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sleepygirlreads_'s review against another edition
3.0
What a stupid ending!
I would not recommend this book. It definitely had the creep factor but it wasn't enough.
I would not recommend this book. It definitely had the creep factor but it wasn't enough.
artzea's review against another edition
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.0
trisha_thomas's review against another edition
4.0
Good atmosphere, fun characters. This was a very well done horror story. I can't categorize it as any type of book. I'd love to say it's this one thing or it's that type of story - it's pretty unique. It also has a very logical story line. It was easy to follow and, seriously - it was creepy.
great writing and characters I liked. It was the best when read at night, in the dark while everyone slept.
great writing and characters I liked. It was the best when read at night, in the dark while everyone slept.
bookishbrooke's review against another edition
2.0
2.5/5? It had a lot of potential but kind of fell short.
jamiehr's review against another edition
3.0
Rating Range: 2.5-3.0
**I almost never read anything in the more "scarier" genres because I am weak, but from what I could tell this was not even a scary book for the normal person. (That being said, I still got scared when I read it at night).
The first third of the book was pretty terrible and just preliminary matters that could've easily been set up in 3 chapters rather than 120 pages. There was too much detail on simple information that was irrelevant to the plot. Firstly, a good chunk of the beginning is dedicated to explaining how Sophie (MC) is curvy, good at English, not popular, and a freak because of her sister. None of these facts add to the story since the rest of the plot has NOTHING to do with school. Around 20 pages are wasted on how everyone at school is unrealistically rude and cruel to Sophie for her sister's psychological spiral and eventual suicide. The book also uses the trope of freak-looser girl "shockingly" goes against all norms by ending up with a hot athlete, and everyone is white. Their social standings don't matter since all their time together is out of school, and in the closing of the book, the effect of their relationship is not discussed. ALSO, the love interest, Evan, has no personality and a lot of his dialog and romance with MC is pointless and negates from the plot. His role as "lover" does nothing for the plot except check off the "romance" box. On the positive side, there is a lot of grief and pain that is NOT solved by romance, and everything is explained thoroughly. In conclusion, the first third does not seem like a final draft. It feels like the author copy the original opening from her third draft and slapped it onto the book.
Once Evan leaves the picture, the book gets much better. The plot takes off and intensifies once MC is placed in the Oakside Hospital (a corrupt mental hospital that has unethical practices). The focus is away from Nell (MC's dead sister) and on the bigger picture. The "bad guys" are written average well. Though the main one is given a backstory, it is written so that doesn't make the abuse and trauma he induces acceptable. The conflict also widens to be human vs creature, human vs human, human vs despair, and pain vs healing. Though some actions scenes are confusing and could use more editing, I only had to reread a chapter twice (for my standards that is very good because I'm a bad comprehender ahaha). I don't know what to say except that I ENJOYED the middle of the book and if the whole book was like that I would've rated a 3.5
The wrap-up of the book kind of anti-climatical because the "Eureka!!" moment is a bit confusing. The main characters figure out how to solve a problem, but this problem is one of many. The book, however, treats it like this one solution will fix ALL problems and appears to be more of a
plot wrap-up, not a conclusion. It works, but it feels cheap. One thing the book does amazingly is not letting romantic "love" solve all problems. Instead, how to work past emotional problems, letting go of the past, and sisterly love are all seen as the lessons learned by the characters. The book also chooses to end a positive note towards mental health and proper therapy, which contrasts the abusive hospital system from earlier. So good for the author!
**I almost never read anything in the more "scarier" genres because I am weak, but from what I could tell this was not even a scary book for the normal person. (That being said, I still got scared when I read it at night).
The first third of the book was pretty terrible and just preliminary matters that could've easily been set up in 3 chapters rather than 120 pages. There was too much detail on simple information that was irrelevant to the plot. Firstly, a good chunk of the beginning is dedicated to explaining how Sophie (MC) is curvy, good at English, not popular, and a freak because of her sister. None of these facts add to the story since the rest of the plot has NOTHING to do with school. Around 20 pages are wasted on how everyone at school is unrealistically rude and cruel to Sophie for her sister's psychological spiral and eventual suicide. The book also uses the trope of freak-looser girl "shockingly" goes against all norms by ending up with a hot athlete, and everyone is white. Their social standings don't matter since all their time together is out of school, and in the closing of the book, the effect of their relationship is not discussed. ALSO, the love interest, Evan, has no personality and a lot of his dialog and romance with MC is pointless and negates from the plot. His role as "lover" does nothing for the plot except check off the "romance" box. On the positive side, there is a lot of grief and pain that is NOT solved by romance, and everything is explained thoroughly. In conclusion, the first third does not seem like a final draft. It feels like the author copy the original opening from her third draft and slapped it onto the book.
