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unfiltered_fiction's review
challenging
dark
informative
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.75
I read The Shadow King for my work book club, and it provoked such an interesting and varied discussion - definitely one I'd recommend for a group read!
I have mixed feelings about this book myself - there were elements of it that were phenomenal, and aspects that felt quite underdeveloped.
I found several of the structural and stylistic elements a little frustrating. A lack of quote marks and use of first person present tense, two of my pet hates in literature, made it difficult for me to properly lose myself in the story. The story is also presented in a highly stylised way, with interludes and choruses, with references in both style and content to Homer's Iliad. I really applaud Mengiste's aim of writing back to the male, Western and white dominated tradition of epic, but I found these framing techniques emotionally distancing and a little forced.
One of the key things I found frustrating was how little agency women maintained throughout the story. In her author's note, Mengiste says that "The story of war had always been a masculine story, but this was not true for Ethiopia and it has never been that way in any form of struggle. Women have been there, we are here now." Whilst she's absolutely right, this book really didn't feel to me like it put women right at the centre of the story.
However, the writing is stunning. It is philosophically rich, immaculately researched, and a distinctly valuable resistance to Western-centred narratives of conflict. It's an especially important text because Mengiste reminds the reader of the very, very recent brutality inflicted on people and nations of colour by European regimes; I have spent years in classrooms learning about the World Wars and their historical, but I did not know a thing about Mussolini's campaigns on Ethiopia.
It's a very important story, but overall, I wasn't a huge fan of how it was told.
I have mixed feelings about this book myself - there were elements of it that were phenomenal, and aspects that felt quite underdeveloped.
I found several of the structural and stylistic elements a little frustrating. A lack of quote marks and use of first person present tense, two of my pet hates in literature, made it difficult for me to properly lose myself in the story. The story is also presented in a highly stylised way, with interludes and choruses, with references in both style and content to Homer's Iliad. I really applaud Mengiste's aim of writing back to the male, Western and white dominated tradition of epic, but I found these framing techniques emotionally distancing and a little forced.
One of the key things I found frustrating was how little agency women maintained throughout the story. In her author's note, Mengiste says that "The story of war had always been a masculine story, but this was not true for Ethiopia and it has never been that way in any form of struggle. Women have been there, we are here now." Whilst she's absolutely right, this book really didn't feel to me like it put women right at the centre of the story.
However, the writing is stunning. It is philosophically rich, immaculately researched, and a distinctly valuable resistance to Western-centred narratives of conflict. It's an especially important text because Mengiste reminds the reader of the very, very recent brutality inflicted on people and nations of colour by European regimes; I have spent years in classrooms learning about the World Wars and their historical, but I did not know a thing about Mussolini's campaigns on Ethiopia.
It's a very important story, but overall, I wasn't a huge fan of how it was told.
Content Warnings
Graphic: Death, Genocide, Gun violence, Physical abuse, Racial slurs, Racism, Rape, Sexual violence, Torture, Violence, Murder, Colonisation, War, and Injury/Injury detail