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cathy61r's review against another edition
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Child death, Death, Hate crime, Torture, Police brutality, Dementia, and War
steveatwaywords's review against another edition
challenging
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Much heat around this novel, a Booker winner nonetheless, and I can understand the perspectives from both sides, most carrying loads of presumption about what a reading experience should be. I prefer, so much as I can, to allow each book to speak to its purpose on its own terms, and then my reviews mark it to how well it was accomplished.
To begin, I too, was off-put by the novel's style, at first: massive single-paragraph blocks with dialogue mashed in, the craftings of image or moment buried in unlooked-for details somewhere inside them. What was Lynch thinking? Shouldn't this be a gripping story of terror as a family falls victim to a growing autocracy and war?
Yes, it is. Claustrophobic, even suffocating, experiences a monumental blur, every event of life piled on top of another demanding our attention with equal fervor, who are we to understand and sort it out? This sense of overwhelm, as so many of us experienced during the politics of the pandemic, is tripled here. In brief, this is as much a reading experience as it is a literary novel of plot and theme.
Little need to detail the events of this woman whose men (father, husband, sons) are swept away by various circumstances to places dark and uncertain. Desperately she accepts her role of holding her family together, and at some point (you decide when but we will all disagree) her noble strength becomes ignorant folly. As the country and family slip apart, as the four children each suffer their trauma in unique ways, as tightly as the narrative camera focuses in on her, we see how easily--how anonymously--she might become a statistic of war, her story lost, disappeared.
And this growing tension is absolutely relentless. We might argue how many choices were actually available, about what sacrifices would "reasonably" be made when all is unreasonable. We might even argue responsibility for the suffering. But we will agree: the events are entirely too plausible, too hyperreal, too close to our fears and too (f)actual for communities who do suffer (and against whom we build walls).
Build what you want. Lynch takes these walls apart, and some of us will still not believe.
To begin, I too, was off-put by the novel's style, at first: massive single-paragraph blocks with dialogue mashed in, the craftings of image or moment buried in unlooked-for details somewhere inside them. What was Lynch thinking? Shouldn't this be a gripping story of terror as a family falls victim to a growing autocracy and war?
Yes, it is. Claustrophobic, even suffocating, experiences a monumental blur, every event of life piled on top of another demanding our attention with equal fervor, who are we to understand and sort it out? This sense of overwhelm, as so many of us experienced during the politics of the pandemic, is tripled here. In brief, this is as much a reading experience as it is a literary novel of plot and theme.
Little need to detail the events of this woman whose men (father, husband, sons) are swept away by various circumstances to places dark and uncertain. Desperately she accepts her role of holding her family together, and at some point (you decide when but we will all disagree) her noble strength becomes ignorant folly. As the country and family slip apart, as the four children each suffer their trauma in unique ways, as tightly as the narrative camera focuses in on her, we see how easily--how anonymously--she might become a statistic of war, her story lost, disappeared.
And this growing tension is absolutely relentless. We might argue how many choices were actually available, about what sacrifices would "reasonably" be made when all is unreasonable. We might even argue responsibility for the suffering. But we will agree: the events are entirely too plausible, too hyperreal, too close to our fears and too (f)actual for communities who do suffer (and against whom we build walls).
Build what you want. Lynch takes these walls apart, and some of us will still not believe.
Content Warnings
Graphic: Child death, Death, Hate crime, Torture, Violence, Blood, Police brutality, Medical content, Grief, War, and Injury/Injury detail
Moderate: Dementia
ronanmcd's review against another edition
challenging
dark
sad
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Hans Fallada's Alone in Dublin
It's almost too much to read. It's affecting my sleep. It's affecting how I'm looking at my surroundings.
I never take stock of prizes, but it's easy to see how this has been winning awards. You are in it. It's inescapable.
It's set in local places, Mount Temple, Joey's school, the promenade in Clontarf. And nothing happens for stretches, but real fear simmers. That's what makes it so powerful. It's believable. It captures so well the boiling frog metaphor. Changes come in and are accepted, however begrudgingly, until it's too late and everything has changed. It's not hard to see this happening around us, particularly as the Overton window has been shunted aside.
There are moments of clarity throughout, that leap from the text. Simon, Eilish's deteriorating father, points out none of this is new. There has always been a wing that will deny truth and facts, until they are irrelevant and unverifiable. Until you believe their lies, but even then truth comes back, as facts cannot be overruled.
And later Eilish's son, Mark, says fear attracts exactly what it is most afraid of.
But then...
The book changes when war comes. It becomes a story of a claustrophobic war in a small country. I read this as Israel bombarded Gaza, going far beyond a response to rocket attacks. And with politicians and members of the press cashing for Gaza's obliteration. ll the while politicians in Ireland acquiesce to the far right and discuss the "immigration question'
We see what brings this migration about, what it's really like to be forced to leave your own place, why we do it, why we try not to. The book's aims are huge.
But it is exceedingly grim.
It's almost too much to read. It's affecting my sleep. It's affecting how I'm looking at my surroundings.
I never take stock of prizes, but it's easy to see how this has been winning awards. You are in it. It's inescapable.
It's set in local places, Mount Temple, Joey's school, the promenade in Clontarf. And nothing happens for stretches, but real fear simmers. That's what makes it so powerful. It's believable. It captures so well the boiling frog metaphor. Changes come in and are accepted, however begrudgingly, until it's too late and everything has changed. It's not hard to see this happening around us, particularly as the Overton window has been shunted aside.
There are moments of clarity throughout, that leap from the text. Simon, Eilish's deteriorating father, points out none of this is new. There has always been a wing that will deny truth and facts, until they are irrelevant and unverifiable. Until you believe their lies, but even then truth comes back, as facts cannot be overruled.
And later Eilish's son, Mark, says fear attracts exactly what it is most afraid of.
But then...
We see what brings this migration about, what it's really like to be forced to leave your own place, why we do it, why we try not to. The book's aims are huge.
But it is exceedingly grim.
Content Warnings
Graphic: Child death, Confinement, Cursing, Death, Genocide, Gore, Gun violence, Hate crime, Mental illness, Torture, Violence, Blood, Police brutality, Dementia, Trafficking, Kidnapping, Grief, Medical trauma, Death of parent, Murder, Fire/Fire injury, War, Injury/Injury detail, and Deportation
kiwichill's review against another edition
challenging
dark
emotional
informative
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Bullying, Child abuse, Child death, Confinement, Cursing, Death, Eating disorder, Emotional abuse, Genocide, Gore, Gun violence, Hate crime, Physical abuse, Torture, Violence, Forced institutionalization, Blood, Police brutality, Dementia, Trafficking, Kidnapping, Grief, Death of parent, Murder, War, Injury/Injury detail, and Deportation
Moderate: Animal cruelty, Misogyny, Excrement, Medical content, Mass/school shootings, Gaslighting, Sexual harassment, and Pandemic/Epidemic
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