Once Evan leaves the picture, the book gets much better. The plot takes off and intensifies once MC is placed in the Oakside Hospital (a corrupt mental hospital that has unethical practices). The focus is away from Nell (MC's dead sister) and on the bigger picture. The "bad guys" are written average well. Though the main one is given a backstory, it is written so that doesn't make the abuse and trauma he induces acceptable. The conflict also widens to be human vs creature, human vs human, human vs despair, and pain vs healing. Though some actions scenes are confusing and could use more editing, I only had to reread a chapter twice (for my standards that is very good because I'm a bad comprehender ahaha). I don't know what to say except that I ENJOYED the middle of the book and if the whole book was like that I would've rated a 3.5
The wrap-up of the book kind of anti-climatical because the "Eureka!!" moment is a bit confusing. The main characters figure out how to solve a problem, but this problem is one of many. The book, however, treats it like this one solution will fix ALL problems and appears to be more of a
plot wrap-up, not a conclusion. It works, but it feels cheap. One thing the book does amazingly is not letting romantic "love" solve all problems. Instead, how to work past emotional problems, letting go of the past, and sisterly love are all seen as the lessons learned by the characters. The book also chooses to end a positive note towards mental health and proper therapy, which contrasts the abusive hospital system from earlier. So good for the author!
raeanne's review against another edition
3.0
I'm happily apart of the blog tour for The Murmurings by Carly Anne West hosted by Shane@ItchingForBooks and Carly Anne West! I actually had just finished reading my copy from Goodreads when I saw there was a tour happening, like a happy coincidence, and Shane was nice enough to let me join.
For those who like it short and sweet, I first present The List: PROS & CONS
+ Kept me guessing ‘til the end about who to trust, what was behind it all, and where it was generally going
+ Interesting premise
+ Darrrrrrrknessssssss
+ Generally liked the characters, especially Sophie at the beginning and Nell
+ Was smirking and smiling at some places
+ I really liked Nell’s poems and diary entries. While not an original way of telling her side, I wish I got more of Nell because I loved her voice. Nell would actually be my favorite character and I feel for her.
- One big stupid decision by the heroine that left me screaming, “Don’t do it, dumbass!”, which was required to move the story forward. I can’t actually imagine how the story would’ve worked without this mind numbing decision anyone with a brain, especially a horror fan lover like Sophie, would’ve known not to do. Then she acts all surprised it turns out badly like, what? Clearly though, it left a sour taste in my mouth.
- One big hole that bugged me while reading a whole lot. It still bugs me. Sophie complains about how hard it is to get rid of {spoiler} and has a few pathetic stabs at it. Someone else has been getting away with this task for a while yet they don’t tell Sophie how to do it. Sophie then gets rid of {spoiler} days on end with no problem. HOW did they get away with this? It was explained in detail how hard it was to get away with and I’m just suppose to accept Sophie figured it without being explained? I want to know how! I need to know otherwise it puts everything in question after the fact. Seriously, the rest of the story would’ve been impossible if Sophie doesn’t get rid of {spoiler} daily and without getting caught like previously.
- Not as terrifying or horrifying as I was hoping. More The Sixth Sense than The Shining. The Shining scared the shit out of me, The Sixth Sense? Nope. More eerie and thrilling to me than anything else. Didn’t get any of the visceral reactions you’d expect from horror stories. No jumping at noises or hearing noises or creepy, crawling feelings or freaked out about sleeping or anything.
- The ending is what killed my enjoyment the most and left me more frustrated than anything else. It’s all wrapped up neatly with a bow to give the YA happy ending. I don’t like it. It make me go “AWWWW”, but then the “Wait...what?!?!” kicks in.
When I first saw The Murmurings I thought I’d found the dark, horrific young adult tale I’d been looking for. I was reading The Grimm’s Fairy Tales and Stephen King when I was young so I’ve been a fan of the darker fiction for a long time. I don’t think that means I’m maladjusted (or anything) and was always frustrated that I had to read about characters so much older than me usually to get my fix for the fiendish.
