Reviews

The Cassandra by Sharma Shields

kati3cruel's review

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5.0

Absolutely stunning. This is the first book I've read by Sharma but I'm glad it was - incredibly intense read. Sometimes I'm a bit hard to shock and find myself wishing for an author to go deeper into twisted territory that I want to explore, but with The Cassandra I was rapt the entire time with learning about Mildred and her visions, and all the strange, beautiful, desolate, and horrifying imagery, described so artfully. Bleakness levels on par with or even exceeding The Road, the standard by which I measure any so-called "dark" novel.

kreinard's review against another edition

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3.0

3.5 Stars

I really wanted to like this one a lot more than I did. It had all the elements of a great story for me; the time-period, the drama, the characters who were somewhat dark and twisty. I think it was the whole future-telling aspect that I just couldn't get into.

It was a very poetic book. The language used and the depictions of Milly's visions were beautiful, but just not quite what I expected and they kind of put up a wall for me and created that gap that prevented me from really loving and investing in this book.

The drama was all good and I really enjoyed the majority of the characters, but I also felt a little lacking in closeness to the main character, Milly. For some reason, I didn't feel like I knew her like I felt like I knew the other characters. I couldn't quite get inside her head and understand her thoughts and actions by any means.

Overall, not a bad book. Just not one that I was expecting and one I would not necessarily read again. But that is most likely just my preferences, not a reflection of the quality of book that it is.

**Many thanks to Sharma Shields, Henry Holt and Company, and NetGalley for an advanced e-book in exchange for an honest review.

wonderwoman11's review against another edition

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emotional sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.25


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czfries's review against another edition

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challenging dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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beneatthetrees's review

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3.0

The pretty ones, the loud ones, the impossible ones, were prodded and bedded and beaten. Some complained of the rats and of the food, which looked and tasted like vomit. I tried not to frown at these bellyachers or appear too condescending.

What do you expect? This is womanhood, boiled down.


The Cassandra is a bleak read, absolutely. It's angry, it's ugly, and it's gruesome. Sharma Shields created a world to mirror our own-- one without any redemptive qualities. The characters are caricatures of humanity: selfish and cruel. There is no love. There are no friendships built on kindness, there are no familial ties, there are no loving marriages. The future, any future, that contains humanity is doomed to failure.

The Earth, however, is beautiful. I really admired her writing about the landscape. As someone who lives in the Inland Northwest I felt instantly familiar with the magical descriptions of landscape Shields writes. But even those descriptions become twisted. The last page of the novel focuses on Mildred's view of the passing landscape: "suffocating greenery," "spindly waterfalls," "muscled, burnished fists of the canyon," and the "disinterested grey serpent of the Columbia River."

The Cassandra is a powerful read with a Jane Austen level of cultural/feminist scathingness (though with a bleak humor rather than a dry one). But it made me feel similar to when I read The Handmaid's Tale -- like I had pored over a newspaper only featuring the bleak and disgusting. Not like I had gotten a true glimpse of humanity (though I think this was purposeful, the Cassandra figure is, after all, a harbinger of doom). There was no hope or love and it was a draining experience.

I enjoyed it and think it's an important read; however, I only recommend it to those who can handle despair.

the_book_tale's review

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challenging dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

From the description of the book I was expecting a novel about a woman, capable of seeing the future, who attempts to stop an atomic war from happening. My expectations were far from the reality. 

Plot:
The issue with the plot was that there wasn’t one. There was a vague, undefined direction the novel headed toward, but I would not call it a plot. 
Milly joined Hanford Research Center after a prophetic vision of the destruction the Product made there would cause. She did so not knowing what Hanford was creating or how she was going to stop her vision from coming true. Actually — she never tried to stop her caisson from coming true at all. She worked for the head physicist making the plutonium, respected him, and loved her job. She had ample chance to sabotage Hanford, but she never even considered it because then she would lose her job. Right before the atomic bombs were dropped on Japan she told the physicist she worked for what would happen (like he didn’t know) which deterred him in no way. The last 100 or so pages didn’t even have anything to do with the nuclear bombs or the fallout. They were about Milly recovering from nearly being beaten to death, randomly murdering someone for no reason, returning to work for a short amount of time before cutting her tongue off purposely so she could live at a sanatorium. I was highly disappointed in the lack of plot. I could have loved The Cassandra if it had actually been about a woman attempting to sabotage the nuclear weapons research before the bombs could be dropped, but, sadly it wasn’t.

Writing:
The writing was brilliant. It was eerie, odd, uncomfortable, and descriptive — just the way I like. The writing was definitely the best thing about the book. I’m much more willing to give other books by this author a chance because she clearly possess the skill to write well.

