isabellajfonseca's review against another edition
dark
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
shari_billops's review against another edition
Alias Grace : A Novel by Margaret Atwood (1997)
sfoster2309's review
challenging
dark
emotional
funny
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
elfsteel's review
challenging
dark
mysterious
reflective
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
ththalassocracy's review
mysterious
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.75
claudia2945's review
4.0
Many insights into the way women were viewed in the 19th century and how it affected their perceived guilt or innocence when accused of a crime. Good story, although the ending seemed a bit too tidy.
sjandersen's review
emotional
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
heathercide's review against another edition
5.0
This might be my favorite Atwood book, though it’s been forever since I’ve read The Handmaid’s Tale. It hit all the right notes for me: a story about storytelling, an incredibly compelling female protagonist/narrator (though the male narrator was a little bit like Jimmy in Oryx and Crake: more than a little gross, especially in certain attitudes and behaviors towards women, but somehow you root for him anyway), lovely, quiet, vivid imagery and prose. There were so many passages where I wished I had a highlighter to make note of it, and I rarely annotated anything in college (bad English major, I know). I don’t typically find murder mysteries interesting—which this is, in a sense—but I liked this one quite a lot, probably because it’s less focused on the murder itself but on the remembering of it.
I’m so happy this has been adapted into a miniseries on Netflix. I know what I’m doing over the next few days.
I’m so happy this has been adapted into a miniseries on Netflix. I know what I’m doing over the next few days.