I had high expectations for The Murmurings . I wanted scary, mind and reality bending. I even read it on an appropriately dark and stormy night. No joke, and no easy feat considering I live in the desert and hardly get any rain. However, it started storming so I settled in for a good read. I finished reading it that night long before it was dawn and promptly fell asleep. This is not the experience I was expecting. It wasn’t bad, just not what I wanted.
I didn’t get the freak out one would expect from a horror book. I wasn’t itching or looking over my shoulder or hearing things or seeing things out the corner of my eye. I wasn’t gasping or holding my breath. That’s the thing that usually grabs people about horror - the terror, the visceral response, the exploration into the darker side of life. I didn’t get creepy, more like eerie atmospheric and thrilling but not scarey either. Scare factor differs so much from person to person though.
I do not get horror from The Murmurings so what did I get? Well, that varies from the different sections. The first half is a darker paranormal romance mystery with Sophie trying to cope and figure out her sister’s death. The second half is an eerie suspenseful dark psychological thriller. There’s the wrap up chapter which goes all mushy contemporary with the standard everything’s okay now young adult ending. Can you tell the ending is the most disappointing part of my reading experience?
So let’s talk about my reading experience. I was so enjoying delving into the mystery in the beginning. I found Sophie to be funny, liked the exchanges between her and Evan, the passages about Nell and, most importantly, it didn’t feel like it was playing down the dark factor to be in the young adult category. It was about setup and investigating but there is definitely some important things going on. It’s not a case of taking forever to get anywhere about the mystery. Then the Big Stupid Decision happens to start the middle of the book. After an initial flurry of action, it begins to go again into “investigating and waiting” mode. I didn’t mind this because I was enjoying how it was all unraveling. Another problem found while reading here, but I was actually loving the thrill of it all. I was intrigued and at the edge of my seat until after the climax. The Big Finale really was suspenseful but not really horrifying since it was nothing really new. Still good, still enjoyable, still not sugar coating or shying away from the grim and gritty. Then the wrap up chapter happens. It’s sweet. It’s closure. It’s the typical young adult ending that I did not want. I’m left wondering, “What?!?”. The more I think about it, the more problems I have with The Murmurings.
Sure, there’s conveniences, coincidences, tropes and pet peeves that I noticed once dissecting the book for this review but let’s not go there because they didn’t affect my enjoyment while reading. One of the things The Murmurings succeeded at actually was keeping me guessing until the end about not only what’s going to happen, but who to trust as well. This at least I can say is a solid positive point for me. It stays dark and gritting up until the last chapter. Sophie and Evan’s romance feels less instant and more like a romantic suspense where people are thrown into dangerous situations and cling together. Considering how adults in books work out the same way, I don’t really have a problem with the romance here. I liked the characters, generally, even with the Big Stupid Decision. I loved Nell’s passages and poems the most though. Funny, how she’s the one I feel for most and Sophie is just kinda cool and funny to me.
Considering the genre and how the book was throughout the rest of the book, I was expecting the ending to leave me with this unsettled OMG reaction. As if the book’s reality is going to become your own. This didn’t happen for me here. Not even close. It’s just the exact opposite of everything it came before it. It doesn’t flow naturally to me and feels disingenuous. Like it just had to end that way because it’s young adult instead of delving into the realer, deeper, darker implications of the story. I wanted more chilling after effects, than a sappy aftertaste. There wasn’t much of issues of what comes next since Sophie is all calm, and comfortable about it. It’s all been handled when I wasn’t compelled to buy into that. There’s several things about the book I couldn’t buy into actually.
There’s two major things that bothered me while reading and did damper my enjoyment. Firstly, The Big Stupid Decision. This is desperately needed to move the story forward yet I hated it. It’s an obvious yelling out “Don’t do it, dumbass!” moment. My opinion of Sophie was lowered because of this incident. She had a reason to go {spoiler}, but she didn’t have to do it so...stupidly. She should have known better. After 100+ pages of learning how bad this {spoiler} is, she just waltzes in like it’s fucking fairy land. A little while later, there’s another incident. It’s not a stupid incident, it’s a *handwaving* away incident. See, Sophie needs to get rid of {spoiler} and we’re told in detail why and how hard this is to accomplish. Someone else has been doing this task for a long time but doesn’t tell Sophie how. Sophie makes two pathetic attempts at getting rid of the {spoiler} and The Bad Guys catch on to her. After this we are told how hard it is for Sophie to not only get rid of the {spoiler} but to not get caught.... yet....we’re never told how she does this. Given what we know, I can’t find a plausible way to get accomplish the task. IF this thing never gets done, it calls into question not only everything that happened after the fact but also Someone Else’s story of doing it as well. These things bugged me soooooo much while reading.