Characters:
Milly was well written and possessed a clear, sharp personality. While I can’t relate to the way Milly thinks or makes decisions she reminds me of people in my life. A lot of care went into creating Milly and it is obvious throughout the book. 
All of the other characters were well written, but generally treated Milly horribly. Even those who claimed to care about her never spoke to her after she was in the hospital. They checked in on her very occasionally and was always disappointed when she wasn’t doing better. Sadly, Milly’s relationships with the other characters felt very realistic.

clara_jane_22's review

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dark emotional sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

libraryadvokate's review

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dark sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.75

sarahs_readingparty's review

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4.0

well, while i wasn't familiar with the Cassandra myth until after i read this book, i found this weird little book fascinating. i love exploring WWII through new lenses and this book does just that! it was a smart read.

joeyhannah's review

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4.0

I have complicated feelings about this book. So before I dive into all that, let’s get this one out of the way: I enjoyed it. You definitely should read this book. Now on to my complications.

This book addresses so many issues. Mental illness, the morality of the nuclear arms race, the treatment of women in a male-dominated workforce.

Without the Hanford Nuclear Reservation, I literally wouldn’t exist. My grandmother was in the secretarial pool at Hanford during the war, just like our main character Milly. That’s how she met my grandfather. I found the aspects of the book that discuss daily life in the barracks, on the buses headed out to secret facilities in the desert, the dances, the buses into Richland itself, etc., to be very interesting. It got me thinking about what life must’ve been like for my grandmother. I’ve seen a million photos of Hanford life (check out the Hanford History Project on Facebook), so it helped me to build the bigger picture in my head.

Having grown up in Richland, I have so many conflicting feelings about what they did out there. I went to Richland High (home of the Richland Bombers) during the era when the lettermen’s jackets prominently featured a mushroom cloud on the back, proclaiming “Proud of the Cloud.” I was also still in high school when many folks began shifting focus away from that mushroom cloud and toward the B-17 Bomber, dubbed “The Day’s Pay”, that Hanford employees donated an entire day’s worth of pay site-wide in order to purchase for the war effort.

My grandfather died of emphysema, as did many of the men he worked with out there. I grew up with stories of Grandpa coming home from work in different clothing than he went in, having been exposed to something and having to be decontaminated. Neighbors and friends suffer higher rates of thyroid problems and multiple types of cancers.

I also worked for 10 years at Hanford for one of the contractors involved in cleanup. It’s kind of alarming sometimes to see the end result of that work. To be fair, it was new science and they didn’t know the hazards or the long-term effects of what they were doing. But poor decisions made in waste burial still plague the groundwater, the river, and the entire ecosystem. When a jackrabbit, field mouse, or snake is found in any of the office buildings, it has to be checked with Geiger counters before you can determine how to dispose of it. Even the laborers who clear tumbleweeds off of perimeter fences have to be certified in handling hazardous materials. For tumbleweeds.

It's a crazy place. The cleanup is going to be going on for generations.

And some things about it are still the same. Especially the portrayal of men in the book. You don’t hear much about rape happening, not nearly as much as it would have happened back during the camp days. But the environment of sexual harassment still exists. In my first three years, I was cornered and forcibly kissed against my will twice. And subjected to daily sexual harassment from multiple men. Which is laughed off when reported. And there's still rampant sexism that drives women out of the STEM fields. But each year it’s better. There are more women in positions of authority and respect. But it’s definitely still a boys club. I'm out of it now, but as a woman I have no desire to ever work there again. I definitely look at men much differently than I did prior to working there. Especially "good guys". Because they can be the worst. And they will destroy your reputation with rumor if you think of reporting them. EXACTLY like the sexual harassment in the book.

I did enjoy the magical realism elements. I can’t decide if it’s supposed to be magical realism or mental illness. Maybe a little of both. But I loved the manifestation of the wind and of local animals like coyotes, hawks, snakes. The wind especially. The wind here is insane. Driving during a wind storm is like playing Frogger, but with giant tumbleweeds instead of frogs. So I could see the wind back then driving people crazy. Literally. And the stress of secrecy. Of not knowing what you’re working on.

One thing that I’m sure some locals will take offense to is the prophetic visions Milly has of the aftermath of the bomb. They don’t like to think about it. They want to be “Proud of the Cloud” and heaven help you if you point out that the war was almost over anyway and the horrific maiming of hundreds of thousands of innocents in Hiroshima and Nagasaki was not strictly necessary. We’ve been arguing over the ethics of it for decades. But it’s an important discussion to have.

So yes, I have complicated feelings about this book. I enjoyed the book. It brought up issues that we’ve struggled with for a long time. I love my home. But there are things I hate about it, too. It’s something I will never be able to resolve. The book is full of big questions. Did we do the right thing? If we didn’t do it, somebody else would have and you don't want that kind of technology in the wrong hands. But it led to the cold war, a buildup of enough firepower to utterly destroy the entire planet many times over, and the utter decimation of the ecology and environment of an entire region. As Milly says, “What if WE are the wrong hands?”