), but what will stay with me is the difficulty faced by people trying to live vaguely normal lives at that time. And Davy. I love Davy.
Content Warnings
Moderate: Addiction, Alcoholism, Death, Infidelity, Violence, Religious bigotry, and Injury/Injury detail
Minor: Bullying, Miscarriage, and Death of parent
ineedmorecoffee's review against another edition
challenging
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Damn you, Louise Kennedy, for making me feel things.
Content Warnings
Moderate: Alcoholism, Death, Gun violence, Death of parent, Fire/Fire injury, War, and Injury/Injury detail
suzsta's review against another edition
emotional
reflective
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.75
A winding tale of life in Troubles-era Belfast, Trespasses offers an intimate image of an affair across political divides and it's fallout. Concerned at it's core with love, our choices, and the grey areas of morality in which life is lived, this book is in turns gut wrenching and painfully familiar. A loving yet stark portrayal of family life, addiction, and the complexities of relationships that could at any point be tainted by sectarian violence and prejudice, this book is a solid read for anyone with an interest in the day to day lives of those living in the shadow of the Troubles.
Thanks to NetGalley and the publishers for access to this ARC.
Thanks to NetGalley and the publishers for access to this ARC.
Content Warnings
Moderate: Addiction, Alcoholism, Death, Religious bigotry, Murder, Fire/Fire injury, and Injury/Injury detail
happyknitter2020's review against another edition
challenging
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
5.0
Devastating beautiful. One of the best books I have ever read, possibl top book for 2023 & hopefully The Women's Prize 2023 Winner.
A insight into the daily lived experience of the community during conflict in Ireland.
A insight into the daily lived experience of the community during conflict in Ireland.
Content Warnings
Graphic: Death, Gun violence, Violence, Police brutality, Murder, and Injury/Injury detail