Rating:
![](1.bp.blogspot.com/-rswUosxSSxU/USxKI1-lUdI/AAAAAAAAAjc/cuVka0OTU4M/s1600/blue3.png")
3 Bats = Solidly enjoyable, with a few issues keeping it from being better.
What it boils down to is that the ending failed to balance the tale and satisfy me so the whole set up came tumbling down. While reading I was thinking this would be a higher rating, but that sadly, didn’t come to pass. 2 major problems, some little problems, but an enjoyable way to spend the night nonetheless.
For those who like it short and sweet, I first present The List: PROS & CONS
+ Kept me guessing ‘til the end about who to trust, what was behind it all, and where it was generally going
+ Interesting premise
+ Darrrrrrrknessssssss
+ Generally liked the characters, especially Sophie at the beginning and Nell
+ Was smirking and smiling at some places
+ I really liked Nell’s poems and diary entries. While not an original way of telling her side, I wish I got more of Nell because I loved her voice. Nell would actually be my favorite character and I feel for her.
- One big stupid decision by the heroine that left me screaming, “Don’t do it, dumbass!”, which was required to move the story forward. I can’t actually imagine how the story would’ve worked without this mind numbing decision anyone with a brain, especially a horror fan lover like Sophie, would’ve known not to do. Then she acts all surprised it turns out badly like, what? Clearly though, it left a sour taste in my mouth.
- One big hole that bugged me while reading a whole lot. It still bugs me. Sophie complains about how hard it is to get rid of {spoiler} and has a few pathetic stabs at it. Someone else has been getting away with this task for a while yet they don’t tell Sophie how to do it. Sophie then gets rid of {spoiler} days on end with no problem. HOW did they get away with this? It was explained in detail how hard it was to get away with and I’m just suppose to accept Sophie figured it without being explained? I want to know how! I need to know otherwise it puts everything in question after the fact. Seriously, the rest of the story would’ve been impossible if Sophie doesn’t get rid of {spoiler} daily and without getting caught like previously.
- Not as terrifying or horrifying as I was hoping. More The Sixth Sense than The Shining. The Shining scared the shit out of me, The Sixth Sense? Nope. More eerie and thrilling to me than anything else. Didn’t get any of the visceral reactions you’d expect from horror stories. No jumping at noises or hearing noises or creepy, crawling feelings or freaked out about sleeping or anything.
- The ending is what killed my enjoyment the most and left me more frustrated than anything else. It’s all wrapped up neatly with a bow to give the YA happy ending. I don’t like it. It make me go “AWWWW”, but then the “Wait...what?!?!” kicks in.
When I first saw The Murmurings I thought I’d found the dark, horrific young adult tale I’d been looking for. I was reading The Grimm’s Fairy Tales and Stephen King when I was young so I’ve been a fan of the darker fiction for a long time. I don’t think that means I’m maladjusted (or anything) and was always frustrated that I had to read about characters so much older than me usually to get my fix for the fiendish.
I had high expectations for The Murmurings . I wanted scary, mind and reality bending. I even read it on an appropriately dark and stormy night. No joke, and no easy feat considering I live in the desert and hardly get any rain. However, it started storming so I settled in for a good read. I finished reading it that night long before it was dawn and promptly fell asleep. This is not the experience I was expecting. It wasn’t bad, just not what I wanted.
I didn’t get the freak out one would expect from a horror book. I wasn’t itching or looking over my shoulder or hearing things or seeing things out the corner of my eye. I wasn’t gasping or holding my breath. That’s the thing that usually grabs people about horror - the terror, the visceral response, the exploration into the darker side of life. I didn’t get creepy, more like eerie atmospheric and thrilling but not scarey either. Scare factor differs so much from person to person though.
I do not get horror from The Murmurings so what did I get? Well, that varies from the different sections. The first half is a darker paranormal romance mystery with Sophie trying to cope and figure out her sister’s death. The second half is an eerie suspenseful dark psychological thriller. There’s the wrap up chapter which goes all mushy contemporary with the standard everything’s okay now young adult ending. Can you tell the ending is the most disappointing part of my reading experience?
So let’s talk about my reading experience. I was so enjoying delving into the mystery in the beginning. I found Sophie to be funny, liked the exchanges between her and Evan, the passages about Nell and, most importantly, it didn’t feel like it was playing down the dark factor to be in the young adult category. It was about setup and investigating but there is definitely some important things going on. It’s not a case of taking forever to get anywhere about the mystery. Then the Big Stupid Decision happens to start the middle of the book. After an initial flurry of action, it begins to go again into “investigating and waiting” mode. I didn’t mind this because I was enjoying how it was all unraveling. Another problem found while reading here, but I was actually loving the thrill of it all. I was intrigued and at the edge of my seat until after the climax. The Big Finale really was suspenseful but not really horrifying since it was nothing really new. Still good, still enjoyable, still not sugar coating or shying away from the grim and gritty. Then the wrap up chapter happens. It’s sweet. It’s closure. It’s the typical young adult ending that I did not want. I’m left wondering, “What?!?”. The more I think about it, the more problems I have with The Murmurings.
Sure, there’s conveniences, coincidences, tropes and pet peeves that I noticed once dissecting the book for this review but let’s not go there because they didn’t affect my enjoyment while reading. One of the things The Murmurings succeeded at actually was keeping me guessing until the end about not only what’s going to happen, but who to trust as well. This at least I can say is a solid positive point for me. It stays dark and gritting up until the last chapter. Sophie and Evan’s romance feels less instant and more like a romantic suspense where people are thrown into dangerous situations and cling together. Considering how adults in books work out the same way, I don’t really have a problem with the romance here. I liked the characters, generally, even with the Big Stupid Decision. I loved Nell’s passages and poems the most though. Funny, how she’s the one I feel for most and Sophie is just kinda cool and funny to me.
Considering the genre and how the book was throughout the rest of the book, I was expecting the ending to leave me with this unsettled OMG reaction. As if the book’s reality is going to become your own. This didn’t happen for me here. Not even close. It’s just the exact opposite of everything it came before it. It doesn’t flow naturally to me and feels disingenuous. Like it just had to end that way because it’s young adult instead of delving into the realer, deeper, darker implications of the story. I wanted more chilling after effects, than a sappy aftertaste. There wasn’t much of issues of what comes next since Sophie is all calm, and comfortable about it. It’s all been handled when I wasn’t compelled to buy into that. There’s several things about the book I couldn’t buy into actually.
There’s two major things that bothered me while reading and did damper my enjoyment. Firstly, The Big Stupid Decision. This is desperately needed to move the story forward yet I hated it. It’s an obvious yelling out “Don’t do it, dumbass!” moment. My opinion of Sophie was lowered because of this incident. She had a reason to go {spoiler}, but she didn’t have to do it so...stupidly. She should have known better. After 100+ pages of learning how bad this {spoiler} is, she just waltzes in like it’s fucking fairy land. A little while later, there’s another incident. It’s not a stupid incident, it’s a *handwaving* away incident. See, Sophie needs to get rid of {spoiler} and we’re told in detail why and how hard this is to accomplish. Someone else has been doing this task for a long time but doesn’t tell Sophie how. Sophie makes two pathetic attempts at getting rid of the {spoiler} and The Bad Guys catch on to her. After this we are told how hard it is for Sophie to not only get rid of the {spoiler} but to not get caught.... yet....we’re never told how she does this. Given what we know, I can’t find a plausible way to get accomplish the task. IF this thing never gets done, it calls into question not only everything that happened after the fact but also Someone Else’s story of doing it as well. These things bugged me soooooo much while reading.
Rating:
3 Bats = Solidly enjoyable, with a few issues keeping it from being better.
What it boils down to is that the ending failed to balance the tale and satisfy me so the whole set up came tumbling down. While reading I was thinking this would be a higher rating, but that sadly, didn’t come to pass. 2 major problems, some little problems, but an enjoyable way to spend the night nonetheless.
ellymaiko1's review against another edition
adventurous
dark
emotional
inspiring
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0